Date | Venue | Len | Qlt | Src | Mod | Gen | Car | # | Notes |
TREY ANASTASIO |
07/12/2005 |
Los Angeles CA, Wiltern Theatre |
168 |
10 |
A |
S |
0 |
3CDR |
#32F |
mk4 > kc5 > cmc6 > SD 722@24/96. Stewart on 2 tracks. |
07/12/2005 |
Los Angeles CA, Wiltern Theatre |
167 |
10 |
S |
S |
0 |
3CDR |
#32F |
Soundboard. NO TRADE |
ANIMAL LOGIC |
19/06/1989 |
San Diego CA, The Bacchanal |
76 |
9 |
A |
S |
|
CDR |
#45F |
|
27/11/1989 |
Toronto, El Macambo |
66 |
8 |
A |
S |
|
CDR |
#45F |
|
03/12/1989 |
Boston MA, Paradise Theater |
67 |
10 |
R |
S |
|
CDR |
#27F |
|
17/02/1990 |
Chicago IL, Park West |
71 |
9 |
R |
S |
|
CDR |
#27F |
|
KEVIN AYERS |
16/08/1976 |
Roskilde Festival |
89 |
7.5 |
A |
M |
|
2CDR |
#31F |
w/ Andy Summers on guitar |
19/08/1976 |
Bremen, Postaula |
43 |
8.5 |
R |
S |
|
CDR |
#33F |
w/ Andy Summers on guitar |
13/12/1976 |
Paris, Palais des Sports |
73 |
8.5 |
A |
M |
0 |
CDR |
#75F |
Philips recorder. w/ Andy Summers on guitar |
CHELSEA |
02/05/1980 |
London, Notre Dame Hall |
|
|
|
|
|
T |
|
Sting on bass |
ERIC CLAPTON |
08/01/1987 |
London, RAH |
112 |
6 |
A |
S |
|
2CDR |
#143F |
Sting on 2 tracks. |
LES CLAYPOOL'S FROG BRIGADE |
29/09/2000 |
Las Vegas NV, House of Blues |
148 |
9.5 |
A |
S |
0 |
2CDR |
#31S |
Stewart on 2 tracks. cmc641 > V2 > AD-1000 > DAT@48k |
31/05/2002 |
Las Vegas NV, House of Blues |
111 |
9.5 |
A |
S |
0 |
2CDR |
#30F |
Stewart on 3 tracks. mk4v/kc5/cmc6 > SX-M2 > AD-1000 > D8@44.1k, FOB / backwards ORTF bar |
STEWART COPELAND |
Unknown |
Punk Diary interview |
2 |
10 |
R |
S |
0 |
CDR |
#40F |
Pre FM |
16/11/1986 |
San Francisco CA, Warfield Theatre |
21 |
7 |
A |
S |
|
CDR |
#120F |
w/ Adrian Belew and Stanley Clarke |
08/1993 |
Unknown, Opera |
52 |
9 |
R |
M |
|
CDR |
#106F |
|
20/01/1994 |
Melbourne, King Center, Rhythmatist |
65 |
8 |
A |
M |
|
CDR |
#114F |
|
26/01/1994 |
Miami, Gusman Auditorium, Rhythmatist |
87 |
7 |
A |
M |
|
2CDR |
#106F |
|
01/02/1994 |
Toronto, O'Keefe Centre, Rhythmatist |
90 |
7.5 |
A |
S |
|
2CDR |
#106F |
|
1996 |
JJJ Australia phone interview |
25 |
9.5 |
R |
S |
0 |
CDR |
#34F |
From master |
10/2000 |
Mark & Brian show Interview |
38 |
8.5 |
R |
S |
|
MP3 |
#47 |
160kbps 44.1kHz joint stereo |
18/07/2002 |
London, Royal Festival Hall |
73 |
8 |
A |
M |
0 |
CDR |
#47F |
RP-VC200 > MZ-G750 |
11/11/2002 |
Milano, Teatro Smeraldo, Orchestralli |
60 |
9.5 |
A |
S |
M |
CDR |
#8F |
cm-30a > tc-d3 (analog). My master |
12/11/2002 |
Torino, Teatro Colosseo, Orchestralli |
31 |
8 |
A |
S |
0 |
CDR |
#8F |
From master tape, incomplete |
03/03/2004 |
Phone interview on KDMX |
8 |
9 |
R |
S |
|
MP3 |
#8 |
96 kHz mp3 |
17/07/2004 |
Castellazzo di Bollate, Villa Arconati, Taranta |
165 |
8.5 |
A |
S |
M |
3CDR |
#8F |
cm-30a > tc-d3 (analog). My master |
30/10/2004 |
Inside Mac Radio Interview |
|
|
R |
S |
|
MP3 |
#3 |
|
11/06/2005 |
Times Square, outside of MTV studios |
9 |
10 |
T |
S |
|
CDR |
#12F |
DTV > .. > DAT > ..CDR. Stewart with Dave and Taylor of Foo Fighters
two street bucket drummers |
08/07/2005 |
Roma, Villa Ada, Gizmo (w/ soundcheck) |
120 |
9/10 |
AS |
S |
|
2CDR |
#64F |
Some diginoise |
21/07/2005 |
Casarano, Stadio Comunale, Gizmo |
48 |
10 |
S |
S |
1 |
CDR |
#56F |
|
06/07/2006 |
Rudolstadt, Heidecksburg, Taranta |
34 |
9.5 |
R |
M |
|
CDR |
#58F |
|
13/08/2006 |
Electric Sky interview |
10 |
|
W |
S |
|
MP3 |
#38 |
mp3 file |
05/09/2006 |
The Northern Echo interview |
19 |
10 |
W |
S |
|
ASF |
#40 |
ASF file w/ mp3 audio |
11/09/2006 |
Milano, Mazda Palace, Taranta |
129 |
8.5 |
A |
S |
M |
2CDR |
#96F |
My master. GSAL Omnis > JB3 |
31/01/2007 |
Rock 101 phone interview |
2 |
10 |
W |
S |
|
WMA |
#50 |
20 kbps, 22kHz stereo CBR |
30/09/2008 |
Berlin, Club Pulp Mansion |
63 |
9 |
A |
S |
0 |
CDR |
#132F |
Presentation of the new Police DVD Certifiable, ECM-719 > MD-MT 190 |
04/07/2009 |
Milano, Arena, Taranta |
110 |
9 |
A |
S |
0 |
2CDR |
#135F |
R09-HR |
08/09/2009 |
Oberhausen, Koepi-Arena |
125 |
9 |
A |
S |
0 |
2CDR |
#150F |
ECM-717 > MD-MT15. Ben Hur Live rehearsals, music by Stewart Copeland |
19/09/2009 |
London, O2 Arena |
115 |
9 |
A |
S |
0 |
2CDR |
#150F |
ECM-717 > MD-MT15. Ben Hur Live, music by Stewart Copeland |
09/10/2009 |
WNYC, Studio 360 w/ Kurt Andersen |
12 |
10 |
R |
S |
0 |
MP3 |
#135 |
|
03/11/2009 |
Talk Radio Network, Mancow's Morning Madhouse |
12 |
10 |
R |
S |
0 |
MP3 |
#144 |
|
13/11/2010 |
Eindhoven, Muziekgebouw Frits Philips |
116 |
9.5 |
A |
S |
0 |
2CDR |
#147F |
ECM-717 > MD-MT15. Tromp Percussion festival |
13/11/2010 |
Eindhoven, Muziekgebouw Frits Philips |
119 |
9 |
A |
S |
0 |
2CDR |
#147F |
MM-MCSM-4 > MM-EBM > H120. Tromp Percussion festival |
13/11/2010 |
Eindhoven, Muziekgebouw Frits Philips |
137 |
8.5 |
A |
S |
0 |
2CDR |
#147F |
SS PA-10LC3 > R09-HR. Tromp Percussion festival |
08/07/2011 |
Cartagena, Auditorio Parque Torres, Taranta |
106 |
9.5 |
R |
S |
0 |
2CDR |
#157F |
|
12/07/2012 |
Karlsruhe, Tollhaus, Clarke Copeland Band |
92 |
9 |
A |
S |
0 |
2CDR |
#167F |
Sample
|
13/07/2012 |
Darmstadt, Centralstation, Clarke Copeland Band |
90 |
8.5 |
A |
S |
0 |
2CDR |
#167F |
ECM-717 > R-09HR |
23/07/2012 |
Sant Feliu de Guixols, Clarke Copeland Band |
84 |
9.5 |
A |
S |
0 |
2CDR |
#167F |
SS PA-10LC3 > R-09HR |
ELVIS COSTELLO |
10/05/2008 |
Rosemont IL, Allstate Arena |
51 |
9.5 |
A |
S |
0 |
CDR |
#110F |
at853 > MV-100 > d8. Sting on one song |
11/05/2008 |
Grand Rapids MI, Van Andel Arena |
53 |
9 |
A |
S |
0 |
CDR |
#110F |
CA STC-11 > SP bb > PMD620 @24/48. 16 bits version. Sting on one song |
24/05/2008 |
Phoenix, Cricket Wireless Pavilion |
54 |
9 |
A |
S |
0 |
CDR |
#110F |
4061 > MMA6000 > MR-1. 16 bits version. Sting on one song |
27/05/2008 |
Hollywood CA, Hollywood Bowl |
51 |
8 |
A |
S |
0 |
CDR |
#122F |
MiniDisc. Sting on one song |
28/05/2008 |
Hollywood CA, Hollywood Bowl |
50 |
8.5 |
A |
S |
0 |
CDR |
#128F |
Green machine mic > MZ-RH1(PCM Mode). Sting on one song |
11/07/2008 |
Ridgefield WA, Clark County Amphitheater |
56 |
8 |
A |
S |
0 |
CDR |
#119F |
SP-CMC-4 > SP-SPSB-6 > R-09. Sting on one song |
25/07/2008 |
Milwaukee WI, Marcus Amphitheater |
57 |
8.5 |
A |
S |
0 |
CDR |
#123F |
AT-899 > R-09. Sting on one song |
29/07/2008 |
Philadelphia PA, Wachovia Center |
52 |
8.5 |
A |
S |
0 |
CDR |
#122F |
CMC-2 > SPSB-8 > R-09 @24/48. Sting on one song |
29/07/2008 |
Philadelphia PA, Wachovia Center |
52 |
8.5 |
A |
M |
0 |
CDR |
#122F |
MK41 > R-09HR. Sting on one song |
29/07/2008 |
Philadelphia PA, Wachovia Center |
52 |
9 |
A |
S |
0 |
CDR |
#122F |
MK41 > R-09. Sting on one song |
29/07/2008 |
Philadelphia PA, Wachovia Center |
52 |
9 |
A |
S |
0 |
CDR |
#128F |
Mix of the two above sources |
03/08/2008 |
Holmdel NJ, PNC Bank Arts Center |
58 |
9.5 |
A |
S |
0 |
CDR |
#122F |
CMC-2 > SPSB-8 > R-09 @24/48. Sting on one song |
03/08/2008 |
Holmdel NJ, PNC Bank Arts Center |
56 |
8.5 |
A |
S |
0 |
CDR |
#122F |
H2. Sting on one song |
04/08/2008 |
Wantagh NY, Nikon at Jones Beach Theatre |
55 |
9 |
A |
S |
0 |
CDR |
#122F |
CMC-2 > SPSB-8 > R-09 @24/48. Sting on one song |
04/08/2008 |
Wantagh NY, Nikon at Jones Beach Theatre |
54 |
9 |
A |
S |
0 |
CDR |
#135F |
CCM4's > SD744T. Sting on one song |
05/08/2008 |
Wantagh NY, Nikon at Jones Beach Theatre |
56 |
9 |
A |
S |
0 |
CDR |
#135F |
CCM4's > SD744T. Sting on one song |
KEVIN COYNE |
18/08/1975 |
Bremen, Postaula |
72 |
|
R |
S |
|
CDR |
#3F |
With Andy Summers on gtr, vcl |
CURVED AIR |
20/11/1974 |
Guilford, Surrey University |
73 |
9 |
R |
S |
|
CDR |
#12F |
Sorry, no Stewart here, he was acting as tour manager |
DIRE STRAITS |
04/07/1985 |
London, Wembley Arena |
116 |
7 |
A |
S |
|
2CDR |
#58F |
Sting on one song. Gaps |
21ST CENTURY DOORS |
06/09/2002 |
Fontana CA, The California Speedway |
110 |
8.5 |
A |
S |
0 |
2CDR |
#89F |
Stewart on Drums. From DAT master. Kick drum distorts |
FICTION PLANE |
18/06/2007 |
Phoenix AZ, US Airways Center |
47 |
8.5 |
A |
S |
0 |
CDR |
#83F |
SP-CMC-20 > SP-SPSB-10 > PCM-RH1 |
20/06/2007 |
Los Angeles CA, Staples Center |
47 |
8 |
A |
S |
0 |
CDR |
#83F |
DSM6 > PACLC > PCM-M1 |
23/06/2007 |
Los Angeles CA, Dodger Stadium |
30 |
7.5 |
A |
S |
0 |
CDR |
#83F |
SP-CMC-20 > SP-SPSB-10 > PCM-RH1. Incomplete |
05/07/2007 |
Chicago IL, Wrigley Field |
13 |
7.5 |
A |
M |
|
CDR |
#99F |
Unknown source #1 |
20/07/2007 |
Hershey PA, Hershey Park Stadium |
30 |
8.5 |
A |
S |
0 |
CDR |
#83F |
MK4v > Nbox+ > R-09 @24/48. 16 bits version. Incomplete |
02/08/2007 |
New York City NY, Bowery Ballroom |
75 |
9 |
A |
S |
0 |
CDR |
#87F |
ECM-717 > MD-MT15 |
29/08/2007 |
Stockholm, Globe Arena |
45 |
8 |
A |
S |
0 |
CDR |
#83F |
ECM-717 > MD-MT15 |
30/08/2007 |
Stockholm, Globe Arena |
42 |
8.5 |
A |
S |
0 |
CDR |
#83F |
ECM-717 > MD-MT15 |
08/09/2007 |
London, Twickenham Stadium |
20 |
8 |
A |
S |
M |
CDR |
#75F |
My master, incomplete. GSAL omnis > R-09 |
08/09/2007 |
London, Twickenham Stadium |
46 |
8.5 |
A |
S |
0 |
CDR |
#83F |
ECM-717 > MD-MT15 |
09/09/2007 |
London, Twickenham Stadium |
46 |
7.5 |
A |
S |
0 |
CDR |
#83F |
ECM-717 > MD-MT15 |
11/09/2007 |
Hamburg, HSH Norbank Arena |
44 |
8.5 |
A |
S |
0 |
CDR |
#75F |
OKM IIr > Gmini 400 |
11/09/2007 |
Hamburg, HSH Nordbank Arena |
44 |
8 |
A |
S |
0 |
CDR |
#83F |
ECM-717 > MD-MT15 |
13/09/2007 |
Amsterdam, ArenA |
45 |
8.5 |
A |
S |
0 |
CDR |
#83F |
ECM-CS10 > H340 |
13/09/2007 |
Amsterdam, ArenA |
45 |
8.5 |
A |
S |
0 |
CDR |
#83F |
ECM-717 > MD-MT15 |
14/09/2007 |
Amsterdam, ArenA |
45 |
8 |
A |
S |
0 |
CDR |
#83F |
ECM-717 > MD-MT15 |
14/09/2007 |
Amsterdam, ArenA |
45 |
8 |
A |
S |
0 |
CDR |
#83F |
AT831 > SP-SPSB-6 > H120 |
14/09/2007 |
Amsterdam, Fame Music Store |
25 |
9 |
A |
S |
0 |
CDR |
#83F |
ECM-717 > MD-MT15. Acoustic session |
19/09/2007 |
Wien, Stadthalle |
47 |
8 |
A |
S |
0 |
CDR |
#83F |
ECM-717 > MD-MT15 |
26/09/2007 |
Barcelona, Razzmatazz |
73 |
9 |
A |
S |
0 |
CDR |
#83F |
ECM-717 > MD-MT15 |
27/09/2007 |
Barcelona, Estadi Olimpic |
46 |
8.5 |
A |
S |
0 |
CDR |
#87F |
ECM-717 > MD-MT15 |
20/10/2007 |
London, Wembley Arena |
46 |
9 |
A |
S |
0 |
CDR |
#87F |
ECM-717 > MD-MT15 |
10/02/2008 |
Osaka, Kyocera Dome |
38 |
9 |
A |
S |
0 |
CDR |
#99F |
AT943s > CA9100 > MR-1 |
10/02/2008 |
Osaka, Kyocera Dome |
38 |
8.5 |
A |
S |
|
CDR |
#103F |
"No. 98 gig". Microgaps |
14/02/2008 |
Tokyo, Tokyo Dome |
39 |
8 |
A |
S |
0 |
CDR |
#99F |
MGR-A7(w/ internal mics) |
14/02/2008 |
Tokyo, Tokyo Dome |
37 |
9.5 |
AS |
S |
|
CDR |
#102F |
IEM+AUD. "Do not cross" |
14/02/2008 |
Lyon, FNAC Part-Dieu |
15 |
8.5 |
A |
S |
0 |
CDR |
#105F |
R-09 |
06/12/2008 |
Lille, Le Splendid |
83 |
8.5 |
A |
M |
0 |
2CDR |
#131F |
ECM719 > RH910 |
07/12/2008 |
Amsterdam, Paradiso |
86 |
8.5 |
A |
S |
0 |
2CDR |
#131F |
AT831 (SP-CMC-2) > SP-SPSB-6 (Bass Roll Off @ 95hz) > R09-HR |
07/10/2010 |
Villeurbanne, Le Trasbordeur |
96 |
9.5 |
S |
M |
0 |
2CDR |
#146F |
IEM feed > scanner > R09 |
ROBBEN FORD |
17/02/1990 |
Santa Monica CA |
78 |
9 |
A |
S |
|
CDR |
#47F |
Sting on 2 tracks |
PETER GABRIEL |
18/07/1982 |
Bath, Womad Festival |
44 |
7.5 |
A |
S |
|
CDR |
#94F |
Stewart on drums |
OYSTERHEAD |
02/03/2000 |
Trey's Barn VT, outtakes |
23 |
10 |
S |
S |
|
CDR |
#8S |
There are some static noise. Looking for clean copy. |
05/2000 |
Demos |
9 |
10 |
S |
S |
|
MP3 |
#8 |
MP3 demos from www.oysterhead.com |
04/05/2000 |
New Orleans LA, Saenger Theater |
108 |
10 |
S |
S |
0 |
2CDR |
#24F |
sbd > dat |
04/05/2000 |
New Orleans LA, Saenger Theater |
108 |
9 |
AS |
S |
0 |
2CDR |
#105F |
SBD / 4011 matrix |
04/05/2000 |
New Orleans LA, Saenger Theater |
109 |
10 |
A |
S |
0 |
2CDR |
#123F |
cmc6/mk4v > Sonosax > AD1000 |
04/05/2000 |
New Orleans LA, Saenger Theater |
109 |
10 |
A |
S |
0 |
2CDR |
#155F |
(FOB/DFC) mk4v's > kc5 > cmc6 > SX-M2 > AD-1000 > DAT(c) |
04/05/2000 |
New Orleans LA, Saenger Theater |
109 |
9.5 |
A |
S |
0 |
2CDR |
#165F |
(FOB/DFC) mk4's > kc5 > cmc6 > V2 > AD-1000 > DA-P1 |
21/10/2001 |
Seattle WA, Paramount Theatre |
122 |
|
A |
S |
0 |
2CDR |
#6F |
mk4v > kc5 > V2 > AD1000 > D8 @44.1 |
21/10/2001 |
Seattle WA, Paramount Theatre |
123 |
9.5 |
A |
S |
0 |
2CDR |
#30S |
FOB MK4 (ORTF in a hat) > KCY > VMS5U > SBM-1 (44.1 khz) > PCM-M1 |
23/10/2001 |
Vancouver BC, Orpheum Theatre |
99 |
|
A |
S |
0 |
2CDR |
#2F |
mk4v > kc5 > cmc6 > ad1k > dap1 > d8 |
23/10/2001 |
Vancouver BC, Orpheum Theatre |
101 |
9 |
A |
S |
0 |
2CDR |
#123F |
cmc6/mk4v > Sonosax > AD1000 > D-8 |
24/10/2001 |
Salem OR, Salem Armory |
102 |
|
A |
S |
0 |
2CDR |
#6F |
mk4 > kcy > VMS 5U > SBM-1 > M1, FOB |
24/10/2001 |
Salem OR, Salem Armory |
104 |
9 |
A |
S |
0 |
2CDR |
#155F |
cmc6/mk4v's > SX-M2 > AD-1000 > DAT(c) |
26/10/2001 |
Berkeley CA, The Greek Theatre |
111 |
|
A |
S |
0 |
2CDR |
#2F |
mk4v > kc5 > cmc6 > SX-M2 > AD1K > D8 |
26/10/2001 |
Berkeley CA, The Greek Theatre |
109 |
9 |
A |
S |
0 |
2CDR |
#144F |
FOB 4023's > V2 > AD 1000 > M1 |
26/10/2001 |
Berkeley CA, The Greek Theatre |
111 |
10 |
A |
S |
0 |
2CDR |
#144F |
FOB KM 140's ORTF > V2 > AD 1000 > DA-P1 @48k |
26/10/2001 |
Berkeley CA, The Greek Theatre |
112 |
9.5 |
A |
S |
0 |
2CDR |
#144F |
NT2 > MP2 > SBM-1 > D8 @44.1k |
26/10/2001 |
Berkeley CA, The Greek Theatre |
111 |
9.5 |
A |
S |
0 |
2CDR |
#160S |
AK40> LC3ka > KM100 > Lunatec V2 > AD-1000 > Dat |
27/10/2001 |
Los Angeles CA, Hollywood Palladium |
93 |
|
A |
S |
0 |
2CDR |
#2F |
mk4v> kc5> cmc6> SX-M2> AD1K> D8 |
27/10/2001 |
Los Angeles CA, Hollywood Palladium |
93 |
9 |
A |
S |
0 |
2CDR |
#123F |
cmc6/mk4v > SX-M2 > AD1000 > D-8 |
27/10/2001 |
Los Angeles CA, Hollywood Palladium |
93 |
9.5 |
A |
S |
0 |
2CDR |
#144F |
Schoeps 641's > V2 > AD 1000 > DA-P1 @48k |
27/10/2001 |
Los Angeles CA, Hollywood Palladium |
93 |
10 |
A |
S |
0 |
2CDR |
#144F |
NT2 > MP2 > SBM-1 > D8 @44.1k |
30/10/2001 |
Denver CO, The Fillmore |
103 |
|
A |
S |
0 |
2CDR |
#6F |
mk4v > kc5 > V2 > Apogee AD1000 > D8 |
30/10/2001 |
Denver CO, The Fillmore |
95 |
9.5 |
A |
S |
|
2CDR |
#12F |
cmc641 > SX-M2 > ad2k > d8 > ? > flac. Some static noise |
30/10/2001 |
Denver CO, The Fillmore |
103 |
9.5 |
A |
S |
0 |
2CDR |
#121F |
(FOB) mk4 > kc5 > cmc6 > PSP-3 > AD-1000 > DAT (@48 kHz) |
30/10/2001 |
Denver CO, The Fillmore |
103 |
9 |
A |
S |
0 |
2CDR |
#155F |
cmc6/mk4v's > Lunatec V2 > AD-1000 > DA-P1 > DAT(c) |
31/10/2001 |
Denver CO, The Fillmore |
106 |
9.5 |
A |
S |
0 |
2CDR |
#24F |
km140s > mp2 > adc20 > p1 > digi32 |
31/10/2001 |
Denver CO, The Fillmore |
119 |
10 |
A |
S |
0 |
2CDR |
#25F |
mk4 > kc5 > cmc6 > psp3 > ad1k > p1, FOB |
31/10/2001 |
Denver CO, The Fillmore |
119 |
|
A |
S |
0 |
2CDR |
#6F |
KM-140 > Lunatec V2 > Benchmark AD2K+, FOB XY |
31/10/2001 |
Denver CO, The Fillmore |
119 |
10 |
A |
S |
0 |
2CDR |
#121F |
(FOB) mk4 > kc5 > cmc6 > PSP-3 > AD-1000 > DAT @48 |
31/10/2001 |
Denver CO, The Fillmore |
119 |
9 |
A |
S |
0 |
2CDR |
#155F |
cmc6/mk4v's > Lunatec V2 > AD-1000 > DA-P1 > DAT(c) |
02/11/2001 |
Chicago IL, Aragon Ballroom |
118 |
9.5 |
A |
S |
0 |
2CDR |
#25S |
Neumann KM140s(ORTF)-> V2-> SBM1-> D8 |
02/11/2001 |
Chicago IL, Aragon Ballroom |
117 |
|
A |
S |
0 |
2CDR |
#6F |
mk4v > kc5 > cmc6 > SX-M2 > AD-1000 > D8, FOB |
02/11/2001 |
Chicago IL, Aragon Ballroom |
118 |
9.5 |
A |
S |
0 |
2CDR |
#8S |
mk21 > sxm2 > ad2k, FOB |
02/11/2001 |
Chicago IL, Aragon Ballroom |
119 |
9 |
A |
S |
0 |
2CDR |
#155F |
cmc6/mk4v's > Lunatec V2 > AD-1000 > DA-P1 > DAT(c) |
03/11/2001 |
West Lafayette IN, Elliott Hall |
94 |
9 |
A |
S |
0 |
2CDR |
#25S |
Neumann KM140s(ORTF/FOB)-> V2-> SBM1-> D8 |
03/11/2001 |
West Lafayette IN, Elliott Hall |
95 |
|
A |
S |
0 |
2CDR |
#6F |
mk4v > kc5 > SX-M2 > AD1000 > D8 |
03/11/2001 |
West Lafayette IN, Elliott Hall |
93 |
9.5 |
A |
S |
0 |
2CDR |
#26F |
SR-60 > Bass roll off > Sound Professionals Mini Mics |
03/11/2001 |
West Lafayette IN, Elliott Hall |
95 |
9 |
A |
S |
0 |
2CDR |
#30F |
XY Neumann KM-140 clamped on balcony rail DFC > Lunatec V2 > Benchmark AD2K+ |
03/11/2001 |
West Lafayette IN, Elliott Hall |
95 |
9 |
A |
S |
0 |
2CDR |
#123F |
MK4V > KC5 > CMC6 > Apogee AD1000 > Sony D8 FOB/DFC |
04/11/2001 |
Ann Arbor MI, Hill Auditorium |
96 |
10 |
A |
S |
0 |
2CDR |
#19S |
km140s(ORTF) > v2 > sbm1 > d8 > r300 > hbb830 |
04/11/2001 |
Ann Arbor MI, Hill Auditorium |
96 |
10 |
A |
S |
0 |
2CDR |
#1S |
mk4 > kcy > VMS 5U > SBM-1 > D8 @ 48k, ORTF |
04/11/2001 |
Ann Arbor MI, Hill Auditorium |
96 |
9.5 |
A |
S |
0 |
2CDR |
#155F |
cmc6/mk4v's > SX-M2 > AD-1000 > TCD-D8 > DAT(c) |
06/11/2001 |
Cleveland OH, Cleveland State Theatre |
104 |
|
A |
S |
0 |
2CDR |
#2F |
mk4v > kc5 > cmc6 > SX-M2 > AD1K > D8 > DAP1 > D8 |
06/11/2001 |
Cleveland OH, Cleveland State Theatre |
105 |
9 |
A |
S |
0 |
2CDR |
#162F |
AKG c1000 > AD-20 > TCD-D100 |
07/11/2001 |
Toronto, Massey Hall |
105 |
9 |
A |
S |
0 |
2CDR |
#29S |
DAUD/OTS > cmc/mk4v > sx-m2 > A/D 1000 > DA-P1 > oade active
> D-7(@44.1) |
09/11/2001 |
Utica NY, Utica Memorial |
114 |
|
A |
S |
0 |
2CDR |
#6F |
cmc621 > SX-M2 > AD2K+ > D8, FOB |
09/11/2001 |
Utica NY, Utica Memorial |
114 |
9 |
A |
S |
0 |
2CDR |
#127S |
CMC6/MK21 > Sonosax SX-M2 > AD2K (FOB/DFC) |
09/11/2001 |
Utica NY, Utica Memorial |
114 |
8.5 |
A |
S |
0 |
2CDR |
#130F |
mk2h > kc5 > cmc6 > PSP-3 > AD-1000 > DA-P1. Phase inversion |
09/11/2001 |
Utica NY, Utica Memorial |
114 |
8.5 |
A |
S |
0 |
2CDR |
#162F |
AKG c1000 > AD-20 > TCD-D100 |
10/11/2001 |
Lowell MA, Tsongas Arena |
106 |
|
A |
S |
0 |
2CDR |
#7F |
mk4 > kc-5 > cmc6 > Lunatec 316 > ad2k+ > da-p1, FOB |
10/11/2001 |
Lowell MA, Tsongas Arena |
106 |
9 |
A |
S |
0 |
2CDR |
#127S |
cmc6/mk4 > kc5 > eaapsp3 > ad1k (ortf dfc) |
10/11/2001 |
Lowell MA, Tsongas Arena |
105 |
9 |
A |
S |
0 |
2CDR |
#156F |
(FOB) mk4's > kc5 > cmc6 > SX-M2 > AD-1000 > DA-P1 > DAT(c) |
10/11/2001 |
Lowell MA, Tsongas Arena |
106 |
9 |
A |
S |
0 |
2CDR |
#160F |
SR71 > M2 > D8 |
10/11/2001 |
Lowell MA, Tsongas Arena |
107 |
8.5 |
A |
S |
0 |
2CDR |
#162F |
AKG c1000 > AD-20 > TCD-D100 |
11/11/2001 |
Camden NJ, Tweeter Center |
101 |
|
A |
S |
|
2CDR |
#5F |
ccm4 > MP-2 > M1 |
11/11/2001 |
Camden NJ, Tweeter Center |
101 |
9 |
A |
S |
0 |
2CDR |
#127S |
CMC6/MK4V > SONOSAX > AD1000 > D-8 |
13/11/2001 |
New York, Roseland Ballroom |
106 |
|
A |
S |
|
2CDR |
#2F |
mk21 > kc5 > cmc6 > Apogee AD1000 > D8@ 44.1 |
13/11/2001 |
New York, Roseland Ballroom |
106 |
9 |
A |
S |
0 |
2CDR |
#8S |
cmc64v > sx-m2 > ad1000 > d8 |
13/11/2001 |
New York, Roseland Ballroom |
107 |
|
A |
S |
0 |
2CDR |
#40F |
mk4 > kc5 > cmc6 > AD-1000 > D100@44.1, FOB |
14/11/2001 |
New York, Roseland Ballroom |
88 |
|
A |
S |
|
2CDR |
#2F |
mk21 > kc5 > cmc6 > AD1000 > D8@44.1 |
14/11/2001 |
New York, Roseland Ballroom |
88 |
|
A |
S |
0 |
2CDR |
#40F |
mk4 > kc5 > cmc6 > SX-M2 > AD-1000 > D100@44.1, FOB |
14/11/2001 |
New York, Roseland Ballroom |
80 |
8.5 |
A |
M |
0 |
2CDR |
#165F |
SM57 > MZ-R70 |
16/11/2001 |
Washington DC, Constitution Hall |
112 |
|
A |
S |
0 |
2CDR |
#2F |
mk4v > kc5 > cmc6 > SX-M2 > AD1000 > D8 > D8@44.1 |
16/11/2001 |
Washington DC, Constitution Hall |
112 |
9.5 |
A |
S |
|
2CDR |
#30F |
|
16/11/2001 |
Washington DC, Constitution Hall |
112 |
9.5 |
A |
S |
0 |
2CDR |
#155F |
c300b/ck91 > PS-2 > AD-20 > PCM-M1 > DAT(m) |
17/11/2001 |
Asheville NC, Civic Center |
110 |
9 |
A |
S |
0 |
2CDR |
#25S |
Neumann KM140s(ORTF) > V2 > SBM1 > D8 |
17/11/2001 |
Asheville NC, Civic Center |
109 |
9 |
A |
S |
0 |
2CDR |
#26S |
Neumann u89i EAA-PSP7 > ADC-20 > Apogee (?) > DA-P1 |
17/11/2001 |
Asheville NC, Civic Center |
110 |
9 |
A |
S |
0 |
2CDR |
#24S |
mk4 > kcy > VMS 5U > SBM-1 > D8@48, FOB/ORTF |
17/11/2001 |
Asheville NC, Civic Center |
108 |
10 |
A |
S |
0 |
2CDR |
#8S |
U89s > PSP2 > AD1k (OTS) |
17/11/2001 |
Asheville NC, Civic Center |
111 |
9 |
A |
S |
0 |
2CDR |
#48F |
C391B's > MP-2 > SBM-1 (@48kHz) > D8 |
17/11/2001 |
Asheville NC, Civic Center |
112 |
9 |
A |
S |
0 |
2CDR |
#110F |
4022 > V2 > A1000 > DA-P1 |
17/11/2001 |
Asheville NC, Civic Center |
108 |
9 |
A |
S |
0 |
2CDR |
#156F |
Akg483 > oade248 > SBM1 oademod > DA-P1 DAT48/16 |
18/11/2001 |
Gainesville FL, O' Connel Center |
121 |
9.5 |
A |
S |
0 |
2CDR |
#25S |
Neumann KM140s(ORTF) > V2 > SBM1 > D8 |
18/11/2001 |
Gainesville FL, O' Connel Center |
120 |
|
A |
S |
0 |
2CDR |
#5F |
mk4v > kc5 > cmc6 > SX-M2 > AD1000 > D8@44.1 |
16/06/2006 |
Manchester TN, Bonnaroo |
102 |
9 |
A |
S |
0 |
2CDR |
#34F |
AKG 463 > Sound Devices MP-2 > Edirol R-1 (16bit/44.1khz) |
16/06/2006 |
Manchester TN, Bonnaroo |
102 |
9.5 |
A |
S |
0 |
2CDR |
#34F |
mk4 > kc5 > cmc6 > Lunatec V2 > mod. SBM-1 > D8 @ 44.1k, FOB/ORTF |
16/06/2006 |
Manchester TN, Bonnaroo |
103 |
10 |
A |
S |
0 |
2CDR |
#34F |
Peluso cemc6/ck4's(75hz rolloff, DIN, 7', FOB, DFC, 50'from stage) > w+mod ua-5 > jb3(44.1) |
16/06/2006 |
Manchester TN, Bonnaroo |
102 |
9 |
A |
S |
0 |
2CDR |
#34F |
ADK TL 51 (omni, split 5') > V2 > 722 @ 24/96 |
16/06/2006 |
Manchester TN, Bonnaroo |
102 |
9.5 |
A |
S |
0 |
2CDR |
#47F |
Cm300 (active p48 mod)/cp1 (DIN) > Ua-5 > Jb3, FOB |
HENRY PADOVANI |
16/06/2006 |
OUI FM interview |
|
|
W |
|
|
MOV |
#38W |
MOV files |
25/07/2006 |
France Info interview |
|
|
W |
|
|
RM |
#38W |
RM file |
POLICE |
EARLY YEARS |
05/08/1977 |
Mont de Marsan, Punk Festival |
|
|
|
|
|
T |
|
|
02/10/1978 |
Old Grey Whistle Test, BBC TV |
7 |
9.5 |
T |
M |
|
T |
|
CSLY officially released so no trade |
29/10/1978 |
Boston, The Rat |
41 |
9.5 |
S |
S |
|
CDR |
#28F |
My transfer |
31/10/1978 |
Pittsburgh PA, Phase III |
30 |
5 |
A |
M |
1 |
CDR |
#16F |
1st gen > DAT > DAT. No DAE in lineage |
31/10/1978 |
Pittsburgh PA, Phase III |
30 |
5 |
A |
M |
1 |
CDR |
#45F |
1st gen > DAT (as above) > CDR > EAC |
23/11/1978 |
London, BBC Studio Maida Vale 4 |
13 |
9.5 |
R |
S |
1 |
CDR |
#4F |
My transfer |
18/01/1979 |
Bremen, Musikladen, RAI b'cast 1980 |
36 |
10 |
T |
M |
0 |
T |
|
DOB 16/11/1980 |
18/01/1979 |
Bremen, Musikladen, MTV b'cast 1981 |
35 |
9.5 |
T |
S |
0 |
CDR |
#4F |
VHS > DAT > HD > Audition > Flac. |
01/1979 |
Schoener's Video Magic TV soundtrack |
58 |
8.5 |
T |
M |
|
CDR |
#69F |
|
08/02/1979 |
Munich TV, Szene '79 |
4 |
9.5 |
T |
M |
|
T |
|
|
21/02/1979 |
Hatfield, Polytechnic |
47 |
10 |
R* |
S |
0 |
CDR |
#19S |
From BBC LP #424 dated 12/06/1983. NO TRADE,
official release. |
04/03/1979 |
UC Berkeley, Zellerbach autitorium |
55 |
10 |
R |
S |
|
CDR |
#18F |
My transfer. Mix from vinyl (2 tracks) and pre-FM (I think) |
04/03/1979 |
UC Berkeley, Zellerbach autitorium |
57 |
10 |
R |
S |
0 |
CDR |
#19F |
KSAN pre-FM reel > DAT |
05/03/1979 |
UC Davis, Coffeehouse |
44 |
9 |
S |
S |
4 |
CDR |
#16F |
4th gen JT copy. My other unknown gen copy I think sounds better |
08/03/1979 |
Houston, Grand Ole Opry House, KLOL |
48 |
9 |
R |
S |
0 |
CDR |
#47F |
|
08/03/1979 |
Houston, Grand Ole Opry House, KLOL |
46 |
9 |
R |
S |
1 |
CDR |
#18F |
|
09/03/1979 |
Dallas TX, Palladium |
65 |
9.5 |
S |
S |
|
CDR |
#16F |
|
15/03/1979 |
Kansas City MO, One Block West |
71 |
10 |
R |
M |
|
T |
|
|
20/03/1979 |
Pittsburgh PA, The Decade |
70 |
9 |
A |
M |
0 |
CDR |
#16F |
From boombox master tape > DAT > DAT. No DAE in lineage |
20/03/1979 |
Pittsburgh PA, The Decade |
70 |
9 |
A |
M |
0 |
CDR |
#44F |
From boombox master tape (as above) > DAT > CDR > EAC |
22/03/1979 |
Canton MI, Center Stage |
57 |
9 |
A |
M |
0 |
CDR |
#131F |
ECM-16 > TCM-600 |
22/03/1979 |
Canton MI, Center Stage |
57 |
9 |
A |
M |
0 |
DVD |
#138 |
ECM-16 > TCM-600. 24/96 LPCM DVD (Audio only), fully authored |
23/03/1979 |
Toronto ON, The Edge |
55 |
9.5 |
R |
S |
|
CDR |
#55F |
|
25/03/1979 |
Buffalo NY, Stage One |
61 |
9 |
R |
S |
|
CDR |
#36F |
My Transfer |
29/03/1979 |
Long Island NY, My Father's Place, WLIR |
52 |
|
R |
S |
0 |
CDR |
#3F |
Cass(M) > CS-M01A > Audiophile2496 > SF |
03/04/1979 |
NYC, The Bottom Line, late show |
61 |
8.5 |
A |
M |
1 |
CDR |
#40F |
Cass(M) > REEL |
03/04/1979 |
NYC, The Bottom Line |
45 |
10 |
R |
M |
|
T |
|
Probably mislabeled |
04/04/1979 |
NYC, The Bottom Line, WNEW |
63 |
|
R |
S |
0 |
CDR |
#3F |
Cass(M) > rcd-w5000c |
04/04/1979 |
NYC, The Bottom Line, WNEW (remaster) |
64 |
10 |
R |
S |
|
CDR |
#12F |
David Hussey remaster of Nevinsrip cassette (see also above) |
04/04/1979 |
NYC, The Bottom Line, WNEW 1986 rebroadcast |
66 |
10 |
R |
S |
0 |
CDR |
#131F |
|
04/04/1979 |
NYC, The Bottom Line, 2nd set |
59 |
9 |
R |
S |
|
CDR |
#128F |
Various sources |
07/04/1979 |
Boston MA, Paradise Theater |
72 |
10 |
R |
S |
0 |
CDR |
#15F |
Master from an early 90's WBCN rebroadcast. |
07/04/1979 |
Boston MA, Paradise Theater |
73 |
10 |
R |
S |
0 |
CDR |
#19F |
1995 WBCN rebroadcast, FM > DAT |
09/04/1979 |
Philadelphia PA, Walnut Street Theater |
59 |
9.5 |
R |
S |
|
CDR |
#46F |
|
09/04/1979 |
Philadelphia PA, Walnut Street Theater |
45 |
10 |
R |
S |
|
T |
|
|
23/04/1979 |
Paris, Bataclan |
57 |
8 |
A |
M |
|
CDR |
#146F |
|
04/05/1979 |
Miami, Fat Cats Club, 1st set |
60 |
9 |
R |
S |
|
CDR |
#31F |
My transfer |
04/05/1979 |
Miami, Fat Cats Club, 2nd set |
70 |
8.5 |
R |
S |
|
CDR |
#31F |
My transfer |
16/05/1979 |
San Diego CA, The Roxy |
63 |
9.5 |
R |
S |
|
CDR |
#12F |
|
16/05/1979 |
San Diego CA, The Roxy |
64 |
9.5 |
R |
S |
|
CDR |
#49F |
w/ short DJ outro |
16/05/1979 |
San Diego CA, The Roxy |
63 |
9.5 |
R |
S |
|
CDR |
#56F |
Pre-FM |
24/05/1979 |
Minneapolis MN, Jay's Longhorn |
62 |
9.5 |
R |
S |
|
CDR |
#46F |
|
25/05/1979 |
Chicago IL, Park West |
70 |
10 |
R |
S |
0 |
CDR |
#15F |
Pre-FM reel |
25/05/1979 |
Chicago IL, Park West |
60 |
10 |
R |
S |
|
CDR |
#12F |
How torrented on DAD. Have to check w/ my copy |
25/05/1979 |
Chicago IL, Park West |
68 |
10 |
R |
S |
0 |
CDR |
#13F |
90's rebroadcast. JT master |
04/06/1979 |
Geleen, Sportpark, Pinkpop |
49 |
10 |
R |
S |
0 |
CDR |
#11F |
2005 rebroadcast [FM > CDR] w/ 2 extra tracks. |
12/06/1979 |
Bristol, Locarno |
66 |
7 |
A |
M |
|
CDR |
#13F |
My transfer |
13/06/1979 |
London, Paris Theatre, BBC |
32 |
10 |
R |
S |
0 |
CDR |
#94F |
From FM master reel |
15/06/1979 |
Capitol Radio Session |
|
|
R |
S |
|
T |
|
|
22/06/1979 |
Amsterdam, Paradiso |
55 |
9.5 |
R |
S |
0 |
CDR |
#45F |
From FM master |
22/06/1979 |
Amsterdam, Paradiso |
54 |
8.5 |
R |
S |
|
CDR |
#44F |
w/ speaker's intro. |
22/06/1979 |
Amsterdam, Paradiso |
51 |
10 |
R |
S |
0 |
CDR |
#94F |
2007 rebroadcast. Incorrect song order |
22/06/1979 |
Amsterdam, Paradiso |
61 |
10 |
R |
S |
0 |
CDR |
#94F |
Mix of 2007 and 1990 rebroadcasts. Most complete but Landlord still missing. Songs in correct order |
22/06/1979 |
Amsterdam, Paradiso |
60 |
9.5 |
R |
S |
|
T |
|
Landlord from Aud source |
REGGATTA DE BLANC |
23/07/1979 |
BBC John Peel Session |
15 |
10 |
R |
S |
0 |
CDR |
#94F |
From FM master reel |
23/07/1979 |
BBC John Peel Session |
14 |
10 |
R |
S |
0 |
MP2 |
#93 |
BBC6 DVB-T 2007-12-06 rebroadcast. 160 kbps 48 kHz |
24/08/1979 |
Reading, Rock Festival, source #1 |
63 |
8.5 |
A |
M |
|
CDR |
#44F |
|
24/08/1979 |
Reading, Rock Festival, source #2 |
|
8.5 |
A |
M |
|
T |
|
|
24/08/1979 |
Reading, Rock Festival, source #3 |
56 |
8 |
A |
M |
|
CDR |
#40F |
My transfer |
24/08/1979 |
Reading, Rock Festival, source #4 |
64 |
8 |
A |
M |
|
CDR |
#149F |
Clicks, hiss |
01/09/1979 |
Hamburg, Markthalle |
68 |
9 |
A |
S |
|
CDR |
#18F |
My transfer |
07/09/1979 |
Voorburg, Vliegermoolen |
43 |
9 |
R |
S |
|
CDR |
#92F |
My transfer |
07/09/1979 |
Voorburg, Vliegermoolen |
43 |
9.5 |
R |
S |
2 |
CDR |
#101F |
1990 rebroadcast |
15/09/1979 |
BBC "Rock On" interview |
9 |
10 |
R |
S |
1 |
T |
|
w/ Sting and Stewart |
22/09/1979 |
London, Hammersmith Odeon |
45 |
8.5 |
A |
M |
|
CDR |
#18F |
|
28/09/1979 |
NYC, Hotel Diplomat |
62 |
9 |
A |
S |
0 |
CDR |
#46F |
From master |
29/09/1979 |
NYC, Hotel Diplomat |
67 |
9.5 |
R |
S |
|
CDR |
#19F |
My transfer |
29/09/1979 |
NYC, Hotel Diplomat, WPIX |
68 |
|
R |
S |
0 |
CDR |
#3F |
Cass(M) > CS-M01A > Audiophile2496 > SF |
29/09/1979 |
NYC, Hotel Diplomat, pre-FM |
52 |
10 |
R |
S |
0 |
CDR |
#16F |
Pre-FM BBC Rock Hour reel for broadcast on 4 May 1980 |
02/10/1979 |
Long Island NY, My Father's Place |
65 |
10 |
R |
S |
1 |
CDR |
#19F |
pFM > Cass > pcm > DAT |
02/10/1979 |
Long Island NY, My Father's Place, WLIR |
65 |
|
R |
S |
0 |
CDR |
#3F |
Cass(M) > wav (no DAE) > remaster > cdr > eac > flac |
02/10/1979 |
Long Island NY, My Father's Place, WLIR |
62 |
10 |
R |
S |
|
CDR |
#13F |
Hedeman's tape |
08/10/1979 |
Washington DC, Ontario Theater |
62 |
8.5 |
A |
M |
1 |
CDR |
#151F |
ECM-16 > TC-1100T |
09/10/1979 |
Virginia Beach, Rougues |
86 |
9 |
R |
S |
|
CDR |
#53F |
w/ interview. |
26/10/1979 |
Miami FL, Gussman Hall |
66 |
9.5 |
R |
S |
|
CDR |
#17F |
Click in tracks transition. |
26/10/1979 |
Miami FL, Gussman Hall, BBC TV OGWT |
23 |
9 |
T |
M |
|
T |
|
|
08/11/1979 |
Milwaukee, Palms |
77 |
9.5 |
A |
S |
|
CDR |
#19F |
My transfer |
10/11/1979 |
Detroit MI, Bookies Club |
68 |
8.5 |
A |
M |
0 |
CDR |
#131F |
ECM-16 > TCM-600 |
16/11/1979 |
Toronto, Danforth Music Hall |
67 |
8.5 |
A |
M |
|
CDR |
#28F |
My transfer |
27/11/1979 |
Boston MA, Orpheum Theatre |
82 |
9.5 |
R |
S |
|
2CDR |
#19F |
Tape hiss, my transfer. Only "Deathwish" and
"Visions" are tradeable. |
29/11/1979 |
NYC, The Palladium |
81 |
10 |
R |
S |
|
2CDR |
#19F |
My transfer |
29/11/1979 |
NYC, The Palladium, WNEW Rebroadcast |
89 |
|
R |
S |
0 |
2CDR |
#3F |
Cass(M) > wav (no DAE) > remaster > cdr > eac > flac |
29/11/1979 |
NYC, The Palladium, WNEW FM (remaster) |
80 |
10 |
R |
S |
0 |
CDR |
#11F |
David Hussey remaster of Daddy515 master cassette (see also above) |
01/12/1979 |
Philadelphia PA, Tower Theater |
74 |
8 |
A |
M |
|
CDR |
#30F |
My transfer |
03/12/1979 |
Paris, Empire Theatre, "Chorus TV" |
60 |
9 |
T |
M |
|
T |
|
Several songs officially released so no trade for them |
06/12/1979 |
Baden-Baden, "Pop 79" |
4 |
9 |
T |
M |
|
T |
|
Live vocals |
07/12/1979 |
Dusseldorf, Philipshalle |
69 |
8.5 |
A |
S |
|
T |
|
|
16/12/1979 |
Southampton, Gaumont |
53 |
9 |
S |
S |
|
CDR |
#95F |
|
12/1979 |
French TV |
|
|
T |
M |
|
T |
|
|
1979 |
Rockworld TV (from Musikladen) |
10 |
|
T |
M |
|
T |
|
|
11/01/1980 |
Hamburg, Markthalle, Rockpalast |
41 |
10 |
T |
M |
|
T |
|
TV broadcast |
21/01/1980 |
Cleveland, Agora Ballroom |
58 |
9 |
R |
S |
|
CDR |
#4F |
My transfer |
21/01/1980 |
Capital Radio, "The Music Makers" |
115 |
9.5 |
R |
S |
1 |
T |
|
|
21/01/1980 |
Cleveland, Agora Ballroom |
59 |
10 |
R* |
S |
0 |
CDR |
#26F |
pre-FM. Digierrors at end of last track. |
26/01/1980 |
New Orleans, the Warehouse |
83 |
7.5 |
A |
M |
|
2CDR |
#11F |
Noise reducion. Microgaps. Need better copy! |
26/01/1980 |
New Orleans, the Warehouse |
85 |
7.5 |
A |
S |
|
2CDR |
#35F |
Non noise-reduced copy |
30/01/1980 |
Denver CO, Rainbow Music Hall |
85 |
8.5 |
A |
M |
1 |
2CDR |
#46F |
|
01/02/1980 |
Seattle WA, The Showbox |
85 |
9 |
A |
S |
0 |
2CDR |
#124F |
|
14/02/1980 |
Tokyo, Sun Plaza Hall |
85 |
8.5 |
A |
S |
0 |
2CDR |
#88F |
|
15/02/1980 |
Tokyo, Sun Plaza Hall |
85 |
10 |
R |
S |
0 |
2CDR |
#28F |
From master, rebroadcast. Tracks in incorrect order. |
15/02/1980 |
Tokyo, Sun Plaza Hall |
85 |
10 |
R |
S |
|
2CDR |
#20F |
Microgaps! From rebroadcast, tracks edited to correct order. |
19/02/1980 |
Osaka, Festival Hall |
88 |
9 |
A |
S |
1 |
2CDR |
#35F |
Cass(1) > DAT(2) > CDR(1) |
19/02/1980 |
Osaka, Festival Hall |
84 |
8.5 |
A |
S |
|
2CDR |
#20F |
My transfer, same source as above |
20/02/1980 |
Kyoto West Auditorium |
75 |
7 |
A |
M |
1 |
CDR |
#46F |
|
14/03/1980 |
Melbourne, Festival Hall |
85 |
8 |
R |
M |
|
T |
|
|
21/03/1980 |
Sydney, Horden Pavillon |
72 |
9.5 |
R |
M |
|
T |
|
|
21/03/1980 |
Sydney, Horden Pavillon |
48 |
8.5 |
R |
S |
|
CDR |
#39F |
Incomplete |
21/03/1980 |
Sydney, Horden Pavillon (rebroadcast) |
49 |
9 |
R |
M |
|
CDR |
#12F |
|
21/03/1980 |
Sydney, Horden Pavillon, JJJ IMF |
5 |
9.5 |
R |
S |
0 |
CDR |
#52F |
"Message in a bottle" only. |
21/03/1980 |
Sydney, Horden Pavillon, IMF 2007, source #1 |
54 |
9.5 |
R |
S |
0 |
CDR |
#62F |
|
21/03/1980 |
Sydney, Horden Pavillon, IMF 2007, source #2 |
48 |
9.5 |
R |
S |
0 |
CDR |
#62F |
|
02/04/1980 |
Milano, Palalido, source #1 |
82 |
10 |
A |
S |
1 |
2CDR |
#11F |
My transfer. |
02/04/1980 |
Milano, Palalido, source #2 |
82 |
9 |
A |
S |
|
T |
|
|
02/04/1980 |
Milano, Palalido, source #3 |
82 |
10 |
A |
S |
0 |
2CDR |
#30F |
From master akg 33 bulb mics > Sony |
02/04/1980 |
Milano, Palalido |
46 |
10 |
S* |
S |
0 |
CDR |
#167F |
"Live in Italy" vinyl rip |
03/04/1980 |
Sting interview |
27 |
9 |
A |
M |
|
T |
|
|
03/04/1980 |
Stewart interview |
18 |
9 |
A |
M |
|
T |
|
|
03/04/1980 |
Reggio Emilia, Palasport, source #1 |
76 |
8 |
A |
S |
|
T |
|
|
03/04/1980 |
Reggio Emilia, Palasport, source #2 |
83 |
7.5 |
A |
M |
|
2CDR |
#40F |
My transfer |
04/04/1980 |
Torino, Palasport |
85 |
8.5 |
A |
S |
|
T |
|
|
04/04/1980 |
Interviews in Torino |
17 |
9 |
A |
M |
|
T |
|
|
06/04/1980 |
Berlin, Deutschlandhalle, source #1 |
55 |
10 |
R |
S |
|
T |
|
Incomplete radio broadcast |
06/04/1980 |
Berlin, Deutschlandhalle, source #2 |
29 |
7.5 |
A |
M |
|
T |
|
Partial, different from above |
06/04/1980 |
Berlin, Deutschlandhalle |
82 |
|
R |
S |
|
2CDR |
#7F |
"3rd" source, how torrented on DAD. Have to check against my copy |
08/04/1980 |
Lyon, Palais des Sportes |
83 |
8 |
A |
S |
|
2CDR |
#94F |
My transfer |
|
08/04/1980 |
Lyon, Palais des Sportes |
57 |
10 |
R |
M |
0 |
CDR |
#41F |
My transfer from master tape. |
08/04/1980 |
Lyon, Palais des Sportes |
50 |
9.5 |
R |
M |
0 |
CDR |
#41F |
My transfer from incomplete master tape. |
08/04/1980 |
Lyon, Palais des Sportes |
59 |
9.5 |
R |
M |
1 |
CDR |
#28F |
My transfer from 1st gen tape. |
08/04/1980 |
Lyon, Palais des Sportes |
9 |
9 |
R |
M |
|
CDR |
#48F |
Extra track from "Feedback" |
11/04/1980 |
Barcelona, Pabellon de Badalona |
34 |
7 |
A |
M |
|
CDR |
#92F |
My transfer. Incomplete |
14/04/1980 |
Paris, Palais des Sports, source #1 |
83 |
7.5 |
A |
M |
1 |
2CDR |
#35F |
Philips N2002 w/ builtin mics. |
14/04/1980 |
Paris, Palais des Sports, source #2 |
85 |
9 |
A |
M |
0 |
2CDR |
#160F |
UMC70 > TC 150. Samples:
1,
2
|
17/04/1980 |
Amsterdam, Jaap Edenhal |
72 |
6 |
A |
M |
|
CDR |
#10F |
My transfer |
28/04/1980 |
Newcastle, City Halls, 2nd show, BBC 1989 rebroadcast |
72 |
9.8 |
R |
S |
M |
CDR |
#4F |
My transfer from my master tape. Encores from a 1st gen tape |
28/04/1980 |
Newcastle, City Halls, 2nd show, BBC rebroadcast |
60 |
10 |
R |
S |
0 |
CDR |
#94F |
No encores |
17/05/1980 |
Don Kirshner's Rock Concert (D.O.B) |
34 |
|
T |
M |
|
T |
|
|
04/06/1980 |
Profiles in Rock PRB-802-I |
54 |
10 |
R |
S |
|
T |
|
|
ZENYATTA MONDATTA |
26/07/1980 |
Milton Keynes, Superbowl |
79 |
8.5 |
A |
M |
|
CDR |
#35F |
My transfer |
27/07/1980 |
Dublin, Leixlip Castle |
69 |
7 |
A |
M |
|
CDR |
#55F |
|
27/07/1980 |
Andy and Stewart on Irish radio + Sting backstage |
|
|
R |
|
|
T |
|
|
09/08/1980 |
Werchter, Outdoor Festival |
73 |
7 |
A |
S |
|
CDR |
#37F |
|
12/08/1980 |
Cabourg, Parking du Yachting |
66 |
7 |
A |
M |
|
CDR |
#37F |
|
14/08/1980 |
Nantes, La Beaujoire |
68 |
8 |
A |
S |
|
CDR |
#28F |
|
14/08/1980 |
Nantes, La Beaujoire |
68 |
7.5 |
A |
S |
0 |
CDR |
#33F |
From master Philips n2002 |
14/08/1980 |
Nantes, La Beaujoire |
68 |
7.5 |
A |
S |
1 |
CDR |
#35F |
My transfer from 1st gen tape. Same source as above. |
16/08/1980 |
Royan, Parking du Stade Municipal |
81 |
6.5 |
A |
S |
|
2CDR |
#37F |
|
20/08/1980 |
Orange, Theatre Antique |
69 |
8 |
R |
M |
2 |
CDR |
#43F |
|
22/08/1980 |
Beziers, Arenes |
|
10 |
S |
S |
|
CD |
|
"Live in Paris" |
26/08/1980 |
Toulon, Plage du Mourillon |
74 |
8 |
A |
S |
|
CDR |
#37F |
My transfer |
28/08/1980 |
Frejus, Les Arenes |
70 |
9 |
A |
S |
|
T |
|
|
29/08/1980 |
Barcelona, Plaza De Toros Monumental |
77 |
8 |
A |
S |
|
CDR |
#160F |
Sample |
31/08/1980 |
Madrid, Estadio Roman Valero |
61 |
7 |
A |
S |
|
CDR |
#160F |
LOSSY! Until lossless appears |
10/10/1980 |
BBC TV, In The East tour documentary |
50 |
10 |
T |
M |
|
T |
|
|
15/02/1982 |
RAI TV, In viaggio con i Police |
|
|
T |
M |
|
T |
|
Italian version of In The East tour documentary |
14/10/1980 |
Muenchen, Rudi Sedler-Mayer Halle |
73 |
6.5 |
A |
M |
|
CDR |
#13F |
Lou's transfer |
14/10/1980 |
Muenchen, Andy on the phone w/ Thomas Gottschalk |
8 |
8 |
T |
M |
|
CDR |
#45F |
|
18/10/1980 |
Essen, Grugahalle, Rockpalast |
83 |
10 |
R |
S |
0 |
2CDR |
#56F |
From the original FM broadcast |
21/10/1980 |
Winnipeg, Winnipeg Arena |
74 |
7.5 |
A |
M |
|
CDR |
#20F |
|
28/10/1980 |
Seattle, Paramount Theater |
70 |
8.5 |
A |
S |
|
CDR |
#95F |
|
29/10/1980 |
Portland, Paramount Theatre |
71 |
9.5 |
A |
S |
|
T |
|
|
03/11/1980 |
San Diego CA, Center for Performing Arts |
79 |
7.5 |
A |
S |
|
CDR |
#12F |
|
15/11/1980 |
Mexico City, Hotel del Mexico |
30 |
9.5 |
T |
M |
|
CDR |
#20F |
Commentaries cut out. Gap in tracks transitions |
15/11/1980 |
Mexico City, Hotel del Mexico |
41 |
8.5 |
T |
M |
|
CDR |
#30F |
My transfer |
15/11/1980 |
Mexico City, Hotel del Mexico |
54 |
9 |
R |
S |
|
CDR |
#20F |
|
23/11/1980 |
Detroit MI, Masonic Temple, source #1 |
81 |
9 |
A |
M |
|
2CDR |
#11F |
As torrented on DAD, Erwin's copy (prob. the same as mine) |
23/11/1980 |
Detroit MI, Masonic Temple, source #2 |
91 |
9.5 |
A |
S |
1 |
2CDR |
#15F |
TEAC mic >Sony 153. 1st gen |
23/11/1980 |
Detroit MI, Masonic Temple, source #3 |
87 |
10 |
A |
S |
0 |
2CDR |
#131F |
Advent Dynamic Mics > TC-153SD |
24/11/1980 |
Toronto, Massey Hall |
81 |
9 |
S |
S |
|
2CDR |
#8F |
As torrented on DAD, Lou's copy |
04/12/1980 |
Owing Mills MD, Painters Mill Star Theatre, source #1 |
74 |
8 |
A |
M |
|
CDR |
#8F |
My transfer |
04/12/1980 |
Owing Mills MD, Painters Mill Star Theatre source #2 |
76 |
8.5 |
A |
M |
0 |
CDR |
#133F |
ECM-16 > TC-1100T |
06/12/1980 |
Atlanta, Fox Theatre |
77 |
7 |
A |
M |
|
CDR |
#48F |
My transfer |
08/12/1980 |
Fort Lauderdale, Sunrise Theater |
79 |
8 |
A |
M |
|
CDR |
#26F |
|
14/12/1980 |
Buenos Aires, Discotheque New York City |
21 |
8.5 |
T |
M |
|
CDR |
#21F |
|
15/12/1980 |
Buenos Aires, Estadio Obras Sanitarias |
70 |
6.5 |
A |
M |
1 |
CDR |
#55F |
My transfer from 1st gen tape |
16/12/1980 |
Mar del Plata, Radio City |
56 |
6 |
A |
S |
1 |
CDR |
#55F |
My transfer from 1st gen tape |
21/12/1980 |
London, Tooting Bec |
80 |
8.5 |
A |
S |
|
CDR |
#13F |
Slightly noise reduced ? |
22/12/1980 |
London, Tooting Bec |
71 |
6.5 |
A |
M |
|
CDR |
#95F |
My transfer |
1980 |
CBS documentary |
39 |
|
R |
S |
|
T |
|
Montserrat? |
1980 |
Italian CBS promo tape |
|
|
S |
S |
|
T |
|
Same as above ? |
07/01/1981 |
Montreal, Centre Sportif |
68 |
8 |
A |
M |
|
T |
|
The circulating "complete" audience tape is actually from Nantes 14/08/1980, so there is only the incomplete version from the video. |
07/01/1981 |
Montreal, Centre Sportif |
40 |
7 |
A |
M |
|
T |
|
From audience video |
10/01/1981 |
NYC, Madison Square Garden, source #1 |
72 |
9 |
A |
S |
|
T |
|
|
10/01/1981 |
NYC, Madison Square Garden, source #2 |
90 |
8 |
A |
M |
|
2CDR |
#37F |
|
10/01/1981 |
NYC, Madison Square Garden, source #3 |
91 |
7.5 |
A |
M |
|
2CDR |
#118F |
|
10/01/1981 |
NYC, Madison Square Garden, source #4 |
87 |
8 |
A |
M |
1 |
2CDR |
#121F |
Panasonic slimline w/ builtin mic |
11/01/1981 |
New York, The Ritz |
|
|
A |
|
|
T |
|
|
15/01/1981 |
Los Angeles CA, Sports Arena |
78 |
7.5 |
A |
M |
1 |
CDR |
#51F |
|
15/01/1981 |
Los Angeles CA, Sports Arena |
80 |
8.5 |
A |
M |
|
T |
|
|
26/01/1981 |
Osaka, Festival Hall, source #1 |
81 |
7.5 |
A |
S |
1 |
2CDR |
#47F |
|
26/01/1981 |
Osaka, Festival Hall, source #1 |
81 |
8.5 |
A |
S |
|
2CDR |
#20F |
My transfer |
26/01/1981 |
Osaka, Festival Hall, source #2 |
76 |
10 |
A |
S |
0 |
CDR |
#37F |
Cass(M) > DAT(2) > CDR(1) |
27/01/1981 |
Osaka, Festival Hall |
92 |
8 |
A |
S |
1 |
2CDR |
#47F |
|
29/01/1981 |
Kyoto, Kyoto Kaikan, source #1 |
|
7 |
|
|
|
T |
|
|
29/01/1981 |
Kyoto, Kyoto Kaikan, source #2 |
82 |
9 |
A |
S |
|
2CDR |
#143F |
|
30/01/1981 |
Okayama, Shiminkaikan |
84 |
8.5 |
A |
S |
1 |
2CDR |
#118F |
|
02/02/1981 |
Tokyo, Budokan |
88 |
9.5 |
R |
S |
|
2CDR |
#15F |
My transfer from a low gen tape. |
06/02/1981 |
Utsunomiya, Bunka Kaikan |
81 |
9.5 |
A |
S |
|
T |
|
|
13/02/1981 |
Auckland, Logan Campbell Centre |
72 |
9 |
R |
S |
|
T |
|
|
16/02/1981 |
Sydney, Showgrounds |
87 |
8.5 |
A |
S |
|
2CDR |
#22F |
|
22/02/1981 |
Melbourne, Festival Hall |
84 |
10 |
R |
S |
0 |
2CDR |
#15F |
Pre-FM The Police Tapes LPs. Comments and interviews have been cut |
22/02/1981 |
Melbourne, Festival Hall |
91 |
10 |
R* |
S |
0 |
2CDR |
#24F |
"Evolution" |
26/02/1981 |
Perth, Entertainment Centre |
45 |
8 |
A |
M |
|
T |
|
|
19/03/1981 |
Bremen, Musikladen |
3 |
9 |
T |
M |
|
T |
|
De do do do de da da da |
GHOST IN THE MACHINE |
1981 |
Ghost in the machine demos (15 tracks) |
57 |
8.5 |
S |
M |
|
CDR |
#41F |
"Definitive Edition" |
1981 |
Ghost in the machine demos (14 tracks) |
54 |
8.5 |
S |
M |
|
CDR |
#14F |
|
22/08/1981 |
Philadelphia, Liberty Bell |
|
|
|
|
|
T |
|
|
23/08/1981 |
Oakville, The Grove (Police Picnic) |
83 |
9.5 |
A |
S |
1 |
2CDR |
#21F |
BE ECM 990-F > TCD-5M. My transfer |
09/1981 |
SFX Magazine w/ Sting |
11 |
9.5 |
R |
S |
|
T |
|
|
01/10/1981 |
Boeblingen, Sporthalle |
73 |
9.5 |
A |
S |
|
CDR |
#20F |
My transfer |
02/10/1981 |
Essen, Grugahalle |
78 |
8 |
A |
S |
3 |
CDR |
#160F |
Samples:
1,
2
|
03/10/1981 |
Kassel, Eissporthalle |
83 |
9.5 |
A |
S |
|
T |
|
|
05/10/1981 |
Freiburg, Stadthalle |
75 |
8 |
A |
M |
|
T |
|
|
06/10/1981 |
Russelsheim, Walter Kobel Halle |
80 |
8.5 |
A |
M |
0 |
CDR |
#36F |
From master |
08/10/1981 |
Heidelberg, Rhein-Neckar-Halle, source #1 |
77 |
8 |
A |
M |
|
T |
|
|
09/10/1981 |
Muenchen, Olympiahalle |
77 |
8.5 |
A |
M |
|
CDR |
#4F |
My transfer |
09/10/1981 |
Muenchen, Olympiahalle, source #2 |
12 |
5 |
A |
M |
|
CDR |
#4F |
2nd source, different tracks. My transfer |
10/1981 |
BBC Radio 1 Roger Scott w/ Sting |
45 |
9.5 |
R |
S |
|
T |
|
|
10/1981 |
BBC Radio 1 interview |
10 |
9 |
R |
S |
|
T |
|
|
11/1981 |
BBC TV "Riverside" w/ Stewart |
9 |
|
T |
M |
|
T |
|
|
01/12/1981 |
SFB2 FM interview |
57 |
9 |
R |
M |
0 |
CDR |
#92F |
SFB2 > R 1612. Will not trade released tracks |
10/12/1981 |
BBC 1 TV, TOTP |
3 |
9.5 |
T |
M |
|
T |
|
Remixed Spirits |
12/12/1981 |
London, Marquee |
80 |
8.5 |
A |
S |
|
CDR |
#97F |
My transfer |
15/12/1981 |
London, Wembley Arena |
81 |
8.5 |
A |
M |
|
T |
|
|
16/12/1981 |
London, Wembley Arena |
83 |
9 |
A |
S |
|
T |
|
|
18/12/1981 |
Brighton, Conference Centre |
88 |
8.5 |
A |
S |
1 |
2CDR |
#118F |
1st gen Sony recorder |
19/12/1981 |
Birmingham, NEC |
76 |
8 |
A |
S |
|
CDR |
#48F |
My transfer |
23/12/1981 |
Stafford, Bingley Hall |
82 |
9 |
A |
S |
|
T |
|
|
24/12/1981 |
Kenny Everett Show |
4 |
9.5 |
T |
M |
|
T |
|
Remixed Spirits |
31/12/1981 |
Edinburgh, Inglistone Exhibition Hall |
85 |
9 |
A |
S |
0 |
2CDR |
#124F |
CM-30 > TPS-30 |
1981 |
BBC TV Police in Montserrat |
|
|
T |
M |
|
T |
|
|
1981 |
Art Joan w/ Sting on "Brimstone" |
|
|
|
|
|
T |
|
|
03/01/1982 |
Stockholm, Isstadion |
82 |
8 |
A |
S |
|
2CDR |
#49F |
tj7's |
04/01/1982 |
Goeteborg, Scandinavium |
85 |
9.5 |
A |
S |
|
T |
|
|
09/01/1982 |
Leiden, Groenoord Hall |
86 |
8.5 |
A |
M |
|
T |
|
|
09/01/1982 |
NDR2 Interview |
23 |
8 |
A |
S |
0 |
CDR |
#92F |
FM > R 1612. Will not trade released tracks |
10/01/1982 |
Paris, Le Bourget, source #1 |
90 |
9 |
A |
S |
|
T |
|
|
10/01/1982 |
Paris, Le Bourget, source #2 |
92 |
8.5 |
A |
S |
|
2CDR |
#57F |
|
15/01/1982 |
Boston MA, Gardens |
84 |
8 |
A |
S |
|
T |
|
|
16/01/1982 |
Largo MD, Capital Centre |
89 |
9 |
A |
S |
|
2CDR |
#49F |
|
18/01/1982 |
Philadelphia PA, Spectrum |
|
|
|
|
|
T |
|
|
19/01/1982 |
Uniondale NY, Nassau Coliseum, source #1 |
|
|
A |
|
|
T |
|
|
19/01/1982 |
Uniondale NY, Nassau Coliseum, source #2 |
80 |
9 |
A |
S |
|
CDR |
#57F |
|
20/01/1982 |
Springfield MA, Civic Center, source #1 |
88 |
8 |
A |
M |
|
T |
|
|
20/01/1982 |
Springfield MA, Civic Center, source #2 |
84 |
9 |
A |
S |
|
2CDR |
#51F |
|
22/01/1982 |
New York NY, Madison Square Garden |
82 |
7.5 |
A |
M |
|
T |
|
|
23/01/1982 |
New Haven CT, Coliseum, source #1 |
88 |
9 |
A |
M |
|
T |
|
|
23/01/1982 |
New Haven CT, Coliseum, source #2 |
93 |
9.5 |
A |
S |
0 |
2CDR |
#16F |
From master Nakamichi CM300s > Technics RS-686. |
26/01/1982 |
Greensboro NC, College Coliseum |
88 |
7.5 |
A |
S |
|
2CDR |
#97F |
My transfer |
30/01/1982 |
Detroit MI, Cobo Hall, source #1 |
90 |
9 |
A |
S |
|
2CDR |
#103F |
My transfer |
30/01/1982 |
Detroit MI, Cobo Hall, source #2 |
91 |
8.5 |
A |
S |
0 |
2CDR |
#131F |
Advent Dynamic Mics > TCM-600 |
01/02/1982 |
Chicago, Rosemont Horizon |
89 |
8.5 |
A |
M |
|
2CDR |
#48F |
My transfer |
08/02/1982 |
Los Angeles CA, The Forum |
86 |
7 |
A |
S |
2 |
2CDR |
#39F |
Worst 2nd gen EVER! |
10/02/1982 |
Los Angeles CA, The Forum |
82 |
8.5 |
A |
S |
|
T |
|
|
10/02/1982 |
Los Angeles CA, The Forum |
88 |
8.5 |
A |
M |
|
T |
|
Mislabeled as 25/02/1982, need to check. Includes So lonely |
12/02/1982 |
San Francisco, Cow Palace |
83 |
8 |
A |
M |
|
2CDR |
#103F |
My transfer |
19/02/1982 |
Vina del Mar, Quinta Vergara |
|
|
|
|
|
T |
|
|
20/02/1982 |
Vina del Mar, Quinta Vergara |
|
|
T |
|
|
T |
|
|
12/03/1982 |
Miami, Hollywood Sportatorium |
88 |
8.5 |
A |
M |
|
T |
|
|
14/03/1982 |
Lakeland FL, Civic Center |
92 |
|
A |
S |
0 |
2CDR |
#7F |
|
16/03/1982 |
Birmingham AL, Civic Center |
89 |
9 |
A |
S |
|
T |
|
|
19/03/1982 |
Baton Rouge LA, Centroplex |
81 |
8.5 |
A |
S |
|
2CDR |
#55F |
|
20/03/1982 |
Houston, The Summit |
80 |
10 |
S |
S |
1 |
CDR |
#139F |
16 and 24 bits version available |
20/03/1982 |
Houston, The Summit |
77 |
8.5 |
A |
S |
|
T |
|
|
22/03/1982 |
Austin, Frank Erwin Center |
90 |
8 |
A |
M |
|
2CDR |
#9F |
My transfer |
23/03/1982 |
Dallas TX, Reunion Arena, source #1 |
87 |
8.5 |
A |
S |
|
2CDR |
#48F |
My transfer |
23/03/1982 |
Dallas TX, Reunion Arena, source #2 |
88 |
5.5 |
A |
M |
0 |
2CDR |
#46F |
|
25/03/1982 |
Kansas City, Kemper Arena |
89 |
7.5 |
A |
S |
|
2CDR |
#105F |
|
28/03/1982 |
Chicago, Rosemont Horizon |
89 |
8 |
A |
M |
|
T |
|
|
31/03/1982 |
Champaign IL, Assembly Hall |
82 |
8 |
A |
M |
|
2CDR |
#48F |
My transfer |
03/1982 |
Entertainment Tonight Interviews |
3 |
9 |
T |
M |
|
T |
|
|
03/1982 |
BBC TV w/ Sting about making movies |
4 |
|
T |
M |
|
T |
|
|
06/04/1982 |
Cincinnati OH, Riverfront Coliseum |
80 |
7 |
A |
M |
|
2CDR |
#28F |
|
07/04/1982 |
Ann Arbor MI, Crisler Arena |
83 |
8.5 |
A |
S |
|
2CDR |
#48F |
My transfer |
09/04/1982 |
Pittsburgh PA, Civic Arena |
83 |
8 |
A |
M |
|
2CDR |
#22F |
My transfer |
10/04/1982 |
Hartford CT, Civic Center |
81 |
9 |
A |
S |
0 |
2CDR |
#16F |
From master Nakamichi CM300s > Technics RS-686. |
12/04/1982 |
Boston, Garden, source #1 |
86 |
8 |
A |
M |
1 |
2CDR |
#12F |
1st gen |
12/04/1982 |
Boston, Garden, source #2 |
82 |
8 |
A |
S |
|
2CDR |
#121F |
|
13/04/1982 |
Providence RI, Civic Center, source #1 |
75 |
8.5 |
A |
M |
|
T |
|
|
13/04/1982 |
Providence RI, Civic Center, source #2 |
82 |
8.5 |
A |
S |
|
2CDR |
#143F |
|
16/04/1982 |
Syracuse NY, Carrier Dome |
85 |
7 |
A |
S |
|
2CDR |
#149F |
Sample |
18/04/1982 |
East Rutheford NJ, Byrne Arena |
88 |
9 |
A |
S |
|
2CDR |
#39F |
|
19/04/1982 |
East Rurheford NJ, Byrne Arena |
|
|
|
|
|
T |
|
|
21/04/1982 |
East Rutheford NJ, Byrne Arena |
81 |
8 |
A |
S |
|
2CDR |
#149F |
Incomplete |
22/04/1982 |
Uniondale NY, Nassau Coliseum |
87 |
9 |
A |
S |
0 |
2CDR |
#21F |
From master Nak cm300sg > d5m. |
24/04/1982 |
Rocks New Hitmen radio special |
29 |
9 |
R |
S |
|
CDR |
#81F |
|
02/07/1982 |
Bologna, Fiera, source #2 |
42 |
8.5 |
A |
S |
|
CDR |
#43F |
My transfer. Incomplete |
04/07/1982 |
Milano, Parco Lago Redecesio, source #1 |
90 |
9.5 |
A |
S |
0 |
2CDR |
#43F |
From AKG bulb mics > WMD6 master |
04/07/1982 |
Milano, Parco Lago Redecesio, source #1 |
90 |
9.5 |
A |
S |
1 |
2CDR |
#21F |
1st gen, 1st source, my transfer |
04/07/1982 |
Milano, Parco Lago Redecesio, source #2 |
|
9.5 |
A |
S |
|
T |
|
|
04/07/1982 |
Milano, Parco Lago Redecesio, source #3 |
90 |
9 |
A |
S |
1 |
T |
|
|
28/07/1982 |
Aylesbury UK, Friars Club |
89 |
5 |
A |
S |
|
2CDR |
#4F |
Upgrade needed! My transfer |
31/07/1982 |
Gateshead, International Stadium |
89 |
10 |
S |
S |
0 |
2CDR |
#21F |
Off the master reels used to manufacture the Laser Disc. NO
TRADE, official release. |
31/07/1982 |
Gateshead, International Stadium |
38 |
9.5 |
T |
M |
1 |
CDR |
F |
My transfer from 1st gen tape. From Channel IV TV broadcast.
NO TRADE, official release. |
31/07/1982 |
Gateshead, International Stadium |
91 |
9 |
A |
S |
|
2CDR |
#35F |
My transfer |
07/1982 |
FM 92.3 Venezuela interview |
3 |
8 |
R |
M |
1 |
CDR |
#64F |
|
07/08/1982 |
BBC Radio 1, "Rock On" w/ Sting |
27 |
9.5 |
R |
S |
|
T |
|
|
11/08/1982 |
Montreal, McGill Stadium, source #1 |
88 |
7 |
A |
S |
|
2CDR |
#103F |
My transfer. Speed issues |
11/08/1982 |
Montreal, McGill Stadium, source #2 |
90 |
8.5 |
A |
S |
0 |
2CDR |
#116F |
Aiwa mics > WM-D6 |
13/08/1982 |
Toronto, C.N.E. Stadium, source #1 |
86 |
8 |
A |
M |
|
T |
|
|
13/08/1982 |
Toronto, C.N.E. Stadium, source #2 |
92 |
8.5 |
A |
S |
|
2CDR |
#95F |
A bit fast |
15/08/1982 |
Charlevoix MI, Castle Farms |
86 |
9 |
A |
S |
0 |
2CDR |
#146F |
D6. 24/48 version. Some flaws (see info file) |
20/08/1982 |
East Troy WI, Alpine Valley Theatre |
90 |
8 |
A |
M |
|
T |
|
|
28/08/1982 |
Sacramento, California Exposition Grandstands |
85 |
9 |
A |
S |
|
T |
|
|
28/08/1982 |
Sacramento, California Exposition Grandstands |
91 |
8.5 |
A |
S |
|
2CDR |
#9F |
Lou's copy, as torrented on DAD. Speed corrected. Need to check against mine (which is shorter) |
29/08/1982 |
Portland, Memorial Coliseum |
85 |
9 |
A |
S |
|
2CDR |
#21F |
My transfer. Small distortion, specially on bass |
31/08/1982 |
Vancouver, PNE Coliseum |
71 |
8.5 |
A |
S |
|
CDR |
#28F |
|
01/09/1982 |
Seattle WA, Coliseum |
84 |
9.5 |
A |
S |
|
2CDR |
#4F |
My transfer |
03/09/1982 |
Devore CA, US Festival, source #1 |
78 |
10 |
A |
S |
1 |
CDR |
#33F |
Nak cm300s (CP4s) > Nak 550 > 1/4 inch reel > DAT > CDR. |
03/09/1982 |
Devore CA, US Festival, source #2 |
94 |
10 |
A |
M |
2 |
2CDR |
#33F |
Nak cm300s (CP4s) > Nak 550 > Analog (1 or 2) > cr-7a > pcm R500 > d8 > da-20 mkII > DAT. (unsure about lineage) |
03/09/1982 |
Devore CA, US Festival, source #3 |
86 |
10 |
A |
S |
0 |
2CDR |
#92F |
CM300 shotguns > RS-686 |
06/09/1982 |
Las Cruces NM, USA |
95 |
8 |
A |
M |
|
2CDR |
#74F |
My transfer |
SYNCHRONICITY |
30/05/1983 |
BBC Radio 1 Bank Holiday Special w/ Kid Jensen |
61 |
9.5 |
R |
S |
|
CDR |
#95F |
My transfer |
12/06/1983 |
Capitol Radio "View from the top" |
54 |
10 |
R |
S |
|
T |
|
Broadcasted on 12 and 13 June. |
21/06/1983 |
Roger Scott Capitol radio |
30 |
10 |
R |
S |
|
T |
|
|
29/06/1983 |
Radio Studio 105 w/ Andy |
26 |
10 |
R |
S |
0 |
T |
|
Recorded on 27 |
23/07/1983 |
Chicago IL, Comiskey Park |
102 |
9.5 |
A |
S |
|
2CDR |
#51F |
|
24/07/1983 |
St. Louis, Checkerdome |
90 |
7.5 |
A |
M |
|
T |
|
|
25/07/1983 |
Indianapolis, Market Square Arena, source #1 |
102 |
9 |
A |
S |
|
T |
|
|
25/07/1983 |
Indianapolis, Market Square Arena, source #2 |
112 |
7.5 |
A |
S |
|
2CDR |
#129F |
|
28/07/1983 |
Detroit MI, Joe Louis Arena |
104 |
9 |
A |
S |
0 |
2CDR |
#59F |
Nak shotgun > D5M. My transfer from master, 16@44.1 and 24@88.2 versions available |
29/07/1983 |
Detroit MI, Joe Louis Arena, source #1 |
106 |
8.5 |
A |
S |
0 |
2CDR |
#60F |
Nak shotgun > D5M. My transfer from master, 16@44.1 and 24@88.2 versions available |
29/07/1983 |
Detroit MI, Joe Louis Arena, source #2 |
89 |
10 |
A |
S |
0 |
2CDR |
#131F |
ECM-939 > WM-D6C. Incomplete |
30/07/1983 |
Cleveland, Richfield Coliseum |
88 |
7 |
A |
M |
|
T |
|
|
02/08/1983 |
Montreal, Le Spectrum |
55 |
10 |
T |
M |
|
T |
|
French (Canadian?) TV 12.83 |
02/08/1983 |
Montreal, Le Spectrum |
90 |
9 |
T |
M |
|
T |
|
w/ interview |
03/08/1983 |
Montreal, Olympic Stadium |
93 |
8.5 |
A |
S |
|
2CDR |
#47F |
|
05/08/1983 |
Toronto, CNE Stadium, source #1 |
100 |
8.5 |
A |
S |
|
T |
|
|
05/08/1983 |
Toronto, CNE Stadium, source #2 |
100 |
9 |
A |
S |
|
2CDR |
#116F |
|
07/08/1983 |
Rochester NY, Holleder Stadium |
93 |
8.5 |
A |
S |
|
2CDR |
#49F |
My transfer |
08/08/1983 |
Pittsburgh, Stadium |
83 |
7.5 |
A |
M |
|
2CDR |
#16F |
|
10/08/1983 |
Foxboro MA, Sullivan Stadium, source #1 |
90 |
9 |
A |
S |
|
T |
|
|
10/08/1983 |
Foxboro MA, Sullivan Stadium, source #2 |
97 |
9.5 |
A |
S |
2 |
2CDR |
#44F |
CM300 > WMD6. Microgap in track transitions |
10/08/1983 |
Foxboro MA, Sullivan Stadium, source #3 |
99 |
9.5 |
A |
S |
1 |
2CDR |
#128F |
Sony mics > D6 |
12/08/1983 |
Hartford CT, Civic Center, source #1 |
95 |
9.5 |
A |
S |
1 |
2CDR |
#129F |
1st gen CM-100 > D-5 |
12/08/1983 |
Hartford CT, Civic Center, source #2 |
95 |
10 |
A |
S |
0 |
2CDR |
#28F |
From master Nakamichi CM300s > Technics RS-686. |
13/08/1983 |
Hartford CT, Civic Center |
86 |
8 |
A |
S |
|
2CDR |
#22F |
|
15/08/1983 |
Norfolk, The Scope Auditorium |
93 |
9.5 |
S |
S |
1 |
2CDR |
#9F |
Master > Reel > flac |
18/08/1983 |
NYC, Shea Stadium |
98 |
9 |
A |
S |
|
2CDR |
#9F |
cm300 > tcd-5m. Dunno why, I like more my previous unknown gen copy.. |
18/08/1983 |
NYC, Shea Stadium |
101 |
10 |
A |
S |
|
2CDR |
#1F |
My transfer. Same source as above, unknown gen. |
18/08/1983 |
Reports from Shea Stadium |
10 |
9 |
T |
M |
|
1CDR |
#1F |
Audio of some TV reports from the NYC concert. My transfer |
20/08/1983 |
Philadelphia, JFK Stadium, source #1 |
105 |
8.5 |
A |
S |
0 |
2CDR |
#15F |
JVC Boom Box recorder |
20/08/1983 |
Philadelphia, JFK Stadium, source #2 |
90 |
9 |
A |
M |
|
T |
|
|
20/08/1983 |
Philadelphia, JFK Stadium, source #2 |
105 |
8.5 |
A |
S |
1 |
2CDR |
#160F |
Lossy disc 2 ? |
21/08/1983 |
Largo (Landover), Capitol Center, source #1 |
103 |
8.5 |
A |
S |
|
2CDR |
#49F |
My transfer |
21/08/1983 |
Largo (Landover), Capitol Center, source #2 |
93 |
8 |
A |
S |
|
2CDR |
#46F |
Diginoise on disc 2 and incomplete |
21/08/1983 |
Largo (Landover), Capitol Center, source #3 |
82 |
8.5 |
A |
M |
3 |
2CDR |
#101F |
Incomplete |
22/08/1983 |
Largo MD, Capital Centre |
102 |
8.5 |
A |
S |
|
T |
|
|
22/08/1983 |
Largo MD, Capital Centre |
103 |
8 |
A |
S |
0 |
2CDR |
#146F |
ECM-929LT > WM-D3. Sample |
27/08/1983 |
Winnipeg, Coliseum |
102 |
7.5 |
A |
M |
|
2CDR |
#32F |
|
01/09/1983 |
Tacoma WA, Tacoma Dome |
95 |
8.5 |
A |
S |
0 |
2CDR |
#131F |
ECM-939 > WM-D6C |
05/09/1983 |
San Diego CA, Aztec Bowl, source #1 |
90 |
9 |
A |
S |
|
T |
|
|
05/09/1983 |
San Diego CA, Aztec Bowl, source #2 |
98 |
8.5 |
A |
S |
|
2CDR |
#57F |
|
06/09/1983 |
Los Angeles CA, Hollywood Park |
104 |
8.5 |
A |
S |
2 |
2CDR |
#55F |
My transfer from 2nd gen tape |
06/09/1983 |
Los Angeles CA, Hollywood Park |
110 |
9.5 |
A |
S |
|
T |
|
w/ radio reports |
08/09/1983 |
Phoenix AZ, Giants Stadium |
100 |
8.5 |
A |
S |
|
2CDR |
#97F |
My transfer |
10/09/1983 |
Oakland CA, Stadium, source #1 |
100 |
9 |
A |
M |
|
2CDR |
#23F |
My transfer |
10/09/1983 |
Oakland CA, Stadium, source #2 |
96 |
8.5 |
A |
S |
2 |
2CDR |
#56F |
|
17/09/1983 |
Augsburg, Rosenausstadion, source #1 |
89 |
9 |
A |
S |
|
T |
|
|
17/09/1983 |
Augsburg, Rosenausstadion, source #2 |
91 |
8.5 |
A |
S |
|
2CDR |
#35F |
|
18/09/1983 |
Darmstadt, Stadium, source #1 |
99 |
9.5 |
A |
S |
|
T |
|
|
18/09/1983 |
Darmstadt, Stadium, source #2 |
94 |
9 |
A |
M |
|
2CDR |
#37F |
'So lonely' split in from another lower quality version of this source |
20/09/1983 |
Dijon, Parc de Expositions |
89 |
9.5 |
A |
S |
0 |
2CDR |
#41F |
My transfer from master tape, incomplete. |
20/09/1983 |
Dijon, Parc de Expositions |
96 |
9 |
A |
M |
|
2CDR |
#23F |
Click in tracks transitions |
21/09/1983 |
Paris, La Cipale |
103 |
8.5 |
A |
S |
|
T |
|
|
21/09/1983 |
Paris, La Cipale |
96 |
8 |
A |
S |
|
2CDR |
#11S |
As torrented on DIME. Have to check against my copy. |
23/09/1983 |
Nimes, Les Arenes |
61 |
9 |
A |
S |
|
CDR |
#23F |
My transfer |
23/09/1983 |
Nimes, Les Arenes |
63 |
8.5 |
A |
S |
1 |
CDR |
#32F |
My transfer from a 1st (?) gen tape |
24/09/1983 |
Nimes, Les Arenes, source #1 |
101 |
9 |
A |
S |
|
T |
|
|
24/09/1983 |
Nimes, Les Arenes, source #2 |
99 |
8.5 |
A |
S |
|
2CDR |
#160F |
Sample |
29/09/1983 |
RTVE int. at Madrid Airport |
|
|
T |
|
|
T |
|
"Tarde de Verano" interviews w/ Sting and Stewart |
30/09/1983 |
Madrid, Estadio Roman Valero, source #1 |
102 |
9 |
A |
S |
|
T |
|
|
30/09/1983 |
Madrid, Estadio Roman Valero, source #2 |
87 |
8 |
A |
S |
0 |
2CDR |
#63F |
Aiwa mic > Aiwa walkman, my transfer. |
30/09/1983 |
Madrid, Estadio Roman Valero, source #3 |
94 |
8 |
A |
S |
|
2CDR |
#129F |
|
01/10/1983 |
Barcelona, Estadi Narcis Sala, source #1 |
103 |
9 |
A |
S |
0 |
2CDR |
#62F |
Sony walkman. My transfer from master, 24 and 16 bits versions available. |
01/10/1983 |
Barcelona, Estadi Narcis Sala, source #2 |
102 |
7.5 |
A |
M |
0 |
2CDR |
#158F |
Sony walkman, slight distortion |
01/10/1983 |
Barcelona, Estadi Narcis Sala |
90 |
9.5 |
S |
S |
1 |
2CDR |
#61F |
My transfer, 24 and 16 bits versions available. |
01/10/1983 |
Barcelona, Estadi Narcis Sala |
79 |
9.5 |
S* |
M |
|
CDR |
#24F |
"Sting's birthday" |
02/10/1983 |
Rock 3 Radio Nacional w/ Diego A. Manrique |
|
|
R |
|
|
T |
|
|
03/10/1983 |
Lyon, Palais des Sports, source #1 |
101 |
10 |
A |
S |
1 |
2CDR |
#37F |
Imperial shotgun mics > Marantz deck. My transfer. |
03/10/1983 |
Lyon, Palais des Sports, source #2 |
113 |
8.5 |
A |
M |
|
T |
|
|
04/10/1983 |
Rotterdam, Sportpaleis Ahoy |
100 |
9 |
A |
S |
|
T |
|
|
06/10/1983 |
Koeln, Sporthalle, source #1 |
101 |
8.5 |
A |
M |
|
2CDR |
#16F |
|
06/10/1983 |
Koeln, Sporthalle, source #2 |
96 |
8.5 |
A |
S |
|
2CDR |
#51F |
|
07/10/1983 |
Hamburg, Ernst-Merck-Halle |
98 |
9.5 |
A |
S |
|
T |
|
|
09/10/1983 |
Berlin, Eissporthalle |
99 |
9 |
A |
S |
|
2CDR |
#51F |
|
10/10/1983 |
Dortmund, Westfalenhalle |
100 |
10 |
A |
S |
|
T |
|
|
13/10/1983 |
Copenhagen, Brondbyhallen |
94 |
9 |
A |
S |
1 |
2CDR |
#41F |
My transfer from 1st gen tape. Incomplete. |
13/10/1983 |
Copenhagen, Brondbyhallen |
101 |
8.5 |
A |
S |
3 |
2CDR |
#21F |
My transfer from 3rd gen tape |
14/10/1983 |
Stockholm, Isstadion |
106 |
10 |
A |
S |
|
T |
|
|
28/10/1983 |
Miami FL, Orange Bowl |
89 |
9 |
A |
S |
|
2CDR |
#1F |
My transfer |
02/11/1983 |
Atlanta, The Omni |
82 |
10 |
T |
S |
|
|
|
No trade, official release. Actually a mix of two shows |
06/11/1983 |
Lexington KY, Rupp Arena |
90 |
8 |
A |
S |
|
2CDR |
#17F |
|
08/11/1983 |
Birmingham AL, Civic Center |
77 |
8 |
A |
S |
|
T |
|
|
10/11/1983 |
Baton Rouge, LSU Assembly Center |
90 |
8.5 |
A |
S |
|
T |
|
|
11/11/1983 |
Biloxi MS, Coast Coliseum |
95 |
9.5 |
A |
S |
|
T |
|
|
13/11/1983 |
Dallas TX, Reunion Arena |
89 |
9 |
A |
M |
1 |
2CDR |
#125F |
Nak 300 shotgun > D5. |
14/11/1983 |
Dallas TX, Reunion Arena |
99 |
9 |
A |
S |
0 |
2CDR |
#124F |
ECM 939T > D6 |
17/11/1983 |
Houston TX, The Summit |
|
8.5 |
A |
S |
|
T |
|
|
19/11/1983 |
Austin TX, South Park Meadows, source #1 |
84 |
8.5 |
A |
M |
|
2CDR |
#32F |
|
19/11/1983 |
Austin TX, South Park Meadows, source #2 |
86 |
8.5 |
A |
S |
0 |
2CDR |
#33F |
From master Aiwa w/ built in mic. |
20/11/1983 |
Oklahoma City OK, Myriad Center |
97 |
9.5 |
A |
S |
0 |
2CDR |
#122F |
ECM 939T > D6 |
22/11/1983 |
Denver, McNichols Sports Arena, source #1 |
68 |
8 |
A |
S |
|
CDR |
#11F |
Incomplete. My transfer. |
22/11/1983 |
Denver, McNichols Sports Arena, source #2 |
93 |
8.5 |
A |
S |
0 |
2CDR |
#11F |
ecm-929lt > Aiwa walkman. |
24/11/1983 |
Kansas City MO, Kemper Arena |
95 |
9 |
A |
S |
2 |
2CDR |
#56F |
|
27/11/1983 |
Cedar Falls, The Unidome |
83 |
9.5 |
A |
S |
0 |
2CDR |
#23F |
Custom pzm > Walkman pro |
27/11/1983 |
Cedar Falls, The Unidome |
|
|
A |
|
|
T |
|
Need to check if it's the same source as above |
08/12/1983 |
Edinburgh, Playhouse |
96 |
9 |
A |
S |
|
T |
|
|
09/12/1983 |
Edinburgh, Playhouse |
98 |
10 |
A |
S |
|
T |
|
|
11/12/1983 |
Glasgow, Apollo |
95 |
9.5 |
A |
S |
|
T |
|
|
12/12/1983 |
Blackpool, source #1 |
100 |
8.5 |
A |
M |
|
T |
|
|
12/12/1983 |
Blackpool, source #2 |
106 |
7 |
A |
M |
|
2CDR |
#105F |
|
14/12/1983 |
Nottingham, Royal Centre |
103 |
8.5 |
A |
S |
|
T |
|
|
15/12/1983 |
Leeds, Queen's Hall |
99 |
8.5 |
A |
M |
|
T |
|
|
17/12/1983 |
St. Austell, Coliseum |
99 |
8.5 |
A |
S |
|
T |
|
|
18/12/1983 |
St. Austell, Coliseum |
90 |
8.5 |
A |
M |
|
T |
|
|
20/12/1983 |
Birmingham, NEC |
98 |
9.5 |
A |
S |
|
T |
|
|
20/12/1983 |
Birmingham, NEC |
95 |
9 |
A |
S |
1 |
2CDR |
#4F |
1st gen |
21/12/1983 |
Birmingham, NEC |
98 |
9 |
A |
S |
|
T |
|
|
23/12/1983 |
Brighton, Conference Centre |
91 |
9 |
A |
S |
|
2CDR |
#24F |
My transfer |
24/12/1983 |
Brighton, Conference Centre |
94 |
8.5 |
A |
S |
|
T |
|
|
27/12/1983 |
London, Wembley Arena |
97 |
9.5 |
A |
S |
|
2CDR |
#4F |
My transfer |
28/12/1983 |
London, Wembley Arena |
93 |
8.5 |
A |
S |
|
T |
|
|
30/12/1983 |
London, Wembley Arena |
92 |
8.5 |
A |
S |
|
T |
|
|
31/12/1983 |
London, Wembley Arena, source #1 |
101 |
8 |
A |
M |
|
2CDR |
#70F |
My transfer |
31/12/1983 |
London, Wembley Arena, source #2 |
102 |
8 |
A |
M |
|
2CDR |
#129F |
|
31/12/1983 |
London, Wembley Arena, MTV simulcast |
12 |
9 |
T |
S |
|
T |
|
|
30/01/1984 |
Roma, Palaeur |
94 |
9 |
A |
S |
0 |
2CDR |
#45F |
AKG > D6 master |
31/01/1984 |
Roma, Palaeur, source #1 |
|
|
A |
|
|
T |
|
|
31/01/1984 |
Roma, Palaeur, source #2 |
95 |
9 |
A |
S |
|
T |
|
|
31/01/1984 |
Roma, Palaeur, source #3 |
95 |
8.5 |
A |
S |
|
2CDR |
#56F |
|
04/02/1984 |
Syracuse NY, Carrier Dome, source #1 |
99 |
7.5 |
A |
S |
|
2CDR |
#50F |
My transfer |
04/02/1984 |
Syracuse NY, Carrier Dome, source #2 |
100 |
9 |
A |
S |
|
2CDR |
#1F |
My transfer |
05/02/1984 |
Providence RI, Civic Centre, source #1 |
98 |
7 |
A |
M |
|
2CDR |
#50F |
My transfer |
05/02/1984 |
Providence RI, Civic Centre, source #2 |
98 |
8.5 |
A |
S |
|
2CDR |
#1F |
My transfer |
07/02/1984 |
Atlantic City NJ, Convention Center, source #1 |
97 |
7.5 |
A |
M |
|
2CDR |
#12F |
1st source |
07/02/1984 |
Atlantic City NJ, Convention Center, source #2 |
|
9 |
A |
S |
|
T |
|
|
08/02/1984 |
Williamsburg WV, William and Mary Hall |
88 |
9 |
A |
S |
|
2CDR |
#45F |
Some distortion |
10/02/1984 |
Greensboro NC, College |
91 |
7.5 |
A |
S |
|
2CDR |
#27F |
|
11/02/1984 |
Greensboro NC, Coliseum |
87 |
9.5 |
A |
S |
0 |
2CDR |
#54F |
ECM-939 > WM-D6C |
11/02/1984 |
Greensboro NC, Coliseum |
91 |
9 |
A |
S |
0 |
2CDR |
#149F |
From master, 16 and 24 bits versions |
13/02/1984 |
Charleston WV, Civic Coliseum |
87 |
7.5 |
A |
M |
|
2CDR |
#17F |
|
14/02/1984 |
Cincinnati OH, Riverfront Coliseum, source #1 |
92 |
5 |
A |
M |
|
2CDR |
#143F |
Mix of two sources, first disc video sourced |
14/02/1984 |
Cincinnati OH, Riverfront Coliseum, source #2 |
90 |
8.5 |
A |
S |
0 |
2CDR |
#143F |
Magnavox microphones > Radio shack portable recorder |
16/02/1984 |
Memphis TN, Mid-South Coliseum |
88 |
9 |
A |
S |
1 |
2CDR |
#23F |
|
17/02/1984 |
Carbondale IL, Southern Illinois University |
91 |
6 |
A |
M |
|
2CDR |
#23F |
|
18/02/1984 |
Chicago IL, Universal R.C. Studio A |
76 |
9 |
S |
S |
|
CDR |
#40F |
Includes King of pain, One world and Don't stand.
Previously mislabeled as Synchronicity Rehearsals, needs relabeling |
19/02/1984 |
Chicago IL, Rosemont Horizon, source #1 |
91 |
9 |
A |
S |
|
2CDR |
#50F |
My transfer |
19/02/1984 |
Chicago IL, Rosemont Horizon, source #2 |
95 |
7 |
A |
S |
|
2CDR |
#95F |
|
19/02/1984 |
EON FM Stewart phone interview |
14 |
10 |
R |
S |
|
T |
|
|
20/02/1984 |
Milwaukee, Mecca Arena, source #1 |
89 |
9.5 |
A |
S |
|
T |
|
|
20/02/1984 |
Milwaukee, Mecca Arena, source #2 |
94 |
9 |
A |
S |
2 |
2CDR |
#17F |
2nd source, 2nd gen |
22/02/1984 |
Buffalo NY, Memorial Auditorium |
98 |
9 |
A |
S |
|
2CDR |
#30F |
|
25/02/1984 |
Honolulu HI, Aloha Stadium |
54 |
9.5 |
S |
S |
|
CDR |
#24F |
|
29/02/1984 |
Auckland, Western Springs |
|
8 |
A |
S |
|
T |
|
|
02/03/1984 |
Sydney, Showgrounds |
89 |
7.5 |
A |
M |
1 |
T |
|
|
03/03/1984 |
Stewart on EON FM |
30 |
10 |
R |
S |
|
T |
|
|
04/03/1984 |
Melbourne, Australia, source #1 |
105 |
7 |
A |
M |
1 |
2CDR |
#36F |
1st source, my transfer |
04/03/1984 |
Melbourne, Australia, source #2 |
96 |
8.5 |
A |
S |
|
2CDR |
#17F |
|
03/1984 |
Sting Interview (Melbourne) |
45 |
10 |
R |
S |
|
T |
|
|
CONSPIRACY OF HOPE |
11/06/1986 |
Atlanta |
30 |
9 |
A |
S |
|
CDR |
#101F |
|
13/06/1986 |
Rosemont IL, Rosemont Horizon, source #1 |
47 |
9.5 |
A |
S |
|
CDR |
#102F |
|
13/06/1986 |
Rosemont IL, Rosemont Horizon, source #2 |
47 |
8.5 |
A |
S |
|
CDR |
#41F |
ECM-939 > D6 |
13/06/1986 |
Rosemont IL, Rosemont Horizon, source #3 |
47 |
9 |
A |
S |
|
CDR |
#55F |
My transfer |
15/06/1986 |
East Rutherford, Giants Stadium |
39 |
10 |
R |
S |
0 |
CDR |
#9F |
From FM master cassette |
1986 |
Radio show |
47 |
9.5 |
R |
S |
0 |
CDR |
#53F |
w/ live tracks from Melbourne 1981 |
DARK AGES |
27/11/2002 |
Rockline |
86 |
10 |
R |
S |
1 |
2CDR |
#92F |
Pre-FM. Andy and Stewart joint interview |
REUNION :) |
11/02/2007 |
Los Angeles, Grammy Awards |
4 |
10 |
T |
S |
0 |
CDR |
#54F |
Source compressed broadcast |
11/02/2007 |
Los Angeles, Grammy Awards |
5 |
9.5 |
R |
S |
M |
CDR |
#64F |
RDS FM broadcast, source compressed broadcast |
11/02/2007 |
BBC World Service, The World Today |
5 |
10 |
R |
M |
0 |
WMA |
#116 |
Interview to Danny Ecclestone of Mojo Magazine. No real Police here |
12/02/2007 |
BBC World Service, The World Today |
6 |
10 |
R |
M |
0 |
MP3 |
#51 |
The BBC interviews.... myself ? |
21/02/2007 |
Indie FM, Jonesy's Jukebox w/ Andy |
32 |
9 |
R |
S |
0 |
CDR |
#52F |
Andy interview |
27/05/2007 |
Vancouver, GM Place, FC show |
127 |
9 |
A |
S |
0 |
2CDR |
#58F |
SP-CMC1 > SP-SPSB-10 > RH1 |
28/05/2007 |
Vancouver, GM Place |
121 |
8 |
A |
S |
0 |
2CDR |
#58F |
R-09 |
28/05/2007 |
Vancouver, GM Place |
120 |
9 |
A |
S |
0 |
2CDR |
#76F |
SS PA-10LC3 > MZ-R35 |
30/05/2007 |
Vancouver, GM Place |
115 |
8.5 |
A |
S |
0 |
2CDR |
#69F |
SS PA-10LC3 > MZ-R35 |
30/05/2007 |
Vancouver, GM Place |
121 |
8.5 |
A |
S |
0 |
2CDR |
#84F |
Unknown source #1. Gaps |
02/06/2007 |
Edmonton AB, Commonwealth Stadium |
113 |
8.5 |
A |
S |
0 |
2CDR |
#68F |
BMC-2 > R-09. 16 and 24 bits versions (24b on 97F) |
02/06/2007 |
Edmonton AB, Commonwealth Stadium |
110 |
8 |
A |
S |
0 |
2CDR |
#74F |
SS PA-10LC3 > MZ-R35 |
07/06/2007 |
Seattle WA, Key Arena |
115 |
8.5 |
A |
S |
0 |
2CDR |
#77F |
SS DSM-6S/L > PA-6LC2 > iHP-120 |
07/06/2007 |
Seattle WA, Key Arena |
119 |
9.5 |
AS |
S |
0 |
2CDR |
#92F |
Aud and ALD matrix |
09/06/2007 |
Denver CO, Pepsi Center |
117 |
8 |
A |
S |
|
2CDR |
#101F |
PCM DVD rip |
10/06/2007 |
Denver CO, Pepsi Center |
115 |
9 |
A |
S |
0 |
2CDR |
#68F |
Cards > Sharp MD |
13/06/2007 |
Oakland, McAfee Coliseum |
115 |
8 |
A |
S |
0 |
2CDR |
#66F |
SPB > H120 |
13/06/2007 |
Oakland, McAfee Coliseum |
116 |
8.5 |
A |
S |
0 |
2CDR |
#58F |
SP-CMC-2 > R-09. 24 and 16 bits versions |
13/06/2007 |
Oakland, McAfee Coliseum |
117 |
9 |
A |
S |
0 |
2CDR |
#66F |
KM140s > MP2 > SBM1 > D7 |
13/06/2007 |
Oakland, McAfee Coliseum |
119 |
7 |
A |
M |
0 |
WMA |
#61F |
Olympus DS-2 |
13/06/2007 |
Oakland, McAfee Coliseum |
116 |
8.5 |
A |
S |
0 |
2CDR |
#63F |
CMC-2 and SPB sources matrix |
13/06/2007 |
Oakland, McAfee Coliseum |
116 |
8.5 |
A |
S |
0 |
DVD |
#65 |
CMC-2 and SPB sources DVD audio surround mix |
15/06/2007 |
Las Vegas NV, MGM Grand Arena |
117 |
8.5 |
A |
S |
0 |
2CDR |
#61F |
DPA 4061s > MMA 6000 > MT 24/96. 16 bits version |
16/06/2007 |
Manchester TN, Bonnaroo |
103 |
9.5 |
A |
S |
0 |
2CDR |
#66F |
mk4 (DIN) > kc5 > cmc6 > Lunatec V2 > SD 702. 24 and 16 bits versions |
16/06/2007 |
Manchester TN, Bonnaroo |
101 |
9 |
A |
S |
0 |
2CDR |
#68F |
SP-CMC-4U (AT U853's) > XLR - ISI-1 > MT2496@16/44.1 |
16/06/2007 |
Manchester TN, Bonnaroo |
94 |
6 |
A |
M |
0 |
2CDR |
#61F |
Radio Shack Cassette Recorder |
18/06/2007 |
Phoenix AZ, US Airways Arena |
112 |
8.5 |
A |
S |
0 |
2CDR |
#61F |
AT831 > SP-SPSB-2 (rolloff @ 107 Hz) > R-09 |
18/06/2007 |
Phoenix AZ, US Airways Arena |
113 |
9 |
A |
S |
0 |
2CDR |
#64F |
at943c > SPSB-2 (rolloff @ 107hz) > R-09 |
18/06/2007 |
Phoenix AZ, US Airways Arena |
110 |
8.5 |
A |
S |
0 |
2CDR |
#68F |
SP-CMC-20 > SP-SPSB-10(roll-off @ 69hz) > Sony PCM-RH1 |
20/06/2007 |
Los Angeles CA, Staples Center |
111 |
10 |
A |
S |
0 |
2CDR |
#67F |
MK41 > actives > NBox > R-09 @ 24/48. 24 and 16 bits versions |
21/06/2007 |
Anaheim CA, Honda Center |
113 |
9.5 |
A |
S |
0 |
2CDR |
#63F |
SP AT933 Hyper Cards > SP Battery Box (Roll off @ 107Hz) > PCM-M1 (@ 44.1khz) |
23/06/2007 |
Los Angeles CA, Dodger Stadium |
107 |
9 |
A |
S |
0 |
2CDR |
#64F |
AT943 > SP-SPSB-8(roll-off @ 19hz) > PCM-M1 |
23/06/2007 |
Los Angeles CA, Dodger Stadium |
111 |
8.5 |
A |
S |
0 |
2CDR |
#69F |
SP-CMC-20 > SP-SPSB-10(roll-off @ 69hz) > Sony PCM-RH1 |
26/06/2007 |
Dallas TX, American Airlines Center |
111 |
8.5 |
A |
S |
0 |
2CDR |
#67F |
DPA 4061 > Sony D100 |
26/06/2007 |
Dallas TX, American Airlines Center |
111 |
9 |
A |
S |
0 |
2CDR |
#72F |
DSM-6S/L > PA-6LC3(-45) > R-09 @24/44. 16 bits version |
27/06/2007 |
Dallas TX, American Airlines Center |
108 |
8 |
A |
S |
0 |
2CDR |
#87F |
R-09 @16/44.1 |
29/06/2007 |
Houston TX, Toyota Center |
111 |
9 |
A |
S |
0 |
2CDR |
#68F |
DPA 4023 > 722@24/96. 16 bits version. SBEs |
02/07/2007 |
St. Louis MO, Scottrade Center |
124 |
9.5 |
A |
S |
0 |
2CDR |
#67F |
SP CMC-8 (AT w/no SPL mods, croakie mount) > SP 12v BB > R-09 |
02/07/2007 |
St. Louis MO, Scottrade Center |
110 |
8.5 |
A |
S |
0 |
2CDR |
#67F |
CA STC-11 > R-09 @24/44.1. 16 bits version only |
02/07/2007 |
St. Louis MO, Scottrade Center |
117 |
9 |
A |
S |
0 |
2CDR |
#68F |
AT853's > AT8533x > Beyer MV-100 > TCD-D8 |
05/07/2007 |
Chicago IL, Wrigley Field |
117 |
9 |
A |
S |
0 |
2CDR |
#98F |
DPA 4023 > SX-M2 > MI > R1@24/44.1. 16 bits version |
05/07/2007 |
Chicago IL, Wrigley Field |
113 |
7.5 |
A |
M |
|
2CDR |
#98F |
Unknown source #1 |
06/07/2007 |
Chicago IL, Wrigley Field |
113 |
9 |
A |
M |
0 |
2CDR |
#76F |
at853 > MV-100 > D8 |
06/07/2007 |
Chicago IL, Wrigley Field |
112 |
9 |
A |
S |
0 |
2CDR |
#146F |
AT831's > battery box (107 Hz) > R-09 @24/48.
Sample |
10/07/2007 |
Miami FL, Dolphins Stadium |
115 |
6.5 |
A |
M |
0 |
WMA |
#92 |
Windows Media file, 32 kbps, 44.1 kHz |
11/07/2007 |
Tampa FL, St. Pete Times Forum |
114 |
9 |
A |
S |
0 |
2CDR |
#129F |
CSB > bb > R-09@24. 16 bits version |
14/07/2007 |
Louisville KY, Churchill Downs |
111 |
8.5 |
A |
S |
0 |
2CDR |
#145F |
4060 > iHP-120 |
16/07/2007 |
Cleveland OH, Quicken Loans Arena |
111 |
8 |
A |
M |
0 |
2CDR |
#68F |
M-Audio stereo mic > Aiwa AM-F70 MD |
16/07/2007 |
Cleveland OH, Quicken Loans Arena |
112 |
7 |
A |
S |
0 |
2CDR |
#69F |
GSAL cards > MZ-R700 |
17/07/2007 |
Auburn Hills MI, Palace |
112 |
9 |
A |
S |
0 |
2CDR |
#69F |
CA-STC11 > CA 9000 pre > iRiver h120 |
19/07/2007 |
Philadelphia PA, Citizens Bank Park |
114 |
9 |
A |
S |
0 |
2CDR |
#70F |
AT853 > MV 100 > R-09 @24/48. Some wind noise |
19/07/2007 |
Philadelphia PA, Citizens Bank Park |
109 |
9.5 |
A |
S |
0 |
2CDR |
#71F |
SP-CMC-8 > SP-SPSB-10 > R-09 @24/48. 16 bits version |
19/07/2007 |
Philadelphia PA, Citizens Bank Park |
108 |
10 |
A |
S |
0 |
2CDR |
#70F |
mk4v > SX-M2 > R-09. 16 bits version |
20/07/2007 |
Hershey PA, Hersheypark Stadium |
111 |
8.5 |
A |
S |
0 |
2CDR |
#70F |
CSB > R-09. 16 and 24 bits versions |
20/07/2007 |
Hershey PA, Hersheypark Stadium |
111 |
9.5 |
A |
S |
0 |
2CDR |
#71F |
mk4v > Nbox+ > R-09 @24/48. 16 and 24 bits versions |
20/07/2007 |
Hershey PA, Hersheypark Stadium |
107 |
6 |
A |
S |
0 |
2CDR |
#71F |
R-09 @24/48. Kick drum distorts |
22/07/2007 |
Toronto, Air Canada Centre |
110 |
8.5 |
A |
S |
0 |
2CDR |
#82F |
CSC > H120 |
23/07/2007 |
Toronto, Air Canada Centre |
111 |
8 |
A |
S |
0 |
2CDR |
#71F |
R-09 @16/44 |
23/07/2007 |
Toronto, Air Canada Centre |
114 |
7 |
A |
S |
0 |
2CDR |
#84F |
SP-CMC-8 > SP-SPSB-1 > R-09 |
25/07/2007 |
Montreal, Centre Bell |
113 |
8.5 |
A |
S |
0 |
2CDR |
#72F |
at831 > SPSB-1 > R-09 @16/44 |
25/07/2007 |
Montreal, Centre Bell |
113 |
7.5 |
A |
S |
0 |
2CDR |
#72F |
ECM-DS70P > MZ-NH700 |
25/07/2007 |
Montreal, Centre Bell |
115 |
8 |
A |
S |
0 |
2CDR |
#72F |
Homemade binaural mics > MZ-NH700 |
26/07/2007 |
Montreal, Centre Bell |
111 |
8 |
A |
S |
0 |
2CDR |
#72F |
dpa4061 > bb > mz-rh1 |
26/07/2007 |
Montreal, Centre Bell |
118 |
8.5 |
A |
S |
0 |
2CDR |
#72F |
ECM-DS70P > MZ-NH700 |
28/07/2007 |
Boston, Fenway Park |
105 |
5.5 |
A |
M |
0 |
WMA |
#92 |
Windows Media file, 16 kbps, 22 kHz |
31/07/2007 |
Hartford CT, Rentschler Field |
111 |
9.5 |
A |
S |
0 |
2CDR |
#73F |
AT853 (hypers) > MP2 > R-09 @24/48. 16 bits version |
31/07/2007 |
Hartford CT, Rentschler Field |
111 |
8.5 |
A |
S |
0 |
2CDR |
#73F |
DPA 4061 > R-09 |
31/07/2007 |
Hartford CT, Rentschler Field |
113 |
9 |
A |
S |
0 |
2CDR |
#73F |
AT853 > MV 100 > R-09 @24/48 |
31/07/2007 |
Hartford CT, Rentschler Field |
110 |
6.5 |
A |
M |
0 |
2CDR |
#96F |
Optimus tape recorder |
01/08/2007 |
New York City NY, Madison Square Garden |
113 |
8.5 |
A |
S |
0 |
2CDR |
#73F |
CCM4's > SD744T @24/96. 16 bits version |
01/08/2007 |
New York City NY, Madison Square Garden |
114 |
8 |
A |
S |
0 |
2CDR |
#74F |
ECM-719 > R-09 |
03/08/2007 |
New York City NY, Madison Square Garden |
110 |
9 |
A |
S |
0 |
2CDR |
#73F |
CSB > BB > R-09 @24/48. 16 bits version. |
04/08/2007 |
Baltimore MD, Pimlico Racetrack |
99 |
9 |
A |
S |
0 |
2CDR |
#73F |
AT831 > hp120 |
05/08/2007 |
East Rutheford NJ, Giants Stadium |
114 |
9 |
A |
S |
0 |
2CDR |
#84F |
ECM-MS907 > D8 |
29/08/2007 |
Stockholm, Globe Arena |
111 |
8.5 |
A |
S |
0 |
2CDR |
#76F |
ECM-717 > MD-MT15 |
30/08/2007 |
Stockholm, Globe Arena |
112 |
9 |
A |
S |
0 |
2CDR |
#76F |
ECM-717 > MD-MT15 |
30/08/2007 |
Stockholm, Globe Arena |
112 |
8.5 |
A |
S |
0 |
2CDR |
#81F |
MM-MCSM-4 > MM-EBM > H120 |
30/08/2007 |
Stockholm, Globe Arena |
113 |
10 |
A |
S |
0 |
2CDR |
#93F |
"At The Globe 2007". Uknown source #1 |
01/09/2007 |
Aarhus, Vestereng |
103 |
8.5 |
A |
S |
0 |
2CDR |
#81F |
Custom mics > Sharp MD |
01/09/2007 |
Aarhus, Vestereng |
113 |
8 |
A |
S |
0 |
2CDR |
#84F |
H4 |
04/09/2007 |
NDR2 - Soundcheck Milestones |
163 |
10 |
R |
S |
0 |
3CDR |
#77F |
FM Report on Police history, reviews, interviews, official tracks (wil not trade them), etc |
08/09/2007 |
London, Twickenham Stadium |
73 |
9 |
A |
S |
M |
CDR |
#75F |
My master, incomplete. GSAL omnis > R-09 @24/48 |
08/09/2007 |
London, Twickenham Stadium |
113 |
9 |
A |
S |
0 |
2CDR |
#80F |
ECM-717 > MD-MT15 |
08/09/2007 |
London, Twickenham Stadium |
114 |
8 |
A |
S |
0 |
2CDR |
#81F |
SP-CMC-1 > RS-PS1-Juicebox > R-09 @16/44.1 |
09/09/2007 |
London, Twickenham Stadium |
108 |
8 |
A |
S |
0 |
2CDR |
#77F |
ECM-717 > MD-MT15 |
11/09/2007 |
Hamburg, HSH Nordbank Arena |
110 |
7.5 |
A |
S |
0 |
2CDR |
#77F |
ECM-CS10 > MD-MT 190. Lots of clappers |
11/09/2007 |
Hamburg, HSH Nordbank Arena |
109 |
8 |
A |
S |
0 |
2CDR |
#77F |
ECM-717 > MD-MT15 |
11/09/2007 |
Hamburg, HSH Nordbank Arena |
115 |
8.5 |
A |
S |
0 |
2CDR |
#80F |
okmIIr > A3 > Gmini 400 |
13/09/2007 |
Amsterdam, ArenA |
110 |
9 |
A |
S |
0 |
2CDR |
#80F |
ECM-717 > MD-MT15 |
13/09/2007 |
Amsterdam, ArenA |
112 |
8.5 |
A |
S |
0 |
2CDR |
#81F |
ECM CS10 > H340. w/ three tracks from MM-MCSM-4 source |
13/09/2007 |
Amsterdam, ArenA |
111 |
8.5 |
A |
S |
0 |
2CDR |
#81F |
MM-MCSM-4 > MM-EBM > H120 |
13/09/2007 |
Amsterdam, ArenA |
111 |
7 |
A |
S |
0 |
2CDR |
#81F |
R-09 @16/44.1 |
13/09/2007 |
Amsterdam, ArenA |
115 |
8.5 |
A |
S |
0 |
2CDR |
#88F |
4061s > MT2496 @24/44.1. 24 and 16 bits versions. Some bass distortion. 24b on 113F |
14/09/2007 |
Amsterdam, ArenA |
112 |
8 |
A |
S |
0 |
2CDR |
#80F |
ECM-717 > MD-MT15 |
14/09/2007 |
Amsterdam, ArenA |
112 |
8.5 |
A |
S |
0 |
2CDR |
#82F |
AT831 > SP-SPSB-6 > H120 |
14/09/2007 |
Amsterdam, ArenA |
123 |
7 |
A |
S |
0 |
2CDR |
#82F |
okmIIr > A3 > TCD-D100. 32 kHz |
14/09/2007 |
Amsterdam, ArenA |
111 |
7.5 |
A |
S |
0 |
2CDR |
#84F |
SP-CMC-20 > SP-SPSB-8 > MZ-RH1 |
14/09/2007 |
Amsterdam, ArenA |
116 |
7.5 |
A |
S |
0 |
2CDR |
#113F |
4061 > MT 24/96 @24/44. Some clipping |
16/09/2007 |
Geneve, Stade de la Praille |
113 |
10 |
A |
S |
M |
2CDR |
#75F |
My master. CA STC-11 > R-09 @16/44.1 |
16/09/2007 |
Geneve, Stade de la Praille |
109 |
9 |
A |
S |
0 |
2CDR |
#82F |
MC930 > PMD660 (Oade ACM mod) |
19/09/2007 |
Wien, Stadthalle |
111 |
8 |
A |
S |
0 |
2CDR |
#80F |
ECM-717 > MD-MT15 |
19/09/2007 |
Wien, Stadthalle |
111 |
9.5 |
A |
S |
0 |
2CDR |
#82F |
DPA 4060 > MPS 6030 > iHP-120 |
19/09/2007 |
Wien, Stadthalle |
92 |
8.5 |
A |
S |
0 |
2CDR |
#121F |
ECM-719 > MD-MT831H (ATRAC 24bit/44.1kHz). 24 bits version |
22/09/2007 |
Muenchen, Olympiastadion |
113 |
8 |
A |
S |
M |
2CDR |
#76F |
My master. CA STC-11 > R-09 @16/44.1 |
22/09/2007 |
Muenchen, Olympiastadion |
112 |
9 |
A |
S |
0 |
2CDR |
#78F |
SP-CMC-8 > SP-SPSB-8 > R-09 @24/48. 16 bits version |
22/09/2007 |
Muenchen, Olympiastadion |
113 |
8.5 |
A |
S |
0 |
2CDR |
#121F |
ECM-719 > MD-MT831H (ATRAC 24bit/44.1kHz). 24 bits version. Repeats/skips |
22/09/2007 |
Bayern 3 Radio special, Quizz & Hiss |
21 |
9 |
R |
M |
0 |
CDR |
#88F |
FM master |
27/09/2007 |
Barcelona, Estadio Olimpico |
109 |
8 |
A |
S |
0 |
2CDR |
#78F |
R-09 @24/44.1. 16 bits version |
27/09/2007 |
Barcelona, Estadio Olimpico |
111 |
8.5 |
A |
S |
0 |
2CDR |
#93F |
SS PA-10LC3 > MZ-R35 |
27/09/2007 |
Barcelona, Estadio Olimpico |
113 |
8.5 |
A |
S |
0 |
2CDR |
#126F |
ECM-719 > MD-MT831H. 24 bits version |
27/09/2007 |
Barcelona, Estadio Olimpico |
115 |
8.5 |
A |
S |
0 |
2CDR |
#145F |
ECM-CS10 > MZ-NH1 |
27/09/2007 |
Barcelona, Estadio Olimpico |
113 |
8 |
A |
M |
|
2CDR |
#151F |
Unknown source #1 |
29/09/2007 |
Paris, Stade de France |
112 |
8 |
A |
S |
0 |
2CDR |
#78F |
Innovative Specialists cards > SP power supply > MZ-RH1 |
29/09/2007 |
Paris, Stade de France |
113 |
10 |
A |
S |
0 |
2CDR |
#78F |
MKE-66 > TCD-D8 |
29/09/2007 |
Paris, Stade de France |
110 |
8.5 |
A |
S |
M |
2CDR |
#78F |
My master. CA STC-11 > R-09 @16/44.1. Last 4 minutes missing |
29/09/2007 |
Paris, Stade de France |
112 |
9 |
A |
S |
0 |
2CDR |
#79F |
SP-CMC8 > SP-SPSB10 > R-09 @16/44.1 |
29/09/2007 |
Paris, Stade de France |
111 |
8.5 |
A |
S |
0 |
2CDR |
#79F |
ECM-MS907 > iHP120 |
29/09/2007 |
Paris, Stade de France |
117 |
8.5 |
A |
S |
0 |
2CDR |
#97F |
ECM-719 > MZ-NH700 |
29/09/2007 |
Paris, Stade de France |
118 |
9 |
A |
S |
0 |
2CDR |
#98F |
ECM-719 > MZ-RH1 |
30/09/2007 |
Paris, Stade de France |
114 |
9 |
A |
S |
M |
2CDR |
#78F |
My master. 4061s > MPS 6030 > R-09 @16/44.1 |
30/09/2007 |
Paris, Stade de France |
110 |
8.5 |
A |
S |
0 |
2CDR |
#79F |
CSB > MD-MS702H |
30/09/2007 |
Paris, Stade de France |
116 |
9 |
A |
S |
0 |
2CDR |
#98F |
ECM-719 > MZ-RH1 |
02/10/2007 |
Torino, Stadio delle Alpi |
117 |
8.5 |
A |
S/M |
M |
2CDR |
#82F |
My master. 4061 > MPS 6030 > R-09 @16/44.1 |
02/10/2007 |
Torino, Stadio delle Alpi |
117 |
9 |
A |
S |
0 |
2CDR |
#82F |
ECM-719 > MD-MT831H |
02/10/2007 |
Torino, Stadio delle Alpi |
92 |
7.5 |
A |
M |
0 |
2CDR |
#92F |
Sony minidisc recorder. Incomplete |
06/10/2007 |
Dublin, Croke Park |
111 |
8.5 |
A |
S |
0 |
2CDR |
#79F |
at831b > PCM-M1 |
06/10/2007 |
Dublin, Croke Park |
60 |
8 |
A |
S |
0 |
2CDR |
#85F |
ECM-DS70P > SJ-MR220. Incomplete |
08/10/2007 |
Antwerpen, Sportpaleis |
104 |
8 |
A |
S |
0 |
2CDR |
#87F |
Merge of ECM-MS907 > MZ-NH900 and MM-MCSM4 > MM-EBM > H120 sources |
19/10/2007 |
Cardiff, Millennium Stadium |
111 |
8.5 |
A |
S |
0 |
2CDR |
#84F |
SP-CMC-1 > PS-1 > R-09 @16/44.1 |
20/10/2007 |
London, Wembley Arena |
113 |
9.5 |
A |
S |
M |
2CDR |
#85F |
My master. 4061s > MPS 6030 > R-09 @24/48 |
20/10/2007 |
London, Wembley Arena |
111 |
8 |
A |
S |
0 |
2CDR |
#85F |
SP-CMC-1 > PS-1 > R-09 |
20/10/2007 |
London, Wembley Arena |
110 |
9 |
A |
S |
0 |
2CDR |
#85F |
ECM-717 > MD-MT15 |
20/10/2007 |
London, Wembley Arena |
109 |
9 |
A |
S |
0 |
2CDR |
#87F |
SS PA-10LC3 > MZ-R35 |
20/10/2007 |
London, Wembley Arena |
112 |
9 |
A |
S |
0 |
2CDR |
#93F |
Matrix of 3 Aud sources |
03/11/2007 |
Atlantic City NJ, Boardwalk Hall |
112 |
9 |
A |
S |
0 |
2CDR |
#88F |
SP-CMC-2 > SP-SPSB-8 > R-09 @24/48. 24 bits version |
03/11/2007 |
Atlantic City NJ, Boardwalk Hall |
107 |
8.5 |
A |
S |
0 |
2CDR |
#88F |
CSBs > BB > R-09 |
05/11/2007 |
Washington DC, Verizon Center |
107 |
9.5 |
A |
S |
0 |
2CDR |
#89F |
DPA 4061 > BB > R-09 @24/44.1. 16 bits version |
06/11/2007 |
Charlottesville VA, John Paul Jones Arena |
109 |
8 |
A |
S |
0 |
2CDR |
#87F |
DS70P > MZ-N707. Some distortion |
06/11/2007 |
Charlottesville VA, John Paul Jones Arena |
106 |
9.5 |
A |
S |
0 |
2CDR |
#131F |
SP-CMC-22 > SP Pre > Archos Gmini 402 @16/48 |
08/11/2007 |
Toronto, Air Canada Centre |
110 |
9.5 |
A |
S |
0 |
2CDR |
#88F |
CSC > H320 |
11/11/2007 |
Boston MA, The Garden |
104 |
9 |
A |
S |
0 |
2CDR |
#96F |
DPA 4061s > R-09 @24/44.1. 16 bits version |
12/11/2007 |
Montreal, Bell Centre |
99 |
9.5 |
A |
S |
0 |
2CDR |
#89F |
SP-AT831 > SP-SPSB-1 > R-09 @24/48 |
12/11/2007 |
Montreal, Bell Centre |
100 |
8.5 |
A |
S |
0 |
2CDR |
#94F |
ECM-DS70P > MZ-NH700 @ Hi-SP |
17/11/2007 |
Atlanta GA, Philips Arena |
105 |
6.5 |
A |
S |
0 |
2CDR |
#89F |
ECM-DS70 > MZ-R700. Distortion |
18/11/2007 |
Atlanta GA, Philips Arena |
108 |
8 |
A |
M |
0 |
2CDR |
#103F |
STC-11 > STC-9000 > R-09 @24/48. 16 bits version |
18/11/2007 |
Atlanta GA, Philips Arena |
106 |
8.5 |
A |
S |
0 |
2CDR |
#152F |
sp-bmc-3 > sp-bm6 > mzrh-10 HIMD |
24/11/2007 |
Mexico City, Foro Sol |
105 |
7 |
A |
M |
|
2CDR |
#98F |
Unknown source #1 |
01/12/2007 |
Buenos Aires, Estadio River Plate |
84 |
9.5 |
R |
S |
0 |
MP3 |
#92 |
Kabul FM webcast. 160 kbps |
01/12/2007 |
Buenos Aires, Estadio River Plate |
91 |
10 |
R |
S |
0 |
MP3 |
#92 |
La 100 FM webcast. 192 kbps |
01/12/2007 |
Buenos Aires, Estadio River Plate |
111 |
8.5 |
A |
S |
0 |
2CDR |
#93F |
SP-TFB-2 > R-09 |
02/12/2007 |
Buenos Aires, Estadio River Plate |
110 |
8.5 |
A |
S |
0 |
2CDR |
#93F |
SP-TFB-2 > R-09 |
05/12/2007 |
Santiago del Chile, Estadio Nacional |
83 |
7.5 |
A |
M |
|
MP3 |
#162F |
Unknown lossy source #1. Cuts here and there |
08/12/2007 |
Rio de Janeiro, Maracana Stadium |
107 |
10 |
T |
S |
0 |
2CDR |
#103F |
"Ultimate edition" |
19/01/2008 |
Auckland, Western Springs Stadium |
96 |
8.5 |
A |
S |
0 |
2CDR |
#105F |
GSAL > R-09 |
24/01/2008 |
Sydney, Telstra Stadium |
106 |
9 |
A |
S |
0 |
2CDR |
#98F |
OkmIIr w/ A3 > MZ-NH1 @Hi-SP |
28/01/2008 |
Adelaide, Entertainment Centre |
102 |
6 |
A |
S |
0 |
2CDR |
#101F |
STC-11 > STC-9100 > HiMD. Badly overloaded, unfortunately |
01/02/2008 |
Perth, Members Equity Stadium |
99 |
8.5 |
A |
S |
0 |
2CDR |
#98F |
CMC-8 > SPSB-8 > R-09. Some wind noise |
01/02/2008 |
Perth, Members Equity Stadium |
104 |
8.5 |
A |
S |
0 |
2CDR |
#101F |
CMC-2 > SPSB-8 > iHP120 |
07/02/2008 |
Macau, Venetian Arena |
101 |
8.5 |
A |
S |
0 |
2CDR |
#99F |
R-09 |
10/02/2008 |
Osaka, Kyocera Dome |
100 |
9 |
A |
S |
0 |
2CDR |
#99F |
AT Mics > Deneck PS2 > SBM-1 > TCD-D8 |
10/02/2008 |
Osaka, Kyocera Dome |
106 |
8.5 |
A |
S |
0 |
2CDR |
#100F |
COS-11R > ps9v2ch > TCD-D8 |
10/02/2008 |
Osaka, Kyocera Dome |
153 |
9 |
SA |
S |
|
2CDR |
#103F |
IEM+AUD. w/ soundcheck. "No. 98 gig", microgaps |
10/02/2008 |
Osaka, Kyocera Dome |
98 |
8.5 |
A |
S |
|
2CDR |
#97M |
Lossy!! Unknown source #1. Placeholder for the lossless version (if it will appear) |
13/02/2008 |
Tokyo, Tokyo Dome, soundchecks |
12 |
9.5 |
S |
M |
|
CDR |
#101F |
IEM. "Do not cross" |
13/02/2008 |
Tokyo, Tokyo Dome |
105 |
7 |
A |
S |
0 |
2CDR |
#100F |
MGR-A7 w/ internal mics, raw source |
13/02/2008 |
Tokyo, Tokyo Dome |
105 |
7 |
A |
S |
0 |
2CDR |
#100F |
MGR-A7 w/ internal mics, taper "remaster" |
13/02/2008 |
Tokyo, Tokyo Dome |
105 |
7.5 |
A |
S |
0 |
2CDR |
#100F |
MGR-A7 w/ internal mics, "modified" version |
13/02/2008 |
Tokyo, Tokyo Dome |
107 |
8 |
A |
S |
0 |
2CDR |
#101F |
AT9860 > TCD-D100 |
14/02/2008 |
Tokyo, Tokyo Dome |
102 |
8.5 |
SA |
S |
|
2CDR |
#101F |
IEM + AUD. "Do not cross", microgaps |
14/02/2008 |
Tokyo, Tokyo Dome |
104 |
6.5 |
A |
S |
0 |
2CDR |
#102F |
MGR-A7. Bass overloaded |
16/02/2008 |
Honolulu HI, Neal Blaisdell Center Arena |
100 |
8.5 |
A |
S |
0 |
2CDR |
#102F |
PV-GS320. PCM DVD rip |
17/02/2008 |
Honolulu HI, Neal Blaisdell Center Arena |
106 |
7 |
A |
M |
|
2CDR |
#128F |
Lossy DVD rip. Placeholder |
03/05/2008 |
Buffalo NY, HSBC Arena |
105 |
9 |
A |
S |
0 |
2CDR |
#105F |
CSC > MT2496 @24/48. 16 bits version |
03/05/2008 |
Buffalo NY, HSBC Arena |
105 |
9.5 |
AS |
S |
0 |
2CDR |
#127F |
Great IEM/Aud (mastered?) mix. Click track |
04/05/2008 |
Columbus OH, Nationwide Arena |
103 |
8.5 |
A |
S |
0 |
2CDR |
#107F |
Tunetalk > iPod. Some kick drum overload |
10/05/2008 |
Rosemont IL, Allstate Arena |
100 |
9.5 |
A |
S |
0 |
2CDR |
#110F |
at853 > MV-100 > d8 |
10/05/2008 |
Rosemont IL, Allstate Arena |
99 |
8 |
A |
S |
0 |
2CDR |
#111F |
at899 > R-09 |
11/05/2008 |
Grand Rapids, Van Andel Arena |
101 |
9.5 |
A |
S |
0 |
2CDR |
#107F |
STC-11 > PMD620 @24/48. 16 bits version |
13/05/2008 |
Kansas City MO, Sprint Center |
98 |
8.5 |
A |
S |
0 |
2CDR |
#107F |
STC-11 > ST-9000 > R-09 |
20/05/2008 |
Houston TX, Cynthia Woods Mitchell Pavilion |
74 |
8 |
A |
S |
0 |
2CDR |
#110F |
H4. Incomplete |
23/05/2008 |
Las Vegas NV, MGM Grand Garden Arena |
98 |
7 |
A |
S |
0 |
2CDR |
#111F |
LS-10. Clipping |
24/05/2008 |
Phoenix AZ, Cricket Wireless Pavilion |
100 |
10 |
A |
S |
0 |
2CDR |
#109S |
AT831 > SP-SPSB-11 > R-09 @44.1/16 |
24/05/2008 |
Phoenix AZ, Cricket Wireless Pavilion |
101 |
8.5 |
A |
S |
0 |
2CDR |
#109F |
at943c > SPSB-2 > R-09 @16/44.1 |
24/05/2008 |
Phoenix AZ, Cricket Wireless Pavilion |
102 |
9 |
A |
S |
0 |
2CDR |
#109F |
4061's > MMA6000 > MR-1. 16 and 24 bits versions |
26/05/2008 |
San Diego CA, Coors Amphitheatre |
103 |
7.5 |
A |
S |
0 |
2CDR |
#110F |
Tunetalk > iPod. Bass overload |
26/05/2008 |
San Diego CA, Coors Amphitheatre |
102 |
7 |
A |
S |
|
WMA |
#113 |
Unknown lossy source #1. Overloaded |
27/05/2008 |
Hollywood CA, Hollywood Bowl |
102 |
8 |
A |
S |
0 |
2CDR |
#122F |
MiniDisc |
03/06/2008 |
Marseille, Stade Velodrome |
104 |
8 |
A |
S |
0 |
2CDR |
#110F |
ECM-719 > R-09 @24/48. 16 and 24 bits version. 24b on #116 |
05/06/2008 |
Mannheim, SAP Arena |
104 |
8 |
A |
S |
0 |
2CDR |
#111F |
ISI-SEHM-1 > SP-SPSB-6 > R-09 @16/44 |
05/06/2008 |
Mannheim, SAP Arena |
105 |
8 |
A |
S |
0 |
2CDR |
#114F |
ECM-717 > MD-MT15 |
05/06/2008 |
Mannheim, SAP Arena |
108 |
8.5 |
A |
S |
0 |
2CDR |
#125F |
ECM-719 > MD-MT190 |
07/06/2008 |
Werchter, Festivalpark |
98 |
8.5 |
A |
S |
0 |
2CDR |
#114F |
ECM-717 > MD-MT15 |
08/06/2008 |
Duesseldorf, LTU Arena |
103 |
8.5 |
A |
S |
0 |
2CDR |
#113F |
ECM-717 > MD-MT15 |
08/06/2008 |
Duesseldorf, LTU Arena |
103 |
7 |
A |
S |
0 |
2CDR |
#117F |
H2 |
10/06/2008 |
St Etienne, Stade Geoffroy Guichard |
103 |
8.5 |
A |
S |
0 |
2CDR |
#114F |
STC-11 > BAT-2B > R-09 @24/48. 16 bits version |
10/06/2008 |
St Etienne, Stade Geoffroy Guichard |
93 |
7.5 |
A |
M |
|
2CDR |
#151F |
Unknown source #1, incomplete |
12/06/2008 |
Zuerich, Hallenstadion |
81 |
9 |
A |
S |
M |
2CDR |
#112F |
DPA 4061 > MPS 6030 > R-09 @24/48. My master, incomplete. |
12/06/2008 |
Zuerich, Hallenstadion |
102 |
9.5 |
A |
S |
0 |
2CDR |
#114F |
SP-CMC-8 > ST-9100 > R-09 @24/48. 16 bits version |
12/06/2008 |
Zuerich, Hallenstadion |
97 |
8 |
A |
S |
0 |
2CDR |
#114F |
ECM-717 > MD-MT15 |
12/06/2008 |
Zuerich, Hallenstadion |
99 |
8.5 |
A |
S |
0 |
2CDR |
#114F |
KM140 > PSP3 > R-09 |
17/06/2008 |
Manchester, MEN Arena |
103 |
8 |
A |
M |
0 |
2CDR |
#118F |
GM-Pro > bb > h120 |
18/06/2008 |
Manchester, MEN Arena |
103 |
8.5 |
A |
S |
0 |
2CDR |
#114F |
SP-CMC-1 > SP-1 > R-09 @16/44 |
18/06/2008 |
Manchester, MEN Arena |
103 |
8 |
A |
S |
0 |
2CDR |
#118F |
GM-Pro > bb > h120 |
19/06/2008 |
BBC 4, "Front Row" |
15 |
10 |
R |
S |
0 |
RA |
#114 |
Interviews taken backstage on 2008-06-17. 64 kbps |
22/06/2008 |
Venezia, Parco San Giuliano |
104 |
9.5 |
A |
S |
0 |
2CDR |
#116F |
DPA 4061 > MPS 6030 > R-09 @24/48 |
22/06/2008 |
Venezia, Parco San Giuliano |
105 |
9.5 |
A |
S |
0 |
2CDR |
#117F |
DPA 4061 > MPS 6030 > R-09 @16/44. Different source from above |
22/06/2008 |
Venezia, Parco San Giuliano |
37 |
8.5 |
A |
S |
0 |
CDR |
#120F |
ECM-717 > MD-MT15. Incomplete |
26/06/2008 |
Chorzow, Silesia Stadium |
100 |
9 |
A |
S |
0 |
2CDR |
#129F |
ECM-719 > MZ-NH700 |
28/06/2008 |
Leipzig, Messehalle 1 |
108 |
9.5 |
A |
S |
0 |
2CDR |
#125F |
ECM-719 > MD-MT190 |
28/06/2008 |
Leipzig, Messehalle 1 |
108 |
8.5 |
A |
S |
0 |
2CDR |
#126F |
ECM-717 > MD-MT15 |
29/06/2008 |
London, Hyde Park |
102 |
8.5 |
A |
S |
0 |
2CDR |
#118F |
SP-CMC-1 > PS-1 > R-09 @16/44 |
02/07/2008 |
Valencia, Estadio Levante |
99 |
9 |
A |
S |
0 |
2CDR |
#118F |
SS PA-10LC3 > R-09 HR @16/44 |
04/07/2008 |
Bilbao, Kometamendi |
98 |
9.5 |
A |
S |
0 |
2CDR |
#118F |
SS PA-10LC3 > R-09 HR @16/44 |
05/07/2008 |
Madrid, Rock in Rio |
99 |
8.5 |
A |
S |
0 |
2CDR |
#118F |
SS PA-10LC3 > R-09 HR @16/44 |
11/07/2008 |
Ridgefield WA, Clark County Amphitheater |
117 |
8 |
A |
S |
0 |
2CDR |
#119F |
SP-CMC-4 > SP-SPSB-6 > R-09 @24/48. 16 bits version |
14/07/2008 |
Mountain View CA, Shoreline Amphitheater |
97 |
9 |
A |
S |
0 |
2CDR |
#158F |
MK5 FOB |
19/07/2008 |
West Valley City UT, Usana Amphitheater |
99 |
9.5 |
A |
S |
0 |
2CDR |
#119F |
ME2 > SP bb > R-09 @16/44 |
25/07/2008 |
Milwaukee WI, Marcus Amphitheater |
100 |
8.5 |
A |
S |
0 |
2CDR |
#119F |
AT899 > R-09 |
25/07/2008 |
Milwaukee WI, Marcus Amphitheater |
104 |
9.5 |
A |
S |
0 |
2CDR |
#128F |
Sonic Studios DSM > Sony DAT |
26/07/2008 |
Clarkston MI, DTE Energy Music Theatre |
102 |
9.5 |
A |
S |
0 |
2CDR |
#119F |
AT853 > MV-100 > D8 |
26/07/2008 |
Clarkston MI, DTE Energy Music Theatre |
102 |
8.5 |
A |
S |
0 |
2CDR |
#120F |
CSB > MT2496 |
29/07/2008 |
Philadelphia PA, Wachovia Center |
101 |
8.5 |
A |
S |
0 |
2CDR |
#119F |
SP-CMC-2 > SP-SPSB-8 > R-09 @24/48 |
29/07/2008 |
Philadelphia PA, Wachovia Center |
98 |
9.5 |
A |
S |
0 |
2CDR |
#119F |
MK41 > Nbox > R-09 HR. Great quality but flaws |
31/07/2008 |
Boston MA, Tweeter Center |
105 |
7 |
A |
S |
0 |
M4A |
#128 |
LOSSY. Placeholder |
01/08/2008 |
Saratoga Springs NY, SPAC |
97 |
8.5 |
A |
S |
0 |
2CDR |
#127F |
CA-11 > CA-UGLY > R-09HR |
03/08/2008 |
Holmdel NJ, PNC Banks Arts Center |
104 |
10 |
A |
S |
0 |
2CDR |
#120F |
SP-CMC-2 > SP-SPSB-8 > R-09 @24/48 |
03/08/2008 |
Holmdel NJ, PNC Banks Arts Center |
98 |
8 |
A |
S |
0 |
2CDR |
#120F |
H2 |
04/08/2008 |
Wantagh NY, Jones Beach Theatre |
102 |
8.5 |
A |
S |
0 |
2CDR |
#120F |
SP-CMC-2 > SP-SPSB-8 > R-09 @24/48. Some mild distortion from PA |
04/08/2008 |
Wantagh NY, Jones Beach Theatre |
102 |
8 |
A |
S |
0 |
2CDR |
#124F |
Tunetalk > iPod |
04/08/2008 |
Wantagh NY, Jones Beach Theatre |
97 |
9.5 |
A |
S |
0 |
2CDR |
#135F |
CCM4's > SD744T @ 24/96. 16/44.1 version |
05/08/2008 |
Wantagh NY, Jones Beach Theatre |
104 |
7.5 |
A |
S |
0 |
2CDR |
#124F |
Tunetalk > iPod. Some clipping |
05/08/2008 |
Wantagh NY, Jones Beach Theatre |
104 |
9.5 |
A |
S |
0 |
2CDR |
#135F |
CCM4's > SD744T @24/96. 16/44.1 version |
06/08/2008 |
Apollo Theater, "Spectacle" |
11 |
9.5 |
T |
S |
0 |
CDR |
#132F |
Analog Cable > VCR > Audacity. Songs only. 2009-07-18 rebroadcast, incomplete |
07/08/2008 |
New York City, Madison Square Garden |
109 |
8 |
A |
S |
0 |
2CDR |
#124F |
Tunetalk > iPod. Some clipping |
PRIMUS |
21/02/2000 |
Burlington VT, UVM Field House |
70 |
|
A |
S |
|
CDR |
#7F |
First Oysterhead appearance. Incomplete show |
PRINCE |
14/08/1986 |
London, Wembley Arena |
106 |
7.5 |
A |
S |
|
2CDR |
#29F |
w/ Sting on bass on one song. Complete show. |
BRUCE SPRINGSTEEN |
05/09/1988 |
Paris, Human Rights Now! |
77 |
8.5 |
A |
S |
0 |
CDR |
#128F |
cm30 > wm-d3. w/ Sting on three tracks |
06/09/1988 |
Budapest, Human Rights Now! |
79 |
8.5 |
A |
S |
|
CDR |
#27F |
w/ Sting on three tracks. Complete. |
03/10/1988 |
Athens, Human Rights Now! |
69 |
7 |
A |
S |
|
CDR |
#154F |
w/ Sting on two tracks |
STING |
1972 |
Newcastle Big Band |
52 |
10 |
S* |
S |
0 |
CDR |
#94F |
From silver CD |
Unknown |
Last Exit "Demos" |
45 |
9 |
S |
S |
|
CDR |
#27F |
11 tracks |
1977 |
Every little thing... demo, w/ Mike Howlett interview |
6 |
9 |
R |
S |
|
CDR |
#18F |
Sorry, only the interview is tradeable |
10/12/1984 |
BBC Radio 4 |
92 |
9.5 |
R |
S |
|
2CDR |
#136F |
Sting as "Steerpike" in Titus Groan |
17/12/1984 |
BBC Radio 4 |
90 |
9.5 |
R |
S |
|
2CDR |
#136F |
Sting as "Steerpike" in Gormenghast |
25/02/1985 |
New York, The Ritz |
84 |
9.5 |
A |
S |
|
T |
|
|
25/02/1985 |
New York, The Ritz |
81 |
8 |
A |
S |
|
2CDR |
#135F |
|
25/02/1985 |
New York, The Ritz |
54 |
7.5 |
A* |
S |
|
CDR |
#134F |
"In New York City" vinyl |
26/02/1985 |
New York, The Ritz |
83 |
8 |
A |
S |
|
2CDR |
#135F |
|
27/02/1985 |
New York, The Ritz |
88 |
8.5 |
A |
S |
0 |
2CDR |
#43F |
Nak 300's > Sony TC D5m |
27/02/1985 |
New York, The Ritz |
90 |
8.5 |
A |
S |
2 |
2CDR |
#107F |
Nak CM-100 > Sony D-5 |
24/05/1985 |
Paris, Theatre Mogador |
95 |
7 |
A |
S |
|
2CDR |
#137F |
|
28/05/1985 |
Paris, Theatre Mogador |
98 |
8 |
A |
S |
0 |
2CDR |
#41F |
My transfer from master tape |
06/07/1985 |
BBC Radio 1 interview |
|
|
R |
|
|
T |
|
|
20/08/1985 |
Los Angeles CA, Greek Theater |
162 |
7 |
A |
S |
0 |
3CDR |
#147F |
Crappy Mics > Radio Shack Realistic Stereo Tape Recorder. Samples:
1,
2 |
03/09/1985 |
St Paul MN, Roy Wilkins Auditorium |
122 |
8 |
A |
S |
|
2CDR |
#136F |
|
06/09/1985 |
Cedar Rapids IA, Five Seasons Center |
113 |
8.5 |
A |
S |
|
2CDR |
#138F |
Phase inversion |
07/09/1985 |
Hoffman Estates IL, Poplar Creek Amphiteater |
126 |
9 |
A |
S |
|
2CDR |
#31F |
|
10/09/1985 |
Cuyahoga Falls OH, Blossom Music Amphitheater |
123 |
9.5 |
S |
M |
|
2CDR |
#10F |
|
14/09/1985 |
Toronto, Kingswood Music Theatre |
129 |
8.5 |
A |
S |
|
2CDR |
#136F |
|
17/09/1985 |
Montreal, Maurice Richard Arena |
120 |
8.5 |
A |
S |
|
2CDR |
#136F |
|
19/10/1985 |
Gainesville FL, Stephen O'Connel Center |
90 |
6.5 |
A |
M |
|
2CDR |
#141F |
|
31/10/1985 |
Norman OK, Lloyd Noble Center |
147 |
8.5 |
A |
S |
|
2CDR |
#135F |
|
05/11/1985 |
David Letterman show |
9 |
9 |
T |
M |
1 |
CDR |
#10F |
Cass(M) > Reel |
08/11/1985 |
Williamsburg VA, William and Mary Hall |
139 |
9 |
A |
S |
0 |
2CDR |
#41F |
ME80 > ?deck > DAT(2) |
20/11/1985 |
Copenhagen, Valbyhallen |
82 |
7 |
A |
S |
|
2CDR |
#164F |
Sample
|
22/11/1985 |
Stockholm, Isstadion |
139 |
9 |
A |
S |
1 |
2CDR |
#42F |
My transfer from 1st gen tape |
23/11/1985 |
Goeteborg, Scandinavium |
144 |
9 |
A |
S |
|
2CDR |
#136F |
|
26/11/1985 |
Frankfurt, Festhalle |
149 |
8.5 |
A |
S |
|
2CDR |
#144F |
|
06/12/1985 |
Milano, Teatro Tenda, source #1 |
91 |
9 |
A |
S |
|
2CDR |
#134F |
Incomplete |
06/12/1985 |
Milano, Teatro Tenda, source #2 |
142 |
9 |
A |
S |
0 |
2CDR |
#137F |
TCS-310 |
13/12/1985 |
Madrid, Palacio de los deportes |
140 |
9 |
A |
S |
1 |
2CDR |
#111F |
|
20/12/1985 |
Lille, Palais Departemental, source #1 |
142 |
8.5 |
A |
S |
0 |
2CDR |
#106F |
WM-D6c |
20/12/1985 |
Lille, Palais Departemental, source #2 |
143 |
9 |
A |
S |
1 |
2CDR |
#42F |
My transfer from 1st gen tape. |
21/12/1985 |
Arnhem, Rijnhal |
133 |
7.5 |
A |
S |
|
2CDR |
#137F |
|
23/12/1985 |
Paris, Palais Omnisports de Bercy |
147 |
7.5 |
A |
S |
|
2CDR |
#137F |
|
04/01/1986 |
Bournemouth, International Center |
103 |
7 |
A |
S |
|
2CDR |
#156F |
Sample
|
11/01/1986 |
Glasgow, SECC |
140 |
9.5 |
A |
S |
1 |
2CDR |
#42F |
My transfer from 1st gen tape |
13/01/1986 |
Aberdeen, Capitol Center |
142 |
6 |
A |
S |
|
2CDR |
#165F |
Sample
|
14/01/1986 |
Edinburgh, Playhouse |
141 |
9.5 |
A |
S |
1 |
2CDR |
#42F |
My transfer from 1st gen tape |
15/01/1986 |
Edinburgh, Playhouse |
144 |
6.5 |
A |
S |
|
2CDR |
#164F |
Sample
|
17/01/1986 |
Birmingham, NEC |
141 |
8.5 |
A |
S |
|
2CDR |
#130F |
|
20/01/1986 |
London, RAH |
128 |
8.5 |
A |
M |
|
2CDR |
#54F |
|
25/01/1986 |
London, RAH |
129 |
6.5 |
A |
S |
|
2CDR |
#164F |
Sample
|
26/01/1986 |
London, RAH |
143 |
8 |
A |
M |
1 |
2CDR |
#58F |
|
26/01/1986 |
London, RAH |
137 |
8 |
A |
S |
|
2CDR |
#100F |
Same source as above, but stereo and fast |
01/02/1986 |
Belfast, King's Hall |
142 |
7 |
A |
S |
|
2CDR |
#156F |
Sample
|
10/02/1986 |
Barcelona, Palau dels esports |
124 |
8 |
A |
S |
1 |
2CDR |
#137F |
1st gen |
14/02/1986 |
Rotterdam, Ahoy Hall |
130 |
7.5 |
A |
S |
0 |
2CDR |
#47F |
CM-30 > TCS-350. Diginoise on d1, microgaps and clicks in tracks transitions |
18/02/1986 |
Koeln, Sporthalle |
120 |
8 |
A |
S |
|
2CDR |
#138F |
|
06/03/1986 |
Off the Record Special #86-10 |
52 |
10 |
R* |
S |
0 |
CDR |
#79F |
Pre-FM from vinyl |
07/04/1986 |
Sydney, Entertainment Centre |
114 |
7 |
A |
M |
0 |
2CDR |
#58F |
Realistic recorder |
07/04/1986 |
Sydney, Entertainment Centre, source #2 |
139 |
7.5 |
A |
S |
|
2CDR |
#145F |
|
09/04/1986 |
Sydney, Entertainment Centre |
134 |
7.5 |
A |
S |
|
2CDR |
#145F |
|
13/04/1986 |
Sydney, Entertainment Centre |
133 |
7.5 |
A |
S |
|
2CDR |
#145F |
|
15/04/1986 |
Melbourne, Festival Hall |
135 |
7 |
A |
S |
|
2CDR |
#150F |
|
16/04/1986 |
Melbourne, Festival Hall |
132 |
6.5 |
A |
M |
|
2CDR |
#150F |
|
17/04/1986 |
Melbourne, Festival Hall |
128 |
7.5 |
A |
S |
|
2CDR |
#151F |
|
21/04/1986 |
Melbourne, Festival Hall |
133 |
7.5 |
A |
S |
|
2CDR |
#151F |
|
22/04/1986 |
Melbourne, Festival Hall |
137 |
8 |
A |
M |
|
2CDR |
#145F |
|
23/04/1986 |
Melbourne, Festival Hall |
139 |
8.5 |
A |
M |
0 |
2CDR |
#57F |
Realistic recorder |
23/04/1986 |
Melbourne, Festival Hall, source #2 |
136 |
8 |
A |
S |
|
2CDR |
#146F |
|
30/04/1986 |
Muenchen, Olympiahalle |
138 |
7 |
A |
M |
|
2CDR |
#132F |
|
01/05/1986 |
Zuerich, Hallenstadion |
137 |
8 |
A |
M |
|
2CDR |
#142F |
|
04/06/1986 |
S Francisco CA, Cow Palace, Amnesty |
40 |
8.5 |
A |
S |
|
CDR |
#125F |
|
06/06/1986 |
Inglewood CA, Forum, Amnesty |
49 |
8 |
A |
S |
0 |
CDR |
#130F |
|
06/06/1986 |
Inglewood CA, Forum, Amnesty |
16 |
9.5 |
R |
S |
|
T |
|
|
15/12/1987 |
London, Wembley Arena |
122 |
8.5 |
A |
S |
|
2CDR |
#104F |
|
19/12/1987 |
London, Wembley Arena |
125 |
8 |
A |
S |
|
2CDR |
#100F |
|
20/01/1988 |
Tampa, Sun Dome |
139 |
8 |
A |
S |
|
2CDR |
#167F |
Sample
|
02/02/1988 |
Philadelphia PA, Spectrum, source #1 |
120 |
9 |
A |
S |
1 |
2CDR |
#125F |
Nak 700 > D6c. Incomplete |
02/02/1988 |
Philadelphia PA, Spectrum, source #2 |
131 |
8 |
A |
S |
|
2CDR |
#125F |
Complete |
16/02/1988 |
Syracuse, Onondaga War Memorial Coliseum |
96 |
7 |
A |
SM |
|
2CDR |
#167F |
|
02/03/1988 |
Madison WI, Dane County Coliseum |
143 |
8 |
A |
S |
2 |
2CDR |
#29F |
2nd gen |
24/03/1988 |
Oakland CA, Coliseum |
144 |
|
A |
S |
0 |
2CDR |
#7F |
Nak cm300 > tcd-5m |
27/04/1988 |
Roma, Stadio Flaminio |
143 |
8 |
A |
S |
|
2CDR |
#104F |
"An englishman in Rome" |
01/05/1988 |
Udine, Stadio Friuli |
143 |
8.5 |
A |
S |
0 |
3CDR |
#29F |
From Sony master. |
06/05/1988 |
Verona, Arena |
146 |
10 |
T |
S |
|
3CDR |
#126F |
|
09/05/1988 |
Wien, Stadthalle |
147 |
8 |
A |
S |
|
2CDR |
#167F |
Sample
|
12/05/1988 |
Muenchen, Olympiahalle |
138 |
8 |
A |
S |
0 |
2CDR |
#153F |
KD 2002 > TCD 5 |
14/05/1988 |
Frankfurt, Festhalle |
141 |
8.5 |
A |
S |
|
2CDR |
#168F |
Sample
|
15/05/1988 |
Frankfurt, Festhalle |
144 |
8.5 |
A |
S |
|
2CDR |
#168F |
Sample
|
17/05/1988 |
Stuttgart, Schleyerhalle |
148 |
9 |
A |
S |
0 |
2CDR |
#18F |
ECM 155 > WMD6C |
18/05/1988 |
Stuttgart, Schleyerhalle |
133 |
9.5 |
A |
S |
0 |
2CDR |
#18F |
ECM 155 > WMD6C |
22/05/1988 |
Toulouse, Palais des Sports |
152 |
7 |
A |
S |
|
3CDR |
#165F |
|
25/05/1988 |
Barcelona, La Monumental |
121 |
7 |
A |
S |
1 |
2CDR |
#99F |
1st gen, but heavily noise reduced |
28/05/1988 |
Madrid, Rockodromo |
144 |
8 |
A |
S |
|
2CDR |
#90F |
|
01/06/1988 |
Montpellier, Le Zenith |
152 |
7 |
A |
S |
1 |
2CDR |
#159F |
Sample
|
04/06/1988 |
Paris, Palais Omnisport de Bercy |
151 |
8 |
A |
S |
|
2CDR |
#117F |
|
05/06/1988 |
Paris, Palais Omnisport de Bercy |
154 |
7 |
A |
S |
|
2CDR |
#117F |
Artifacts from noise reduction |
06/06/1988 |
Paris, Palais Omnisport de Bercy |
155 |
8.5 |
A |
S |
|
2CDR |
#117F |
|
08/06/1988 |
Offenburg, Oberrheinhalle |
121 |
9.5 |
A |
S |
0 |
2CDR |
#90F |
ECM-155 > WM-D6C |
11/06/1988 |
Berlin, Waldbuhne |
135 |
9 |
A |
S |
0 |
2CDR |
#158F |
CM30 > WM-D6 |
13/06/1988 |
Hamburg, Sporthalle |
122 |
8.5 |
A |
S |
0 |
2CDR |
#79F |
OKMII > WM-D6 |
20/06/1988 |
Helsinki, Jaahalli |
145 |
9.5 |
A |
S |
1 |
2CDR |
#45F |
My transfer from 1st gen tape. |
28/06/1988 |
Brest, Parc Penfeld |
119 |
8 |
A |
S |
1 |
2CDR |
#39F |
Philips n2002. My transfer from 1st gen tape. |
03/07/1988 |
Werchter, Werchterpark |
121 |
8.5 |
A |
S |
|
2CDR |
#165F |
OKMIIR > WM-D6.
Sample
|
27/07/1988 |
Los Angeles CA, Wiltern Theatre |
173 |
10 |
S |
S |
|
3CDR |
#166F |
Sample
|
24/08/1988 |
NYC, Madison Square Garden |
133 |
|
A |
S |
0 |
2CDR |
#5F |
Nak700s > D5 > D8. w/ Springsteen. |
25/08/1988 |
Wantagh NY, Jones Beach Theater |
141 |
7.5 |
A |
S |
|
2CDR |
#154F |
|
04/09/1988 |
Paris, Palais Omnisports de Bercy |
53 |
8.5 |
A |
S |
|
CDR |
#50F |
|
05/09/1988 |
Paris, Palais Omnisports de Bercy |
59 |
9 |
A |
S |
0 |
CDR |
#47F |
|
05/09/1988 |
Paris, Palais Omnisports de Bercy |
59 |
8.5 |
A |
S |
0 |
CDR |
#128F |
cm30 > wm-d3 |
06/09/1988 |
Budapest, Nepstadion |
32 |
8.5 |
T |
M |
|
CDR |
#27F |
"An englishman in Budapest" |
08/09/1988 |
Torino, Stadio Comunale, Amnesty |
65 |
8 |
A |
S |
0 |
CDR |
#146F |
TCS-310 |
10/09/1988 |
Barcelona, Camp Nou, Amnesty |
70 |
8.5 |
A |
S |
0 |
CDR |
#64F |
Sony walkman, my transfer. 24 and 16 bits versions available. |
10/09/1988 |
Barcelona, Camp Nou, Amnesty, source #2 |
95 |
8 |
A |
M |
0 |
CDR |
#159F |
Sample
|
15/09/1988 |
Toronto, Amnesty |
63 |
6.5 |
A |
S |
|
CDR |
#56F |
|
17/09/1988 |
Montreal, Amnesty |
61 |
9 |
A |
S |
0 |
CDR |
#27F |
From master. w/ Springsteen. |
21/09/1988 |
LA, Memorial Coliseum |
59 |
|
A |
S |
0 |
CDR |
#7F |
Nak cm300> tcd-5m. w/ Springsteen |
15/10/1988 |
Buenos Aires, Estadio Monumental |
32 |
|
T |
S |
|
CDR |
#7F |
Final Amnesty show |
20/10/1988 |
Nagoya, Rainbow Hall |
132 |
8 |
A |
S |
|
2CDR |
#132F |
|
25/10/1988 |
Tokyo, Tokyo Dome |
131 |
9 |
A |
S |
1 |
2CDR |
#107F |
Sony recorder |
25/10/1988 |
Tokyo, Tokyo Dome |
142 |
9.5 |
T |
M |
|
2CDR |
#154F |
|
26/10/1988 |
Tokyo, Tokyo Dome |
127 |
8 |
A |
S |
|
2CDR |
#132F |
|
27/10/1988 |
Tokyo, Tokyo Dome |
136 |
8.5 |
A |
S |
|
2CDR |
#132F |
|
29/10/1988 |
Osaka, Hanshin Koshien Stadium |
126 |
9 |
A |
S |
|
2CDR |
#133F |
|
30/10/1988 |
Osaka, Hanshin Koshien Stadium |
132 |
8.5 |
A |
S |
|
2CDR |
#133F |
|
10/10/1990 |
Montevideo, Estadio Centenario |
109 |
9 |
R |
S |
|
2CDR |
#158F |
Clicks, gaps! |
13/10/1990 |
Santiago de Chile, Esadio Nacional |
|
|
T |
|
|
T |
|
|
19/01/1991 |
Saturday Night Live |
|
|
T |
|
|
T |
|
|
01/02/1991 |
Berkeley CA, Community Theater |
102 |
7.5 |
A |
S |
|
2CDR |
#132F |
|
01/02/1991 |
Berkeley CA, Community Theater, source #2 |
103 |
8.5 |
A |
S |
0 |
2CDR |
#150F |
MK4 w/ RBox 16 Bit 48K > SV250 |
07/02/1991 |
Arsenio Hall TV show |
|
|
T |
|
|
T |
|
|
17/02/1991 |
NYC, Beacon Theater |
115 |
9.5 |
A |
S |
|
2CDR |
#10F |
|
19/02/1991 |
NYC, Beacon Theater |
113 |
9 |
A |
S |
0 |
2CDR |
#139F |
Sony recorder |
20/02/1991 |
NYC, Beacon Theater |
111 |
8 |
A |
S |
0 |
2CDR |
#139F |
Sony recorder |
05/03/1991 |
NYC, MTV Unplugged rehearsal and outtakes |
88 |
10 |
T |
S |
|
2CDR |
#130F |
From Silver CD > xACT > FLAC |
06/03/1991 |
Howard Stern show |
62 |
8 |
R |
S |
|
CDR |
#105F |
|
18/03/1991 |
Normal IL, Rebird Arena |
100 |
8.5 |
A |
S |
|
2CDR |
#104F |
|
17/03/1991 |
Chicago IL, Timothy White Sessions |
43 |
10 |
R* |
S |
|
CDR |
#33S |
"Complete Chicago Sessions". Music only |
17/03/1991 |
Chicago IL, Timothy White Sessions |
95 |
10 |
R |
S |
|
2CDR |
#52F |
Complete |
22/04/1991 |
Newcastle, City Hall |
115 |
8.5 |
A |
S |
|
2CDR |
#168F |
Sample
|
24/04/1991 |
London, Hammersmith Odeon |
115 |
7.5 |
A |
S |
|
2CDR |
#168F |
Sample
|
25/04/1991 |
London, Hammersmith Odeon |
113 |
8.5 |
A |
S |
0 |
2CDR |
#53F |
? mic > WM-D3 |
07/05/1991 |
Den Haag, Statenhal |
101 |
9 |
A |
S |
0 |
2CDR |
#140F |
Sony recorder |
08/05/1991 |
Den Haag, Statenhal |
101 |
9 |
A |
S |
0 |
2CDR |
#140F |
Sony recorder |
09/05/1991 |
Den Haag, Statenhal |
120 |
9 |
A |
S |
0 |
2CDR |
#108F |
Sony recorder |
09/05/1991 |
Den Haag, Statenhal |
104 |
10 |
T |
S |
|
2CDR |
#166F |
Will trade unreleased tracks only |
10/05/1991 |
Den Haag, Statenhal |
101 |
9 |
A |
S |
0 |
2CDR |
#141F |
Sony recorder |
11/05/1991 |
Den Haag, Statenhal |
113 |
9 |
A |
S |
0 |
2CDR |
#141F |
Sony recorder |
23/05/1991 |
Milano, Arena Civica |
103 |
8.5 |
A |
S |
0 |
2CDR |
#38F |
Wind noise. Seems to be also some diginoise. |
23/05/1991 |
Milano, Arena Civica |
79 |
10 |
A |
S |
0 |
CDR |
#79F |
"Ain't no sunshine" |
08/06/1991 |
Madrid, Las Ventas |
104 |
8.5 |
A |
S |
1 |
2CDR |
#150F |
|
23/06/1991 |
Paris, Palais Omnisports de Bercy |
109 |
8.5 |
A |
S |
1 |
2CDR |
#127F |
|
12/07/1991 |
Stockholm, The Globe |
103 |
9 |
A |
S |
0 |
2CDR |
#110F |
|
03/08/1991 |
East Troy WI, Alpine Valley Music Theater |
95 |
8 |
A |
M |
|
2CDR |
#38F |
|
04/08/1991 |
East Troy WI, Alpine Valley Music Theater |
95 |
7.5 |
A |
S |
|
2CDR |
#38F |
|
14/08/1991 |
Salem OR, L B Day Amphitheatre |
101 |
8.5 |
A |
S |
|
2CDR |
#107F |
|
02/10/1991 |
Los Angeles CA, Hollywood Bowl |
59 |
9.5 |
R |
S |
|
CDR |
#45F |
"Los Angeles '91" |
13/11/1991 |
Heidelberg, Rhein-Neckar-Halle |
106 |
8 |
A |
S |
|
2CDR |
#168F |
Sample
|
14/11/1991 |
Koeln, Sporthalle |
102 |
8 |
A |
S |
|
2CDR |
#144F |
|
26/11/1991 |
Sheffield, Arena |
103 |
7 |
A |
S |
|
2CDR |
#99F |
Some clicks |
30/11/1991 |
London, Wembley Arena |
101 |
9 |
A |
S |
|
2CDR |
#53F |
|
30/11/1991 |
London, Wembley Arena, BBC Radio 1 |
113 |
9.5 |
R |
M |
|
2CDR |
#53F |
|
30/11/1991 |
London, Wembley Arena, BBC Radio 1 |
95 |
10 |
R* |
S |
|
2CDR |
#53F |
"Seas of silence". Pitch corrected. Incomplete |
16/12/1991 |
Angers, Amphitea 4000 |
96 |
8.5 |
A |
S |
|
2CDR |
#52F |
|
1991 |
Newcastle, Last Exit reunion |
17 |
4 |
A |
S |
|
CDR |
#39F |
Heavily noise reduced |
20/01/1992 |
Tokyo, Nihon Budokan, src #1 |
109 |
8.5 |
A |
S |
0 |
2CDR |
#104F |
Aiwa walkman type |
20/01/1992 |
Tokyo, Nihon Budokan, src #2 |
111 |
9 |
A |
S |
1 |
2CDR |
#139F |
|
21/01/1992 |
Tokyo, Nihon Budokan |
114 |
9 |
A |
S |
1 |
2CDR |
#140F |
|
25/01/1992 |
Yokohama Arena |
109 |
8 |
A |
S |
0 |
2CDR |
#104F |
Aiwa walkman type |
12/03/1993 |
London, RAH |
109 |
9 |
A |
S |
0 |
2CDR |
#140F |
Sony recorder |
13/03/1993 |
London, RAH |
110 |
8.5 |
A |
S |
0 |
2CDR |
#140F |
From master |
09/05/1993 |
Los Angeles CA, Greek Theatre |
107 |
|
A |
S |
0 |
2CDR |
#5F |
Nak cm300 > d3 |
15/05/1993 |
Las Vegas NV, Sam Boyd Silver Bowl |
59 |
10 |
S |
S |
|
CDR |
#44F |
|
15/05/1993 |
Las Vegas NV, Sam Boyd Silver Bowl |
66 |
10 |
S |
S |
|
CDR |
#10F |
Last track from AUD source. "Remastered" version. |
16/05/1993 |
Las Vegas NV, Sam Boyd Silver Bowl |
64 |
10 |
S |
S |
|
CDR |
#44F |
|
16/05/1993 |
Las Vegas NV, Sam Boyd Silver Bowl |
66 |
10 |
S |
S |
|
CDR |
#10F |
Track from AUD source. "Remastered" version. |
16/05/1993 |
Las Vegas NV, Sam Boyd Silver Bowl |
67 |
9.5 |
A |
S |
0 |
CDR |
#79F |
CMC441 (FOB) > sv255 |
16/05/1993 |
Las Vegas NV, Sam Boyd Silver Bowl |
67 |
9 |
A |
S |
0 |
CDR |
#99F |
ME-80 > SVM-D1 |
06/06/1993 |
East Rutheford NJ, Giants Stadium |
62 |
8 |
A |
S |
0 |
CDR |
#158F |
CP4 > D5 |
11/06/1993 |
Hebron OH, Buckeye Lake Music Center |
72 |
8 |
A |
S |
0 |
CDR |
#154F |
CP4 > D6 |
13/06/1993 |
Orchard Park NY, Rich Stadium |
69 |
9 |
A |
S |
0 |
CDR |
#134F |
4 x Nak CM-300's/CP4's on 10' Stand Left Side OTS > TCD-D3 |
13/06/1993 |
Orchard Park NY, Rich Stadium |
69 |
9 |
A |
S |
0 |
CDR |
#166F |
Nak 300 (CP4) > D6. Samples:
1,
2
|
22/06/1993 |
Minneapolis, Target Center |
106 |
9.5 |
A |
S |
0 |
2CDR |
#86F |
|
25/06/1993 |
Washington DC, RFK Stadium |
78 |
9 |
A |
S |
0 |
CDR |
#27F |
Realistic Pzm @ TS > Sony D5 > Sony D7 @ 16/48. (Archived as 26-6) |
26/06/1993 |
Washington DC, RFK Stadium |
69 |
|
S |
S |
1 |
CDR |
#7F |
Master >HiFi VHS >CDR >shn >flac |
18/06/1993 |
Chicago IL, Timothy White Sessions |
36 |
10 |
R* |
S |
|
CDR |
#33S |
"Complete Chicago Sessions". Music only |
18/06/1993 |
Chicago IL, Timothy White Sessions |
77 |
10 |
R |
S |
|
CDR |
#52F |
Complete |
13/07/1993 |
Porto San Giorgio, Palasport |
81 |
7 |
A |
M |
|
2CDR |
#140F |
Incomplete |
18/07/1993 |
Marsala, Stadio Comunale |
90 |
6.5 |
A |
M |
|
2CDR |
#140F |
|
21/07/1993 |
Bologna, Arena Parco Nord |
104 |
7 |
A |
M |
|
2CDR |
#141F |
|
25/07/1993 |
Passariano, Villa Manin |
104 |
7 |
A |
S |
|
2CDR |
#141F |
|
21/08/1993 |
Hildesheim, Radrennbahn |
107 |
10 |
R |
S |
1 |
2CDR |
#14F |
BBC > HiFi VHS > cassette(1) |
24/08/1993 |
Stockholm, The Globe |
106 |
9 |
A |
S |
0 |
2CDR |
#141F |
From master |
28/08/1993 |
Oslo, Spektrum |
101 |
10 |
T* |
S |
|
2CDR |
#162F |
"A Night in the Life of Sting" |
06/09/1993 |
Foxboro MA, Stadium |
21 |
9.5 |
R |
S |
|
2CDR |
#105S |
|
31/10/1993 |
Rotterdam, Ahoy Sportpaleis |
45 |
9 |
R |
S |
|
CDR |
#141F |
Night of the promos |
11/01/1994 |
London, RAH |
110 |
8 |
A |
S |
0 |
2CDR |
#168F |
DSM-6 > TCD-D3 |
18/01/1994 |
Tokyo, Nihon Budokan |
114 |
8.5 |
A |
S |
0 |
2CDR |
#102F |
Aiwa recorder |
20/02/1994 |
Tampa FL, Coast Dome |
107 |
9.5 |
A* |
S |
|
2CDR |
#26F |
"Like a bee" |
22/02/1994 |
Orlando FL, The Orena |
106 |
9 |
A |
S |
0 |
2CDR |
#90F |
Sonic mics > WM-D6C |
26/02/1994 |
East Rutheford NJ, Meadowsland Arena |
111 |
9 |
R |
S |
|
2CDR |
#130F |
|
28/02/1994 |
Late Show with David Letterman |
5 |
9 |
T |
M |
1 |
CDR |
#163F |
VCR > CASS(1) |
01/03/1994 |
New York, Grammy Awards |
5 |
9.5 |
T |
M |
0 |
CDR |
#169F |
Cable > VHS |
20/09/1994 |
Rishon L'Tzion |
94 |
7.5 |
A |
S |
|
2CDR |
#130F |
The taper was singing loud! Some distortion |
23/09/1994 |
Sassari |
106 |
7.5 |
A |
M |
0 |
2CDR |
#54F |
TCM-23V |
16/06/1995 |
Tokyo, Budokan |
106 |
9.5 |
A |
S |
1 |
2CDR |
#142F |
|
15/02/1996 |
BBC Radio one |
30 |
10 |
R* |
S |
|
CDR |
#28F |
"Union is strength". |
02/03/1996 |
New York, The Academy |
128 |
7.5 |
A |
S |
|
2CDR |
#135F |
|
10/03/1996 |
Amsterdam, Paradiso |
116 |
9.5 |
A |
S |
|
2CDR |
#27F |
DAT @ 32kHz. Clone from master ? |
19/03/1996 |
Stockholm, Isstadion |
114 |
9 |
A |
S |
0 |
2CDR |
#142F |
Sony recorder |
28/03/1996 |
Paris, "Taratata" |
34 |
10 |
T |
S |
|
CDR |
#28F |
"Union is strength" |
29/03/1996 |
Lille, Le Zenith |
106 |
8.5 |
A |
M |
|
2CDR |
#14F |
|
29/03/1996 |
Lille, Le Zenith |
106 |
8 |
A |
M |
0 |
2CDR |
#127F |
ECM T140 > TP 38 |
11/04/1996 |
CBS, "Late show w/ David Letterman" |
4 |
10 |
T |
S |
|
CDR |
#28F |
"Union is strength" |
05/05/1996 |
Bolzano, Palaonda |
94 |
8 |
A |
S |
|
2CDR |
#142F |
|
07/05/1996 |
Passariano, Villa Manin |
94 |
8 |
A |
S |
|
2CDR |
#142F |
|
23/05/1996 |
Budapest, Kisstadion |
32 |
9.5 |
T |
M |
|
CDR |
#38F |
"An Englishman in Budapest" |
26/05/1996 |
Nuerburgring, Rock am ring |
10 |
9.5 |
T* |
S |
|
CDR |
#130F |
"Fleadh" |
08/06/1996 |
London, Fleadh Festival |
60 |
9.5 |
R* |
S |
|
CDR |
#128F |
"Fleadh" |
08/06/1996 |
London, Fleadh Festival |
61 |
10 |
R* |
S |
|
CDR |
#142F |
"My Senses" |
14/07/1996 |
Saratoga Springs, Performing Arts Center |
98 |
9 |
A |
S |
0 |
2CDR |
#50F |
CSS > D8 |
15/07/1996 |
Amagansett, VH-1 Storyteller |
20 |
9 |
T* |
M |
|
CDR |
#142F |
"My Senses" |
26/07/1996 |
Noblesville IN, Deer Creek Music Center |
76 |
8 |
A |
S |
|
CDR |
#53F |
Encores missing |
08/09/1996 |
Houston TX, C. W. Mitchell Pavillion |
72 |
10 |
R* |
S |
0 |
CDR |
#26F |
Pre-FM, Superstar concert series #98-04. |
08/09/1996 |
Houston TX, C. W. Mitchell Pavillion |
102 |
9.5 |
R |
S |
0 |
2CDR |
#27F |
|
08/09/1996 |
Houston TX, C. W. Mitchell Pavillion |
102 |
9.5 |
R* |
S |
|
2CDR |
#161F |
"A Perfect Night In Houston". Sample |
21/09/1996 |
Tokyo, Budokan Hall |
102 |
8.5 |
A |
S |
|
2CDR |
#133F |
|
26/09/1996 |
Osaka |
113 |
9 |
A |
S |
|
2CDR |
#163F |
|
30/09/1996 |
Tokyo, Budokan Hall |
116 |
8.5 |
A |
S |
|
2CDR |
#133F |
|
12/10/1996 |
Taipei, International Conference Center |
110 |
9.5 |
A |
S |
0 |
2CDR |
#14F |
CSB >tcd-d7 |
23/10/1996 |
Melbourne, Festival Hall |
115 |
9.5 |
A |
S |
1 |
2CDR |
#52F |
|
18/11/1996 |
Dublin, The Point |
120 |
8.5 |
A |
S |
|
2CDR |
#134F |
|
25/11/1996 |
Later, with Jools Holland, BBC TV |
8 |
10 |
T |
S |
0 |
CDR |
#56F |
Incomplete |
1996 |
JJJ Australia phone interview |
14 |
9.5 |
R |
S |
0 |
CDR |
#34F |
From master. |
24/01/1997 |
Hannover, Music Hall |
125 |
8 |
A |
S |
|
2CDR |
#102F |
|
27/04/1998 |
New York, Carnegie Hall, Rainforest Benefit |
142 |
8.5 |
A |
S |
0 |
2CDR |
#50F |
MK4's >VMS02IB >SBM-1 >TCD-D8 |
24/10/1999 |
San Diego CA, Copley Symphony Hall |
119 |
7.5 |
A |
S |
0 |
2CDR |
#57F |
MD recorder w/ Sony stereo mics |
09/11/1999 |
Charlotte NC, Ovens Auditorium |
118 |
9 |
A |
S |
0 |
2CDR |
#39F |
Oade Micro Stealth Mics > D8 @ 48 |
12/11/1999 |
Washington DC, DAR Constitution Hall |
121 |
9.5 |
A |
S |
0 |
2CDR |
#133F |
MK4v > VMS > SBM1 |
20/11/1999 |
Saturday Night Live |
8 |
10 |
T |
S |
|
CDR |
#53F |
|
24/11/1999 |
Wallingford CT, SNET Oakdale Theatre |
112 |
9 |
A |
S |
0 |
2CDR |
#56F |
|
10/01/2000 |
Paris, Palais Omnisports de Bercy |
114 |
10 |
A |
S |
|
2CDR |
#10F |
|
17/01/2000 |
Grenoble, Summum |
115 |
9 |
A |
S |
|
2CDR |
#147F |
|
02/02/2000 |
Hamburg, Sporthalle |
116 |
8.5 |
A |
S |
|
2CDR |
#142F |
|
04/02/2000 |
Berlin, Velodrome |
113 |
8.5 |
A |
S |
|
2CDR |
#90F |
|
28/03/2000 |
London, RAH |
89 |
10 |
R |
S |
|
2CDR |
#10F |
|
20/05/2000 |
Verona, Arena |
95 |
6 |
A |
M |
0 |
2CDR |
#151F |
|
12/06/2000 |
Budapest, Kisstadion |
107 |
8.5 |
A |
M |
|
2CDR |
#38F |
"An Englishman in Budapest" |
30/06/2000 |
Mansfield MA, Tweeter Center |
109 |
9.5 |
S |
M |
|
2CDR |
#96F |
|
24/07/2000 |
Montreal, Molson Centre |
110 |
9 |
A |
M |
0 |
CDR |
#54F |
|
09/12/2000 |
New York City, Central Park |
100 |
10 |
R |
S |
0 |
2CDR |
#59F |
|
12/01/2001 |
Rio de Janeiro, Rock in Rio |
80 |
9.5 |
T |
S |
|
CDR |
#157F |
Liberated silver |
19/06/2001 |
Warszaw, Gwardia Stadium |
89 |
10 |
T |
S |
|
2CDR |
#102F |
|
06/07/2001 |
Milano, Idroscalo |
99 |
8 |
A |
S |
0 |
2CDR |
#128F |
CM-DS6 > MZ-N910 |
05/11/2001 |
London, BBC Radio Theatre |
60 |
9.5 |
R |
S |
|
CDR |
#134F |
|
12/09/2003 |
London, Mermaid Theatre, BBC 2 |
56 |
10 |
R |
S |
0 |
CDR |
#26F |
FM > SB USB > HD |
22/09/2003 |
Paris, Olympia Hall |
100 |
8.5 |
A |
S |
0 |
2CDR |
#57F |
ECM-MS907 > MZ-N1 |
07/10/2003 |
Chicago, Grant Park (NDR2) |
54 |
10 |
R |
S |
|
CDR |
#25F |
|
07/10/2003 |
Chicago, Grant Park (WXRT FM) |
54 |
10 |
R |
S |
|
CDR |
#59F |
Gaps. Does not look lossy, but there's some washy sound. |
07/10/2003 |
Chicago, Grant Park |
99 |
9 |
A |
S |
0 |
2CDR |
#90F |
AT853s > Bass roll off > TCD-D8. Wind noise distracts from the great quality |
27/02/2004 |
Rosemont IL, Rosemont Theater |
104 |
9 |
A |
S |
0 |
2CDR |
#90F |
CMC-4 > SP-SPSB-1 > TCD-D8 |
12/03/2004 |
Philadelphia PA, Tower Theater |
114 |
8.5 |
A |
S |
0 |
2CDR |
#36F |
DSM-6S > D7 |
05/06/2004 |
Budapest, Felvonulási square |
116 |
7.5 |
A |
M |
0 |
2CDR |
#40F |
TCM-S66V |
06/06/2004 |
Lisboa, Rock in Rio |
103 |
10 |
R |
S |
0 |
2CDR |
#29F |
FM broadcast > SB Live! > PC > FLAC |
28/07/2004 |
Hershey PA, Hershey Park Stadium |
109 |
8 |
A |
S |
0 |
2CDR |
#60F |
SP-BMC-12 > SP-SPSB-2L > MZ-B100. SBEs |
02/10/2004 |
Mountain View CA, Shoreline Ampitheatre |
113 |
9.5 |
A |
S |
0 |
2CDR |
#25F |
ccm4s > sx-m2 > sbm-1 > d100 |
26/01/2005 |
Hong Kong, Convention and Exhibition Centre |
109 |
9 |
A |
S |
0 |
CDR |
#124F |
Panasonic > TCD-D100 |
28/03/2005 |
Los Angeles, KROQ Studios, Kevin and Bean |
15 |
|
R |
S |
0 |
CDR |
#5F |
Recorded straight to HD. |
03/04/2005 |
Eugene OR, McArthur Court |
92 |
|
A |
S |
0 |
2CDR |
#5F |
cmc4 > spsb1 > jb3 |
14/04/2005 |
Columbia MO, Mizzou Arena |
97 |
9.5 |
A |
S |
0 |
2CDR |
#31F |
at853 > batt. box > M1 @ 48 kHz |
18/04/2005 |
Chicago IL, UIC Pavillon |
98 |
9.5 |
A |
S |
0 |
2CDR |
#17F |
at831 > jb3 |
22/04/2005 |
Cleveland OH, Wolstein Center |
103 |
8 |
A |
S |
0 |
2CDR |
#52F |
GSAL > MZ-R700 |
24/04/2005 |
Grand Rapids MI, Van Andel Arena |
94 |
8.5 |
A |
S |
0 |
2CDR |
#96F |
CMC-8 > DR7 |
02/05/2005 |
Reading PA, Sovereign Center |
131 |
|
A |
S |
0 |
2CDR |
#5F |
DPA4022 > .. > Edirol R-1. w/ Fiction Plane set. |
13/05/2005 |
Wantagh NY, Jones Beach Theatre |
92 |
9 |
A |
S |
0 |
2CDR |
#17F |
Core Sound Binaurals > PCM-M1 |
04/06/2006 |
Lisboa, Rock in Rio |
91 |
10 |
R |
S |
0 |
2CDR |
#33F |
dav-sc8 > SB Live!. Warning: source broadcast was compressed before transmission |
23/06/2006 |
Milano, Piazza del Duomo |
97 |
9 |
A |
S |
M |
2CDR |
#34F |
GSAL omni mics > jb3. My master |
07/07/2006 |
Weert, Sportpark Boshoven, Bospop |
94 |
7.5 |
A |
S |
|
2CDR |
#60F |
|
08/07/2006 |
Werchter, Festival Park |
92 |
8.5 |
A |
S |
0 |
2CDR |
#94F |
ECM-MS907 > MZ-NH900 |
13/07/2006 |
Luxembourg, Stade Emile Mayrisch |
98 |
9 |
A |
S |
0 |
2CDR |
#36F |
CMC-2A > MZ-NH900 |
26/07/2006 |
Moscow, SK Olimpyskiy |
96 |
8 |
A |
S |
0 |
2CDR |
#44F |
ECM-717 > MZ-RH910 |
04/10/2006 |
London, LSO St Luke's |
55 |
10 |
R |
S |
0 |
CDR |
#42F |
|
09/10/2006 |
New York NY, Lincoln Center Allen Room |
84 |
9.5 |
R |
M |
0 |
2CDR |
#91F |
DirecTV > VHS |
10/10/2006 |
BBC 3, "Late Junction" |
93 |
10 |
R |
S |
0 |
RA |
40 |
Real Audio file. Full program |
23/10/2006 |
Berlin, Club Maria |
55 |
9.5 |
R |
S |
0 |
CDR |
#45F |
From FM master, but compressed source. |
26/10/2006 |
Paris, salle Olivier Messiaen, FIP radio |
82 |
9.5 |
R |
S |
0 |
2CDR |
#43F |
|
28/02/2007 |
Hamburg, Laeiszhalle |
99 |
9 |
A |
S |
0 |
2CDR |
#57F |
ECM-CS10 > MD-MT190 |
18/12/2008 |
Tokyo, Bunkamura Orchard Hall |
97 |
9 |
A |
S |
0 |
2CDR |
#130F |
COS-11(S) > NGSX2 > R-1 @16/44 |
20/12/2008 |
Osaka, Festival Hall |
79 |
8.5 |
A |
S |
  |
CDR |
#130F |
|
22/11/2009 |
Sao Paulo, Natura |
109 |
6 |
A |
S |
0 |
2CDR |
#143F |
SP-TFB-2 > R-09. Samples:
1,
2
|
25/04/2010 |
Washington DC, National Mall, Earth Day |
18 |
9 |
A |
S |
0 |
CDR |
#153F |
skm140 > lunatec v3 > mtII @24/48 |
22/05/2010 |
Dallas TX, Winspear Opera House |
95 |
9.5 |
A |
S |
0 |
2CDR |
#154F |
4061 > D100. Samples:
1,
2
|
26/05/2010 |
Wolfsburg, Autostadt |
108 |
8.5 |
A |
S |
0 |
2CDR |
#152F |
ECM-717 > MD-MT15 |
27/05/2010 |
Wolfsburg, Autostadt |
111 |
9.5 |
A |
S |
0 |
2CDR |
#143F |
ECM-717 > MD-MT15 |
15/06/2010 |
Hollywood CA, Hollywood Bowl |
135 |
9 |
A |
S |
0 |
2CDR |
#152F |
mk4 > Actives > NBox > R09-HR @24. Samples:
1,
2,
3,
4
|
02/07/2010 |
West Palm Beach FL, Cruzan Amphiteater |
141 |
8.5 |
A |
S |
0 |
2CDR |
#154F |
CA-11 > BB > DR-07 |
06/07/2010 |
Uncasville CT, Arena @ Mohegan Sun Casino |
140 |
8.5 |
A |
S |
0 |
2CDR |
#154F |
ME-104 > DR-07. Samples:
1,
2,
3
|
10/07/2010 |
Camden NJ, susquehanna Bank Center |
140 |
9.5 |
A |
S |
0 |
2CDR |
#152F |
KM150's > MP2 > PCM-M10.
Sample
|
10/07/2010 |
Camden NJ, susquehanna Bank Center |
138 |
9 |
A |
S |
0 |
2CDR |
#152F |
MK4's > Nbox+ > PCM-M10.
Sample
|
15/10/2010 |
Arnhem, GelreDome |
132 |
8 |
A |
S |
0 |
2CDR |
#143F |
ECM-717 > MD-MT15 |
15/10/2010 |
Arnhem, GelreDome |
133 |
8.5 |
A |
S |
0 |
2CDR |
#147F |
ST-11 > STC-9000 > H340. Samples:
1,
2
|
29/10/2010 |
Barcelona, Palau Sant Jordi |
138 |
8 |
A |
S |
0 |
2CDR |
#153F |
SS PA-10LC3 > R-09 HR |
29/10/2010 |
Barcelona, Palau Sant Jordi |
138 |
7 |
A |
S |
0 |
2CDR |
#153F |
R-09HR |
29/10/2010 |
Barcelona, Palau Sant Jordi |
139 |
8.5 |
A |
S |
0 |
2CDR |
#156F |
4061 > SP Battery Box > R-09HR @16/44.1. Samples:
1,
2,
3,
4
|
29/10/2010 |
Barcelona, Palau Sant Jordi |
138 |
8 |
A |
S |
0 |
2CDR |
#156F |
ECM-719 > R-05 @16/44.1 |
30/10/2010 |
Madrid, Palacio de los Deportes |
61 |
10 |
R |
S |
0 |
MP2 |
#151 |
DVB-S (SkyStar 2) @256 kbps, 48kHz > mp2 |
06/11/2010 |
Budapest, Papp Laszlo Sportarena |
138 |
8 |
A |
S |
0 |
2CDR |
#156F |
ECM-719 > MZ-RH910 |
10/11/2010 |
Roma, Auditorium Parco della Musica |
142 |
8 |
A |
S |
0 |
2CDR |
#152F |
ECM-717 > H2 @16/44.1. Samples:
1,
2
|
13/01/2011 |
Osaka, Municipal Central Gymnasium |
140 |
9 |
A |
S |
0 |
2CDR |
#161F |
MK4 > Nbox > M-10@24/96. 16 bits version.
Sample
|
13/01/2011 |
Osaka, Municipal Central Gymnasium |
139 |
9 |
A |
S |
|
2CDR |
#161F |
Unknown source #1 |
17/01/2011 |
Tokyo, Nippon Budokan |
139 |
9.5 |
A |
S |
|
2CDR |
#159F |
From silver |
18/01/2011 |
Tokyo, Nippon Budokan, soundchecks |
20 |
10 |
S |
M |
|
CDR |
#161F |
IEM |
18/01/2011 |
Tokyo, Nippon Budokan |
140 |
8.5 |
A |
MS |
0 |
2CDR |
#161F |
SP-CMC-8 > MT2496@16/44.1. Samples:
1,
2,
3
|
22/06/2011 |
Moenchengladbach, Warsteiner HockeyPark |
120 |
8.5 |
A |
S |
0 |
2CDR |
#157F |
ECM-717 > MD-MT15 |
22/06/2011 |
Moenchengladbach, Warsteiner HockeyPark |
120 |
8 |
A |
S |
0 |
2CDR |
#157F |
MM-MCSM-4 > MM-EBM > H120 |
09/07/2011 |
Locarno, Piazza Grande |
125 |
7 |
A |
M |
0 |
2CDR |
#164F |
ECM-DS70P > MZ-N710 |
16/07/2011 |
Festival Jardins de Cap Roig |
120 |
8.5 |
A |
S |
0 |
2CDR |
#157F |
4061 > MM-CBM-Mini > R-09HR @24/48. Samples:
1,
2,
3,
4
|
16/07/2011 |
Festival Jardins de Cap Roig |
120 |
8.5 |
A |
S |
0 |
2CDR |
#157F |
SS PA-10LC3 > R-09 HR |
23/07/2011 |
Nimes, Arenes |
99 |
8.5 |
A |
S |
0 |
2CDR |
#157F |
MS-TFB-2 > SPSB11 > PCM-M10 @24/48 |
29/07/2011 |
Venezia, Piazza San Marco |
127 |
7.5 |
A |
M |
0 |
2CDR |
#164F |
ECM-DS70P > MZ-N710. w/ soundcheck from outside |
31/07/2011 |
Brescia, Piazza della Loggia |
147 |
7.5 |
A |
M |
0 |
2CDR |
#164F |
ECM-DS70P > MZ-N710. w/ soundcheck from outside |
05/10/2011 |
San Francisco CA, Treasure Island, Oracle OpenWorld Party |
95 |
9.5 |
A |
S |
0 |
2CDR |
#162F |
mk4 > NBox > DR100@24/48. 16/44.1 version |
22/10/2011 |
Boston, Wang Theatre |
121 |
8.5 |
A |
S |
0 |
2CDR |
#159F |
4060 > BB > R-09HR |
26/10/2011 |
Upper Darby PA, Tower Theater |
124 |
9 |
A |
S |
0 |
2CDR |
#159F |
Mk 4 > Nbox > PCM-M10.
Sample |
29/10/2011 |
Washington DC, Constitution Hall |
128 |
9.5 |
A |
S |
0 |
2CDR |
#159F |
4061 > CA batt box > r09 @24/48. Samples:
1,
2,
3
|
12/11/2011 |
Miami Beach FL, Jackie Gleason Theater |
125 |
8.5 |
A |
S |
0 |
2CDR |
#166F |
M10 |
17/11/2011 |
Houston TX, Verizon Wireless Theatre |
142 |
9 |
A |
S |
0 |
2CDR |
#162F |
ECM-717 > MD-MT15. w/ soundchecks |
22/11/2011 |
Phoenix AZ, Comerica Theatre |
119 |
8.5 |
A |
S |
0 |
2CDR |
#164F |
SP-TFB-2 > R-09.
Sample
|
07/02/2012 |
Amsterdam, Heineken Music Hall |
121 |
8.5 |
A |
S |
0 |
2CDR |
#164F |
ECM-717 > R-09HR |
18/02/2012 |
Prague, Congress Centre |
119 |
9 |
A |
S |
0 |
2CDR |
#166F |
CS-10EM > R-09HR@24/96. 16 bits version. Samples:
1,
2
|
03/07/2012 |
Amsterdam, Ziggo Dome |
105 |
8.5 |
A |
S |
0 |
2CDR |
#169F |
MM-MCSM-4 > H120 |
03/07/2012 |
Amsterdam, Ziggo Dome |
101 |
8.5 |
A |
S |
0 |
2CDR |
#169F |
ECM-717 > R-09HR@16 |
ANDY SUMMERS |
27/10/1968 |
TTG Studios |
19 |
9 |
S |
S |
|
CDR |
#46F |
w/ Hendrix, Wyatt and Money. Andy on bass! |
06/10/1984 |
BBC |
|
|
R |
|
|
T |
|
|
14/07/1987 |
Boston MA, The Metro |
133 |
9 |
A |
S |
0 |
2CDR |
#161 |
Realistic mini mics > D6 |
05/08/1987 |
Portland OR, Starry night |
91 |
7.5 |
A |
S |
0 |
2CDR |
#36F |
From master Sony walkman |
06/09/1988 |
Somerville MA, Somerville Theatre |
48 |
9 |
A |
S |
0 |
CDR |
#46F |
M-69 > D6 |
07/09/1988 |
New York, Radio City Music Hall |
44 |
8 |
A |
S |
0 |
CDR |
#36F |
D3 |
09/09/1988 |
New Haven CT, Palace |
43 |
7.5 |
A |
M |
|
CDR |
#36F |
|
18/09/1988 |
Dallas TX, Starplex Amphitheatre |
41 |
8 |
A |
S |
0 |
CDR |
#58F |
Radio Shack recorder & mics |
06/07/1989 |
Milano, Arena |
49 |
6 |
A |
S |
|
CDR |
#148F |
Incomplete |
11/07/1989 |
Muenchen, Theater Fabrik |
90 |
9 |
A |
S |
|
2CDR |
#148F |
|
15/07/1989 |
Den Haag, Statenhal |
57 |
9 |
R |
S |
|
CDR |
#75F |
|
15/07/1989 |
Den Haag, Statenhal |
73 |
6 |
A |
M |
|
CDR |
#148F |
|
19/07/1989 |
Paris, Elysee Montmartre |
114 |
8.5 |
A |
S |
|
2CDR |
#148F |
|
24/09/1989 |
Scottsdale AZ, Horseworld Park |
99 |
8.5 |
A |
S |
0 |
2CDR |
#161F |
From master. Sample |
28/09/1989 |
San Juan Capistrano CA, The Coach House |
104 |
6.5 |
A |
M |
|
2CDR |
#148F |
|
21/07/1990 |
Montreux Jazz Festival |
99 |
|
R |
S |
|
2CDR |
#3F |
|
11/10/1990 |
Schenectady NY, Van Dyke |
90 |
7 |
A |
S |
|
2CDR |
#148F |
|
12/10/1990 |
New York NY, Town Hall |
79 |
7 |
A |
S |
|
CDR |
#148F |
|
14/12/1990 |
Mexico City, Angela Peralta Theatre |
98 |
9 |
R |
S |
|
2CDR |
#148F |
So lonely! |
06/07/1991 |
Cagliari, Jazz festival |
85 |
8 |
A |
M |
1 |
2CDR |
#54F |
|
08/07/1991 |
Hamburg, Fischauktionshalle |
45 |
9.5 |
R |
S |
|
CDR |
#46F |
|
11/07/1991 |
Montreux Jazz Festival |
75 |
9.5 |
R |
S |
|
CDR |
#43F |
|
14/07/1991 |
Den Haag, North Sea Jazz Festival |
84 |
8.5 |
A |
S |
|
2CDR |
#150F |
|
11/03/1994 |
New York (w/ John Etheridge) |
121 |
10 |
S |
S |
0 |
2CDR |
#153F |
|
16/05/1994 |
Luxembourg, Conservatoire (w/ John Etheridge) |
90 |
8.5 |
A |
S |
0 |
2CDR |
#26F |
From master. |
23/05/1995 |
Cannes, interview only |
58 |
10 |
R |
M |
|
CDR |
#164F |
|
22/11/1995 |
Cusano Milanino (MIlano), Il Circolino |
93 |
8.5 |
A |
S |
M |
2CDR |
#39F |
From my master CM-30a > tc-d3 (analog) |
25/11/1995 |
Castelnuovo del Garda, L'Usignolo |
91 |
7.5 |
A |
S |
|
2CDR |
#39F |
|
16/07/1996 |
Paris, New Morning Club |
121 |
9.5 |
A |
S |
|
2CDR |
#54F |
w/ Larry Coryell and Trilok Gurtu |
07/03/1997 |
New York, Knitting Factory |
95 |
9.5 |
A |
S |
|
2CDR |
#99F |
w/ Sting on one song |
22/11/1997 |
Schenectady NY, The Van Dyck, late show |
94 |
8 |
A |
S |
0 |
2CDR |
#165F |
ECM 717 > D8.
Sample
|
25/11/1997 |
Northampton, Iron Horse |
88 |
8 |
A |
M |
|
2CDR |
#151F |
|
19/04/1998 |
Milano, Le Scimmie |
98 |
10 |
A |
S |
M |
2CDR |
#39F |
From my master CM-30a > tc-d3 (analog) |
26/10/2001 |
Frankfurt, HR Sendesaal, Jazz Festival |
78 |
|
R |
S |
|
CDR |
#3F |
|
26/10/2001 |
Frankfurt, HR Sendesaal, Jazz Festival |
75 |
10 |
R |
S |
0 |
CDR |
#52F |
DVB-S > CDR. Microgaps |
31/10/2001 |
Budapest, Petofi Csarnok |
102 |
7.5 |
A |
M |
0 |
2CDR |
#43F |
From TCM-S66V master. Microgaps. |
11/11/2001 |
London, Royal Festival Hall |
62 |
|
A |
S |
|
CDR |
#5F |
|
28/07/2002 |
Bath, Guitar Festival |
79 |
9 |
A |
M |
|
CDR |
#167F |
|
28/10/2004 |
NYC, Birdland, early set |
70 |
10 |
A |
S |
0 |
CDR |
#14F |
at853 > Bass roll off > tcd-d8. |
28/10/2004 |
NYC, Birdland, late set |
55 |
10 |
A |
S |
0 |
CDR |
#14F |
at853 > Bass roll off > tcd-d8. |
29/10/2004 |
NYC, Birdland, early set |
67 |
10 |
A |
S |
0 |
CDR |
#14F |
at853 > Bass roll off > tcd-d8. |
29/10/2004 |
NYC, Birdland, late set |
67 |
10 |
A |
S |
0 |
CDR |
#14F |
at853 > Bass roll off > tcd-d8. |
30/10/2004 |
NYC, Birdland, early and late sets |
133 |
10 |
A |
S |
|
2CDR |
#123F |
at853 > Bass roll off > tcd-d8. |
02/10/2005 |
Urbana-Champaign, Tryon Festival Theatre |
75 |
9 |
A |
S |
0 |
CDR |
#14F |
at853 > Bass roll off > tcd-d8. |
20/01/2006 |
Anaheim CA, NAMM |
48 |
8 |
A |
M |
0 |
CDR |
#38F |
JVC GR DVL 520U (Video Camera [audio only]). Microgaps |
09/10/2006 |
WNYC Radio |
18 |
10 |
W |
M |
0 |
MP3 |
#46 |
44.1 kHz 56 kbps mono |
14/10/2006 |
WGN Radio |
39 |
10 |
W |
M |
0 |
RA |
#46 |
16 kbps mono |
16/10/2006 |
Mancow's Morning Madhouse |
192 |
10 |
W |
M |
0 |
MP3 |
#46 |
Full show. 22kHz 40 kbps mono |
18/10/2006 |
KIRO Radio |
34 |
10 |
W |
M |
0 |
MP3 |
#46 |
22kHz 59 kbps (vbr) mono |
20/10/2006 |
KFOG Radio |
8 |
10 |
W |
S |
0 |
MP3 |
#46 |
44.1kHz 320kbps joint stereo |
01/11/2006 |
BBC Radio 4 |
43 |
10 |
W |
S |
0 |
RA |
#46 |
Full program. 44kbps stereo |
07/11/2006 |
BBC Radio Five Live |
31 |
10 |
W |
M |
0 |
MP3 |
#46 |
Full program. 44.1kHz 56kbps mono |
10/11/2006 |
KPFA Radio |
22 |
10 |
W |
M |
0 |
MP3 |
#46 |
22kHz 24kbps mono |
15/11/2006 |
90.3 WPCN |
29 |
10 |
W |
M |
0 |
MP3 |
#75 |
44.1kHz 64kbps mono |
La NOTTE DELLA TARANTA |
02/10/2007 |
Torino, Stadio delle Alpi |
38 |
7.5 |
A |
M |
M |
CDR |
#93F |
My master. DPA 4061s > MPS 6030 > R-09 @16/44.1. No Stewart here |
VINX |
21/07/1990 |
Montreux Jazz Festival |
70 |
9.5 |
R |
S |
0 |
CDR |
#122F |
Sting on two tracks |